RIFLE RANGE BOY

My wife is on a donation drive. A small Hindu temple in our neighbourhood is on the verge of morphing into something big. Initially starting as zinc shed with a few deities, with ever-increasing congregating believers, its presence came to be felt by the surrounding occupants. They did not mind the occasional minor inconveniences caused by its presence as they thought the divine power that it represents would, in turn, protect them.   Soon the temple coffers grew bigger, and the pressure to flaunt their presence became necessary. Architects were summoned in, and a grand design was put forth. But then, if only they had a few hundred thousand ringgits more… That was when the drive started.   The general public was not so forthcoming to part with their hard-earned moolah. They have had enough of schemes that never got off the ground. And the number of holy men in sheep's clothing is just too numerous to be enumerated. They would like to see money spent on education and social cau...

Dev Bhumi - Land of the Gods (2016) Director: Goran Paskaljević As we grew up and our eyes slowly peeled open to the changes around us, we felt ashamed. Maybe because of the western type of education taught to us, we were embarrassed by our heritage. We perceived our own culture as archaic and that our parents were living under a rock. The world, it appeared then, was changing, and we did not want to be left behind. We could wait to grow wings and pave our own paths. We ran through the gruelling mill of life, and soon enough, we realised that there was wisdom in what our ancestors did what they did. The raging hormones of youth and the lure of material gains clouded our judgement. We tell ourselves, perhaps, they were right. We yearn to get back and make amends. But, no. The others think you are a fool and are best left alone. This 2016 movie made by a Serbian director with co-writing input by the famous Victor Banerjee, is a slow-moving film with the breathtaking view of the Himalayas...

Madaathy, An Unfairy Tale. (Tamil; 2021) Director & Writer: Leela Manimekalai It is said there is a back story behind every village deity. Madaathy is one such goddess. A representative of the feminine powers of the Universe, it is said that she is the embodiment of the spirit of a wronged low caste adolescent girl.  The first scene itself sets the mood for the rest of the movie. A newly-wed couple, in their best attire, goes on a joyful motorbike ride to Madaathy temple. En route, the bride realises that she just started her menstruation and insists that they stop to get some kind of sanitation napkin. It would flash upon viewers that we are into something taboo. Are they going to cancel their journey or continue to the destination? We are left to wonder. The story revolves around a group of the lowest of the Dalit community, the Puthirai Vannars.  Sometimes, I wonder whether these types of communities and such levels of oppression do actually exist. According to the dire...