It may not score high in the dramatic storytelling department. Neither would it be of high octane action nor of unpredictability tally. Nevertheless, the viewers are left pondering on the subtle message that it questions.
Clint Eastwood, now at almost 90 years young, after donning his rugged cowboy persona and uncompromising cop images at the height of his acting career, understandably assumes a more sedate role here. 'The Mule' is a straightforward tale of a Korean War Veteran, Earl Stone, who, after having put his work way ahead of his family all his life, to go back to his family upon foreclosure of his horticulture farm. In his heydays, he had won many awards in flower shows.
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Toughie of spaghetti westerns |
It makes one wonder what is actually the role of the father here. If he spends too much time outside the family circle working, i.e. to provide for the family, can he be blamed for missing all the so-called family time and skipping 'memorable events'? Conversely, if the parent decides that spending quality time with family rather than raking moolah for their wellbeing is more important, will the rest be happy? Can strengthening familial bonding be a substitute for wealth to prosper in life?
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@ 90 years old. |
Nursing a dying tiger back to health is no guarantee that it would not pounce on you at the height of its hunger pangs. With the empowerment and wisdom imbibed upon the downlines, they use the very same new-found knowledge to attack the hand that fed them. They blame all their misgivings and failures in their lives on their perceived sub-optimal parenting.
(P.S. 'Any which way but loose' is the title of Eastwood's 1978 movie. The title soundtrack was sung by Eddie Rabbitt. The title is an abstraction from the phrase 'you turn on any which way but loose'. The girl turns him on but cannot turn (cut) him loose, i.e., release him or give him back his freedom.)
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