Jexi (2019)
Director: Jon Lucas, Scott Moore
Director: Jon Lucas, Scott Moore
There is nothing groundbreaking about this movie. It reminds me of at least two films which dealt with the same theme. In 1984 'Electric Dreams', a desktop computer, Edgar, falls in love with the protagonist's crush. After successfully wooing his beau with the help of his computer, his life turns into a living hell. His computer controls most of his home devices and goes hyperdrive to sabotage the protagonist's work and love life. In 2013 'Her', the protagonist falls in love with an Operating System, AI.
All three films show us how hooked we are to our digital devices. We avoid human interaction and feel most comfortable left to our devices. Furthermore, interaction with the same kind becomes increasingly more difficult. Even though we were told that we are social animals who thrive on human dealings, somehow, it becomes more and more an uphill battle. People demand. They want to be treated special. They demand the right not to be offended. We need to be politically correct when addressing them. The power dynamics put them in such a place that they can get away with murder.
They say the customer is always right, so they demand their rights to be served as if the servant has no rights. There is no such thing as implied consent. It seems like everything has to be written, signed and glazed with a seal of legal approval.
As human interaction becomes increasingly laborious, many find solace in the company of sologamy and interactive digital devices. It can be switched off at will and does not leave a substantial legal bill. Maybe not. Our digital footprints stay in the cloud forever, waiting to be picked up and used against us when the time is ripe. If you do not believe me, ask Rashmi Samant, who won the Oxford Union Presidentship in 2020. She was cyberbullied and forced to resign after her past internet entries of years previously alleging racism, xenophobia, Islamophobia, you name it!
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