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Showing posts from October, 2024

You left a trail…

Meiyazhagan ( மெய்யழகன் , Tamil; 2024) Written & Directed by: C Prem Kumar How often have you been caught in a situation where someone catches you at a party and goes on a rant? They seem to know everything about you. They would tell you about your parents and obscure personal details of your childhood. The trouble is that you don't know him from Adam. You would not have the slightest clue who he is but too embarrassed to ask him. You would not want to offend the other person and appear haughty. More so when you return to your hometown, doing better than where you came from whilst the other person is still stuck in your hometown.  You slowly try to pick a cue from his sentences. You try to look deep into his eyes, perhaps to pick up any identifying features. Negative. You try politely asking people behind his back, but it proves difficult as everyone assumes both seem engaged in a conversation so deep that we are blood brothers.  You become desperate as the other person st...

Part of the company you keep!

Onibaba (Japanese, 1964) Director: Kaneto Shindō Many stories tell us to be wary of the company we keep with. Like how Amma frequently reminds us, a calf, if it moves around with piglets, will eventually join the piglets and source its daily meals from the rubbish dump. An animal, placed high in Hindu society, will ultimately do unholy things depending on the company it keeps.  There is something special about black-and-white movies and the horror genre. It reminds me of my childhood, when my sisters and I would flock around our home 16" TV, squinting to watch RTM's Friday offering of  Cerita Pontianak . Even the poor makeup of Pontianak would scare the living daylights out of my sister. She would even be scared to enter the kitchen. To make it worse, I would hide around the corner and jump suddenly in front of her, making her scream! Onibaba is a classic Japanese movie set in the Samurai era. Times are bad. All the territories are at loggerheads; all men are out to fight, and...

A musical horror?

Joker: Folie à Deux (Madness shared by two; 2024) Director: Todd Philips No matter how much they suck at anything, adults are not supposed to tell children they are wrong. They are supposed to be encouraged, only showered with positive vibes. It is believed to give them self-confidence and stretch them to greater heights beyond their capacity.  Nobody is graded. Everyone gets a medal for participating. Everyone is a winner, and he is exceptional and made to believe.  I have news for you. Go into the world and realise that nobody gives two hoots to you. Everybody is in a hurry. Nobody has time to listen and talk to you. Every man is an island. To make matters worse, the others have no qualms about stepping on or over you to achieve their goals. Losing you is just one step closer to their goals. There is no time to coach or wait for you. It is a man-eat-man world out there. Living under the hawking eyes of helicopter parenting or even chip-implanted surveillance, these snowflake...

Gory historic details or gore fest?

Razakar:  The Silent Genocide Of Hyderabad  (Telegu, 2024) Director:  Yata Satyanarayana In her last major speech before her disposition, Sheikh Hasina accused those who opposed her rule in Bangladesh of being Razakars. The opposition took offence to this term and soon widespread mob throughout the land. Of course, it is not that that single incident brought down an elected government but a culmination of joblessness and unjust reservations for a select population group. In the Bengali psyche, Razakar is a pejorative term meaning traitor or Judas. It was first used during the 1971 Pakistan Civil War. The paramilitary group who were against the then-East Pakistani leader, Majibur Rehman, were pro-West Pakistan. After establishing independence in Bangladesh, Razakars were disbanded, and many ran off to Pakistan. Around the time of Indian independence, turmoil brewed in the princely state of Hyderabad, which had been a province deputed by the Mughals from 1794. The rule of N...

Always the second fiddle!

Daddio (2024) Director & Screenplay: Christy Hall This movie would not have hit my radar if Qantas had not apologised to its passengers on a flight to Tokyo for a mistaken screening. A glitch in the system made only this movie being screened in all in-flight entertainment for a whole hour. Qantas specifically apologised to the children for the mistake. The apology must have been because it must have been boring as hell for them. And also perhaps because of two ‘unholy’ sexting images of an erect phallus and a full display of a pair of mammary glands in their full glory.  Not that I am complaining. It is a well-made drama that discusses a very mature subject- what either gender expects in a relationship. This conversation occurs during a cab journey from JFK airport to Manhattan between a twice-married cab driver and his passenger, a 30-something confident lady who is a mistress to a married man with kids. That is it. It starts with the lady (Dakota Johnson) entering Sean Penn's...

When stock pundit be held responsible!

Money Monster (2016) Director: Jody Foster That it is. There is no shortcut to making that first million. First, one must realise that one's journey to the land of gold and honey may meet impassable obstacles and not reach the intended destination. Or, he may be skewed away from the path and end up in a ditch. Or, he may be swallowed by a beast (or troll under the bridge, if you still believe in fairy tales!) Wealth is finite. It is a zero-sum game. For one to make a million, somebody else must lose a million. The way advertisers do their thing, prospectors buy the idea that no one is a loser. They entice you into the gravy train, which never runs short of curry! With the advent of complex algorithms, the unholy union of data scientists and conniving dupe masters never had it better. Speaking in incomprehensible jargon that they do not understand, they create a smokescreen that can cleverly hide their true malfeasances. Their spick appearances and polished social etiquettes belie t...

Take control!

CTRL (Hindi, 2024) Director: Vikramaditya Motwane A toddler looks at a portrait on the wall and automatically swipes his hand, expecting to see another picture. Every child from every crook and nook of the house burrows out the moment the WiFi router is turned off, blurting, in their weary red eyes, “The WiFi is not working!” Never mind that the house is burning! We have become digitally addicted. Social media is closely linked to this connectivity. So gratifying has this media interaction become that people would rather communicate via their devices than in person. It simply simplifies things. One can do away with the customary curtsies and communicate when necessary and on the go. The serotonin infusion given by likes and thumbs up has reached such alarming levels that children have been known to have bitten off the hands that fed them. Mothers have been bludgeoned by their children in tantrums. Never in human history have people been scrutinised so minutely as in Instagram and Faceb...