Showing posts with label Mexican. Show all posts
Showing posts with label Mexican. Show all posts

Tuesday, 21 February 2023

Just a biological act or something divine?

Y tu mamá también (And your mother too, Mexican Spanish, 2001)
Director: Alfonso Cuarón

Interestingly, sex has always assigned the duty of maturing someone and smacking people with the profound answer of the reason for existence. Tinseltown impresses us that sex is the panacea to all our worldly problems. Of course, we all know that sex may also create problems of its own.

There was a time when sex was accorded a special status in society. Because of its mysterious nature, which was ill-understood by primitive men, sanctioning permission to indulge in this biological activity was complicated. Many requirements and rituals had to be fulfilled to obtain access.

As the societal restrictions became increasingly questioned with no logical explanation in sight, the biological act came to be treated as such, a biological process, not needing frills and pomp. Humans were merely continuing the spread of their seeds for the continuity of species.

Slowly sex lost its respected status in society. No more did ritual-sanctioning coital-related activities make any sense. Sex became a plaything and acquired many new roles - break-up sex, revenge sex, coming-of-age sex, casual one-night-stand sex and more; all deviated from its intended purpose, i.e. sowing the oats. Oats were sowed alright, but wildly.

But then, in modern society, sexuality becomes more complicated. Their premise is that love does not necessarily blossom between genders but within genders too. Gender is fluid, and a person picks and chooses the gender he feels at that moment; a male in the morning and a female in the evening, perhaps?

This story is about two precious sex-crazed 17 years-old boys who had left their girlfriends at the airport. The girls are off on a family European summer vacation. The boys, minors legally, are already smoking, drinking and sexually active. They are hoping for a sex-filled summer sexcapade. They meet a cousin's bored wife at a party. They try to flirt with her, offering to take her to a secret beach hideout. The bored wife discovers that her husband had a fling. Heartbroken, she decides to join the boys on their road trip.

The boys obviously want to bed the sexually mature lady. After many ups and downs, quarrelling and soul searching, the summer turned out to be a season none of them could forget, especially the boys.


"Life is like the surf, so give yourself away like the sea." is a dialogue in the movie. Well, it is not so straightforward. If one has put his mind to surfing, he has to manoeuvre his body and posture in such a way that he stays afloat and not swept away by a massive wave and goes under. In strict terms, he is not merely giving himself away to the sea but skilfully using the buoyancy of the water and propulsive forces of the waves to his benefit. Similarly, man cannot simply surrender to his primal instincts but plan his life with his intellect.

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Tuesday, 12 February 2019

Life... shades of greyness...

Roma (Mexican, Spanish; 2018)
Written, Produced and Directed by Alfonso Cuarón.

At first impulse, it looked like it was going to be draggy long-paused 'arty' movie. Set in the tumultuous times of the early 1970s Mexico, the story is shown in black and white against a background akin to a neorealist style with long takes and long pauses.

I
t looks like a reminder that history has a bad habit of repeating itself. If now, we have a citizen elected President peaceful ejected by his own in Venezuela, maybe soon to be replaced by a US back figurehead, in the late 60s and 70s Mexico, the situation was about the same. In Mexico, however, the US supported President was hated by his people. The opposing peasants and university students were labelled as communists and were systematically killed by the ruling government. 

The family who eats together stays together.

This film, however, has nothing to do with political injustice or revenge of the bygone era.
The story starts telling about the life of a maid, Cleo, an indigenous woman, who works in the middle-class household in the small town of Roma in Mexico. 

In the first quarter, in a slow build up, it dawns upon us that everything is not right between the man and woman of the family. Antonio, a doctor, the husband, is leaving the wife, Sofia, and their four kids for his mistress. Cleo gets pregnant after being introduced to her fellow worker's relative.

What builds up slowly eventually morphs into a fountain of genius in storytelling and cinematography.       
                                                                                                                           
In the second half of the movie, the storyteller tells us how Sofia, Cleo and the kids build an everlasting relationship that lasts a lifetime. Cleo loses her child, in the midst of the chaos that is happening in the country and the household. In spite of all the adversities, the family comes out strong with Cleo becoming like a second mother to the children. 4.8/5


In one frame, poetically, much is told about marriage - which is nothing than just a declaration of private intentions. On the left is a happy couple celebrating their wedding with much pomp and splendour. What waits in their future, nobody knows. In the centre, just below the pincer of the giant crab statue, is Cleo, an indigenous housemaid who had an unwanted pregnancy from casual contact with a  date who refuse to take responsibly. In the end, as if like Nature making what seems like the best decision for her, Cleo delivers a stillborn. She never wanted the baby anyway. Then on the right is Sofia with her four children. Her marriage ended when her husband walked out on her, for another lady. Sofia and Cleo end up bringing up the four kids. Is the storyteller telling us that you do not need a man to bring up a family? It was semi-autobiography about his childhood anyway. That is a reality.

There are biological differences between the genders. Everyone is fitted to perform specific biological duties. Each gender should complement the other; not compete with the other.
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[N.B. Is it a coincidence that a film with Mexico in the plot and an indigenous Mexican actor in lead role is nominated for 10 Academy Awards at a time when the government services have shut down in anticipation of building a wall against the caravans at the Mexican border? It is the highest foreign with the most top nomination since 2000's 'Hidden Dragon Crouching Tiger']


https://asok22.wixsite.com/real-lesson 

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