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Showing posts with the label British India

Remembering Jallianwala Bagh massacre...

Sardar Udham (Hindi; 2021) Director: Shoojit Sircar One always wonders how a cult started by a group of semi-literate fishermen at the fringe of the Roman Empire by the Sea of Galilee could eventually grow up to impress the whole of the Empire, including its rulers. This rebel's rhetorics soon triggered justified wars and legitimised usurping of lands to claim their hegemony. The belief system garnered potential believers because it targeted the oppressed or the persecuted. The marginalised and the dying were given the dignity to exist with others on Earth. In return, the converts were willing to trade in their lives (or, in their words, sell their soul) for the religion. Yes, martyrdom played an essential role in recruiting more new members.  As India goes on a spree to rewrite its national history, more and more heroes of yesteryears come to the fore. Sardar Udham Singh (@ Sher Singh @ Ram Mohammad Singh Azad) is one such example. He had been conferred the title Shaheed-i-Azam Sa...

The need for a routine and human interaction!

Mathilukal (Malayalam, The Walls, 1990) Written & Directed by: Adoor Gopalakrishna (Autobiography of  Vaikom Muhammad Basheer) This is another classic from Kerala's son of the soil. It tickles our minds to consider two things. Firstly, human beings are creatures of routine. The other is we are social animals. A routine schedule gives them a purpose to this entity called life. No matter how purposeless the rituals may be, we would do it diligently as if it were a higher calling. We would find a legitimate explanation to justify our actions, perhaps give a scientific twist to it. In absence of these 'unwritten' rules and left to our own devices, we would probably just rot away trying to fulfil the indulges that satisfy our primal needs. This would just make the human race a band of sloppy sluggards. Soon enough, the species would be decimated from the face of Earth. Being social animals, we need to interact with each other. This interaction could be in person, via mail, i...

Then and now...

Somebody's here! It is a piece of land right in the middle of the triangular subcontinent, a land so remote that King Dasavaratha thought it was apt for Ram, Sita and Laxman to spend 14 years in exile. A forest lush with various flora, deer, birds with psychedelic-hued feathers, the cursed stone of Ahalya, sages, tribes and demons used as their playground and workstations. It soon came to be non-existent with climate change and invading foreign invaders over the generations. Locally made pistols The  farangs  took a particular interest in this area when they were kings. The abundance of minerals in that area piqued their curiosity. Many mines sprung up, and the visitors thought it was an appropriate venue to host numerous factories specialising in gun manufacturing, ammunition and bombs. There it was, Jabalpur of the central state of Madhya Pradesh with its gun factories, military barracks and related military training posts.  What used to be a playing field for sages the...

About Bengal famine.

Churchill's Secret War (2010) Author: Madhusree Mukerjee Besides participating in the Boer War and WW1 personally, as a Prime Minister, he spearheaded the Allied Forces in World War 2; Winston Churchill made it his life ambition to destroy India. His handling of the 1943 Bengal famine is equal to genocide. Instead of being responsible colonial masters taking care of their colonies that helped to propel their economies, he chose to blame the shortage solely as the natives' fault for choosing to breed like a rabbit. In his same tone of contempt, he verbalised, "Why isn't Gandhi dead yet?" At the heights of the Second World War, the British had its hands tied all over the place. It was trying to act as the biggest superpower. In reality, it was bleeding. India was supplying all its credit needs. In essence, on paper, the British bought India's produce with a promise to pay later. And later was after WW2 when Britain was in dire straits and had to let them go. Bri...

Blinded!

A Billion Colour Story (2016) History tells us that India used to be a welcoming land to any weary sojourner. It is proud of being the only country in the world where its people did not persecute anyone based on physical appearances or personal convictions. It stands proud of not harassing Jews. It ushered in visitors with such warmth, sharing their knowledge in the hope of finding meanings of life, so much so that they decided to overstay their welcome and so much as a rule over the roost. Did the last of the visitors leave such a scar of conquest that can never heal? To ease their administration, the British, initially a band of looters in the form of East India Company and then later for the Crown, divided and subdivided their subjects by breed, colour, occupation, religion, etc., drilled in the idea that they were different. They mastered the craft of 'divide and rule' to its finest. The divide became so pronounced that it carved out the limbs out of the tripartite sub-cont...

A believable myth

Tumbbad (Hindi; 2018) Interestingly, myths, folklores and scriptures of lands far away carry a similar line of storytelling. As a baby, we find Moses let loose on a waterproofed basket in River Nile to escape the Pharoah's clutches and how he was brought up in another family. Is it a mere coincidence that the cases of Karna whose mother, Kunti, left him in a basket in a river to escape shame and Krishna, whose mother, Devaki, did the same to escape the tyranny of an evil king strike a similar chord? Like that many similar stories are found in the Zoroastrian scriptures and even the Greek myths. One plausible explanation was given to Moses's comparable tales, Karna and Krishna is the time Jews spend in Babylon. Nebuchadnezzar decimated Jerusalem and its first Holy Temple and took Jews as slaves to Babylon. Cyrus freed them and helped them to build the Second Temple in Jerusalem. Apparently, in the 60 years, the Jews spent time in Babylon they had assimilated some of the Hindu my...

Knives, daggers, and bullets cannot destroy religion.

Manto (2018) Netflix We always try to portray the world as a place of hope, of joy, dream, and the sky is the limit of our achievements. This is just hogwash. In the real world, Mother Nature is particularly hostile towards its creations. And we, the products, are no different towards each other. We sugarcoat the world around in perfect harmony with apple trees, honey bees and snow white turtle doves. In reality, it is ruled by bigots and kleptocrats who use their Machiavellian techniques to hoodwink everyone to fill up the world with their preset agendas. They paint an image of heaven on Earth, but deep in their pockets, they have conceived a plan of chaos and entropy. But still, these flag-waving jingoistic cabals have only one thing on their agenda - control and the power that comes with it.  As if to entice its followers, they create an imaginary enemy and a promise of an unproven paradise. Consequently, the conforming automatons think with their brain; not with their hea...

Live for others?

Bharat (2019) They say this film is based on the blockbuster 'Forrest Gump', but the only similarity to the Hollywood counterpart is that the story goes through certain landmark events that are deemed necessary. For a starter, there is Partition and Nehru's death. In keeping with the general theme of nationalism that sells these days, this offering is another one of those that spur people's patriotism. The film is also supposed to be based on a South Korean movie, 'Ode to Father', but the Indian props are way too colourful to portray melancholy that vibrates in the background - of the family cruelly divided during the Partition in 1947. The protagonist amongst the attendees at Nehru's funeral Putting all that pomp, colour, splendour and gyrating bodies aside, there is a subtle lesson that is put forward through the narration. Forget the implausible storyline. Keep mum when you know it is humanly impossible for a 70-year-old Salman Khan to beat up...

The hand that rocks the cradle and the world!

Manikarnika (2019) It is not a documentary, so do not expect factual accuracy. It is quite alright if you see the screen Jhansi Rani letting her hair down, getting into the groove and dancing with the villagers. At least they got the Mahishashura Mardini version of Queen Laxmibai right. Her unabated rage in fighting the tyranny of British can best be compared to the unstoppable fighting machine of Durga overpowering the Buffalo Demon of Mahishashura seen in the Mysore tradition. Living true to the feminine force of Nature which gives life and takes, Jhansi Rani has remained the Indian icon that spread nationalism and empowered women the world over, at least in the Indian diaspora. The 21st century has seen countries that used to be under the yoke of colonial powers in the previous centuries suddenly open their eyes to realise that their masters never left their shores. They had continued their grip on the newly developed economies through their web of deceit, control and mass hypn...