Showing posts with label populist. Show all posts
Showing posts with label populist. Show all posts

Monday, 9 May 2022

Parliament, Unexpected; Government Interrupted!

Parliament, Unexpected
Tan Sri Ariff Yusof

This book is more like a report card on the activities of the Speaker who was appointed to the helm when the new Pakatan Harapan coalition government was elected. The government was short-lived with its own appointment premier sabotaging his own partners in what came to be known as the Sheraton move. Mahathir Mohammad was never happy with the unsettlingly high participation of opposition members in the new government. A bigoted racist by mindset, from the get-go, he had been devising a way to get his former party UMNO back to power without Najib and his band of thieves. Maybe by design or double-crossing, Mahathir got ousted instead. What remains now is a sleuth of incompetent clowns who dance around in their self aggrandising Emperor's New Clothes. Hyenas and jackals have all come out to play in a system that borders on lawlessness day by day.

He gives a brief account of his childhood days, his alma mater, his family, and his career and delves right into his sudden appointment as the Speaker in the august house of the Parliament. He took it as a national service as he already had a fulfilling daytime job in the legal circles. As the author puts it, nobody in his right mind would have a lifelong ambition to be the Speaker of the Parliament!

It is disheartening to read about how a respected man of scholarship and a former judge has to condescend to the schoolboy hooligans-like antics of grown men who were elected to ensure the smooth running of the country. These buffoons seem to be high on some kind of intoxicant that they have no qualms about using profanity in the House, that too in front of visitors, including schoolchildren. Coincidentally, the author seems to have drawn his fascination with politics from a similar visit during his school days. Oh yes, parliamentarians were more civil and proficient in their articulation then. In the short 22 months of the Pakatan rule, we witnessed mayhem and devious plot within and without the coalition to derail their administration.

Doing the right or moral thing does not come into the equation. It is all about the party line or some other dog whistle elsewhere. There must surely be some invisible hands above that survived all atrocities from the fall of the Malacca Empire all through the European and Japanese occupation to come out smelling of roses who control the narratives. They must have found the formula to stay relevant all these years.

They say that the Speaker is the person in charge of the Parliament, but is he really? With so many protocols and precedence set, it takes a whole department to ensure the institution's running. Any deviation from the norm would be construed as dishonouring the esteemed House. Many detractors are ever willing, with hawk-eyed tenacity, to pinpoint his deficiencies.

That is all in a day's work. In between slogging it out in the dogfight in the arena of Parliamentary sessions, the author managed to perform his other official duties. Then came Covid that the hidden hands probably used it for their convenience. In the sly, the Sheraton Move was brewing, which finally collapsed a democratically elected government to be replaced clandestinely with a 'back-door' government. The political uncertainty, however, continues. Many by-elections and state elections have shown trends of voters giving up on an alternative to the one they have known since Independence.

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Sunday, 25 July 2021

When is it enough?

The Disciple (Marathi, 2021)
Netflix

Life is easy with eyes closed, accepting whatever we 'see'. However, for someone who questions, examines and introspects his every move or feeling, life can be a very tedious affair. The indecisiveness and guilt are just too much to bear. The answers available to us are just too ambivalent and can be interpreted however we want to. The more one thinks about it, the more confused he becomes in choosing the desired path.

Probably that is why we all look for shortcuts. We look upon those who have been there and done that with reverence. We hope we can use their wisdom to manoeuvre through the options available to us. It is easier this way, leaving life's big decisions to what the elders preach. If only there were a 'to do' list that answers all our queries. Even then, the answers will be not so forthcoming.

See how 'man made' law need regular amendments all the time? So how is it that the 'divine decrees' stands the test of time without considering the ambiguity of societal changes and 'modernity'? 

From the viewpoint of career, most of us have to answer at one point in our lives whether to what actually gives us satisfaction in our professional duties. Is financial gain the be-all and end-all of all professions? Is being a purist and sticking to doing the right thing adhering to the profession's rules the end goal? Is financial gain the final yardstick to determine success? 

Our tutors showed us the wisdom in performing our tasks following rules and regulations set out by the doyens of our respective fields. Working in the dark, they discovered groundbreaking finds and help to enlist the dos and don'ts. We learnt and promise to uphold the 'truth' of the respective fields. We gave these truths divine statuses.

After being thrown to the deep end of the marketplace, we soon realised that the societal demands are a world of difference from what we thought. We would be caught in a conundrum whether to stay faithful to the teachings or take shortcuts to meet the customer demands? Should we be purists or pragmatists? With the passage of time and the need to perform filial piety, the pressures for monetary fulfilment supersedes that of personal vocational gratifications. Individual satisfaction takes a back seat. We crumble and fall prey to doing what is perceived as the intelligent thing.

This Marathi film reminds me of two other movies I have seen before - Satyajit Ray's Jalsaghar  (Music Room, 1958) and Inside Llewyn Jones (2013). Like in 'Jalsaghar', viewers can truly appreciate the nuances, intricacies, and various voice modulation ranges that makes classical Indian singing so unique. As in all fields of knowledge known to Indians, music is given an esteemed place as a gift from God. Singing and music are provided respectable positions in society. People submit a lifelong commitment to trying to learn music. They believe one lifetime is not enough.

Like in 'Inside Llewyn Jones', the protagonist spends a big chunk of his life thinking he is gifted musically. Only after many disappointments does he realise that he may never be good enough. Is it because his masters have set their standard too high, unattainable by his students? Or is it that the Master himself is unsure what it is to excel and what is perfection?

This movie almost made it as India's entry to the Oscars but lost out to Jallikattu. It tells the story of a young man who is in pursuit of being somebody in the field of classical Indian singing. He wants to stay true to the teachings of his Gurus, who treated the art form not as a field of knowledge but as something akin to divinity.  They looked upon music and singing as the part of Goddess Saraswati herself to master it! Thus are the intricacies and the things it is capable and we, human beings, have not even scratched its surface. One life is definitely not enough to master it. His gurus advised him to safeguard its purity. There should not be any shortcuts or selling out for commercial interests.

All these may sound romantic, but romanticism does not fill up an empty stomach. Neither does it meet the realistic challenges of modern life. Modern societies are not interested in immersing themselves intoxicated with ragas, talas and the melodic and voice control of Indian classical singing. They yearn for musical intoxication but the headbanging and lyrics with sexual innuendos, not in praise of Nature and Divinity. As one cannot sing on an empty stomach and money is essential for survival, preservation of life seems more urgent than conservation on age-old traditional music.

Slow-moving, but after all the fanfare, it makes you think. What do we actually want? How far would we go to maintain the purity of the field of our expertise? Is it alright to cut enough to meet the demand of the marketplace? Is upholding tradition at all costs worth the sacrifice, and what expense?

“Be afraid. Be very afraid.”*