Showing posts with label change. Show all posts
Showing posts with label change. Show all posts

Tuesday, 10 June 2025

Just another year?

1971: The Year That Music Changed Everything
Documentary - 8 episodes
https://www.imdb.com/title/tt14544732/

1971 could have been merely a non-discrete year, but the creators of this docu-series believed it marked a watershed moment. They considered it the year when the carefree values of the 1960s began to shift. It represented the onset of revolutions. The generation born in the post-war years, once content, has aged, and their offspring now find themselves in a world rife with turmoil and uncertainty. 

In the late 1960s, America witnessed its sons returning in body bags from defending a country that did not wish to be defended. The Americans saw no reason to uphold the free world against a perceived communist threat. 

The hippie movement created a new cocoon for disillusioned youths to escape into weed, and rock and roll. In relation to that, the cult killing by the Manson family took centre stage. 

The hierarchical and patriarchal order of society was shifting. The introduction of oral contraceptive pills provided women, for the first time in their lives, an opportunity to control their fertility and potentially their sexuality as well. This was particularly significant, as they gained more self-confidence after emerging en masse to support the economy when men went off to fight in World War II. 

1971 must have seemed meaningless. With the Beatles breaking up, Lennon and Yoko engaging in their eccentric activities, and the great musicians Jim Morrison, Janis Joplin, and Jimi Hendrix having passed away, the youth must have felt that music was dead. A new wave of performers emerged, bringing fresh messages and revolutionary ideas. 

Marvin Gaye belted out protest songs with 'What's Going On?'. Aretha Franklin joined the movement of Black Consciousness, and Tina Turner became an icon of female empowerment following her publicised abusive relationship with Ike. The Rolling Stones attempted to fill the gap left by the Beatles, but were often busy rolling dope in the South of France. David Bowie was making his mark on the scene with his androgynous appearance, dressed in a full gown. 

The Black Power movement was in full swing. Angela Davis, a UCLA professor and an unapologetic, card-carrying member of the US Communist Party, was in the spotlight. The gun she had acquired was used in the courtroom killing of a judge. Numerous musicians rallied behind her. James Brown's soul music empowered Black men and women. 

1971 was also when the world realised that our minds can be fickle and suggestible. The Stanford Experiment taught us an invaluable lesson that remains relevant today—anonymity caused people to behave in a despicable manner. The Charles Manson trials revealed how impressionable, naive young minds can be manipulated into committing outrageous acts. The US Army massacre at My Lai in Vietnam demonstrated that the Americans were no different from the Germans in Auschwitz and the Japanese in Nanking.

It was a time of political awareness, social change, and musical experimentation. It was also the birthplace of many fantastic singer-songwriters, such as Carole King and Joni Mitchell. Music was explored using electronic devices, such as synthesisers, as exemplified by the band The Who.

1971 witnessed the UK's longest obscenity trial, which involved a 1960s counterculture publication, Oz. In one of its editions, schoolchildren were invited to edit the Schoolkids' Issue, which included pasting a cartoon mascot from the Daily Express into a sex strip illustration. The editors received jail sentences. John Lennon and Yoko Ono, who were themselves embroiled in controversy over nude album covers, came to their defence by organising protest marches and dedicating a song to this cause.

Logically, not everything changes in a year. Many of the things mentioned evolve over time.

 

1971 could be merely a random year. Every year contributes slightly to the transformation of our life on Earth. 1971 might serve as just a talking point, much like the story of how the Hardy-Ramanujan number came about. When visiting mathematician Ramanujan in the hospital, Professor Hardy, unsure of how to break the ice, mentioned that he took a taxi with the number 1729, which he considered dull. Ramanujan responded by stating that the number was interesting because it is the smallest number expressible as the sum of two cubes in two different ways. [1729 can be expressed as 1³ + 12³ = 10³ + 9³]


Monday, 18 July 2022

The more things change, the more they stay the same.

Lost Illusion (Illusions Perdues, French, 2022)
Director: Xavier Giannoli
(Based on 'Illusions perdues' by Honoré de Balzac)

The distinction between the left and the right side of politics is said to have had its origin at the time of King Louis XVI. Those seated to the right were royalties and the nobilities who were quite contented with the status quo, that is, authoritarianism and the church's excessive meddling. The feudalistic method of wealth distribution works just fine for them, thanks to their linkages to the monarch. Those on the left of the King earned their every penny through hard work and hard-sell. Naturally, they abhor cronyism and want level playing fields.

The French revolution jolted this arrangement at its core. The peasants did not want to be reminded of their past anymore. People with surnames that had an association with the royalties and aristocrats were hunted down and guillotined. By the post-Napoleonic era, things had resorted back to how it was before the time the French broke down the gates of bastille. French society had been divided again by class. Money, wealth and ancestor became important again.

Against this background, Balzac wrote this classic. It is the story of a talented young 20-year-old man from the countryside who lands in 1821 Paris to be a somebody. Lucien, a man embarrassed by his heritage, comes armed with poetry and the zest to be a famous poet. He earlier is caught having an affair with a high society woman, somebody's wife. He soon discovers a world full of fake news and a press willing to prostitute itself to the highest bidder. His dream to be a poet crumbles as his writings hurt the sentiments of a certain section of society. Nobody writes the truth anymore. It all depends on who is their paymaster. The more things seem to change, the more they seem to recoil back to how it was previously. He falls in love with a budding actress, but her career is also cut short by these critics who shoot down talent with scathing jeers and paid negative reviews. Lucien comes home an empty man.

The kudos we read in the newsreels are because the reporters were told to do so. Publishers publish articles that meet their agendas. They realise that a lie often repeated becomes the unassailable truth.

“Be afraid. Be very afraid.”*