Taking freedom of speech to the extreme, Clint Eastwood produced and directed this 2011 movie on American icon of paranoia who made Americans to perceive that there is USA and there is the rest of the world, John Edgar Hoover, the first director of FBI. The movie dwells upon at best speculative stories that surfaced after his death regarding his secret private life, essentially, opening up his closet and displaying its contents in full for public scrunity. Looks like Leonardo De Caprio is slowly stereotyping himself into acting in biographies - first he acted as Howard Hughes in 'Aviator' now this. A stellar performance he did give and is slowly earning a reputation as a actor of class.There are a few 'myths' floating around in books and Internet on J. Edgar Hoover. He is alleged to have black ancestry and was adopted by the Hoover family. His wirery curly hair in his younger days is testimony to this effect.
The movie starts with an old JEH dictating his side of the story to a young agent. From here, the film, as in the trend in present day film making, it flip flops between the past and past, narrating the story as it went on. One interesting way of shooting was how these two are interposed - e.g. two characters enter a lift in the 60s and exit it in the 1930s! Edgar lives with his mother (Dame Judi Finch) who has a strong influence on him and his mentally ill father. He fancies a new secretary who joins his department but his love is turned down as she rather be married to her job. She (Helen Gandy, Naomi Watt in a less glamorous role) , however, becomes his lifelong personal assistant.
After that came the Depression era spates of bank robbery and highway machine gun wielding gangs.
Edgar took in Clyde Tolson (Armie Hammer) as his assistant at the Bureau. It developed into a lasting relationship which got people talking. They went shopping for clothes together, went for holidays and dined toghther wothout fail.
Long arm of the law: J Edgar Hoover in 1936. New York Daily News Archive/Getty Images |
There was many gangsters caught by his team but Edgar is accused of not doing enough to eradicate gangsterism as the urban legends say that the mobs hold many evidence of Edgar's sexual preference. At a time when gay men were frowned upon and ostracized, Edgar denied his feelings by purposely going after the homosexuals and showing his prowess.
Dorothy Lamour |
Edgar is depicted here as a person who takes prominence over the successes of his men.
During one of their holiday outings, Edgar tells Tolson about his intention to propose to an actress, Dorothy Lamour, which enrages Tolson who confesses his true love!
He even has a secret recordings of Martin Luther King (of his sexual imbroglio with a white woman which was a crime then) which he used against him days before his Nobel prize for Peace awards which Edgar tries to block.
Towards the end, Tolson accuses Edgar of making up most of the crime busting escapades mentioned in his manuscript with a lot of exaggerations to boost up his image.
T Rajendar |
Clint Eastwood not only produced and directed the film, he even wrote the music score! Hey, he is following the footsteps of T.Rajendar and his co-film makers in Kollywood!
A definite Oscar contender!
Just a thought... If I were famous and enviably important, they would label me gay too! I have cordial relationship with my mother (albeit our differences sometimes), I enjoy weekly indulges of activities which involve drenching in sweat with the boys on Sunday mornings as well as the breakfast of thosai afterwards, enjoy songs belted by many gay singers (Sudirman and Queen) and I sometimes go undercover with a pseudonym of a person is flamboyantly overt about his sexuality!
Memorable quote...
When moral declines and good men do nothing, evil flourishes.
The secret life of J Edgar Hoover http://www.guardian.co.uk/film/2012/jan/01/j-edgar-hoover-secret-fbi
Five myths about J. Edgar Hoover http://www.washingtonpost.com/opinions/five-myths-about-j-edgar-hoover/2011/11/07/gIQASLlo5M_story.html