Onibaba (Japanese, 1964)
Director: Kaneto Shindō
Director: Kaneto Shindō
Many stories tell us to be wary of the company we keep with. Like how Amma frequently reminds us, a calf, if it moves around with piglets, will eventually join the piglets and source its daily meals from the rubbish dump. An animal, placed high in Hindu society, will ultimately do unholy things depending on the company it keeps.
There is something special about black-and-white movies and the horror genre. It reminds me of my childhood, when my sisters and I would flock around our home 16" TV, squinting to watch RTM's Friday offering of Cerita Pontianak. Even the poor makeup of Pontianak would scare the living daylights out of my sister. She would even be scared to enter the kitchen. To make it worse, I would hide around the corner and jump suddenly in front of her, making her scream!
Onibaba is a classic Japanese movie set in the Samurai era. Times are bad. All the territories are at loggerheads; all men are out to fight, and the women have to rough it out, scavenging on whatever comes their way, stealing from travellers, catching dogs for meals and selling loots. A lady and her daughter-in-law desperately try to survive in that climate. A neighbour, who returns from war, informs them that the lady's son died, not in the war, but while stealing food. The lady blames the neighbour for the son's death. The neighbour seduces the young widow, but the lady is not very happy about it. The lady's daughter-in-law, the young widow, is secretly in love with him and has secret trysts in the dark of the night. The lady comes to know of this and tries to prevent her.
One day, as the lady follows the daughter-in-law to one of these late-night meetings, she is stopped by a mask-donning samurai at knife-point. The lady tricks the samurai by pushing him into a pit. She removes his mask and wears it to scare her daughter-in-law. It works, but the mask gets stuck to her face after getting wet in the rain. After forcefully removing the mask, the lady and her daughter-in-law discover that her face has peeled off and is disfigured. The daughter-in-law runs away scared. The lady falls into the same pit and dies.
A chilling movie. Introduces the Hannya masks, usually used in Japanese Noh theatres, typically representing a jealous female demon.
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