Showing posts with label NRI. Show all posts
Showing posts with label NRI. Show all posts

Monday, 6 October 2025

Carpe diem!

Four Years Later (2024, Mini series S1, Ep1-8)
Australian-Indian Romance Drama

imdb.com/title/tt31632538/
We are given one life and are expected to make the best out of it. Sometimes, one gets one chance; sometimes, one gets a 'get-out-of-jail' free card. We can seize the opportunity to mould ourselves into better versions or just brood about it. We can blame everyone else for the lost opportunity or give it another go. At the same time, we need to take advice from people who have traversed a similar path. We do not want to leave a trail of enemies behind us. Neither do we want to leave behind a stream of people who believed in us with shattered dreams. Nevertheless, their advice may be archaic, and on top of that, it is our dream too.

This is the story of the son of every middle-class Indian family, yours truly included. The parents would work hard, instil discipline and build an impossible dream via education. They would drum into the kids all their life problems once the coveted degree is attained. The children will soon realise that they have been sold a fake narrative. Nothing changes.

A communist would blame all the problems we encounter in our lives on someone else. He would blame it on societal pressures, patriarchy, and capitalism. He would adopt a victim mentality and vehemently refuse to accept any blame for these issues. In reality, our lives are in our hands. We write our destiny. We reap what we sow.

This is an enjoyable miniseries, written, produced, and directed by second-generation immigrants of the Indian diaspora, that tells the story of an Indian doctor from Jaipur who hopes to pass his anaesthetic examinations in Australia. What makes this production interesting is the storytelling, the nuanced characters, and the depth with which the characters and their emotions are explored.  

In the typical Indian fashion, the doctor is match-made and is married off. Soon after the wedding, his application to join his job in Australia comes through. The patriarchal leader of the family decrees that he should leave for Australia alone, as bringing his newlywed wife would be a distraction. This sets the stage for the problem that would drive the miniseries to eight episodes. Our hero starts a fling with a fellow immigrant who works on the hospital cleaning team. The series begins with the newlywed wife making a sudden trip to Australia, unsanctioned by her in-laws.



Friday, 11 April 2025

A daring investigative journalism

Gujarat Files: Anatomy of a Cover-Up (2016)
Author: Rana Ayyub

On one hand, she is celebrated as an exceptional journalist at the Washington Post and has received numerous awards for her courageous reporting of breaking news. On the other hand, she is labelled public enemy number one. The Indian courts accuse her of insulting Hindu deities and inciting racial discord, and there is even an ongoing trial concerning the misappropriation of public funds.

For background information, the cover-up in Gujarat referenced in the book pertains to the events that followed the Godhra train burning incident in 2002. In February 2002, 59 Hindu pilgrims returning from Ayodhya lost their lives in a train blaze. Multiple commissions failed to ascertain the true cause of the disaster. The Mehta-Nanavati report was employed to convict 31 Muslims for the train burning.

Communal riots erupted shortly after the fire. For years, the then Chief Minister of Gujarat, Narendra Modi, and his party members faced allegations of orchestrating the riots. Repeated election victories seemed to strengthen public confidence in Modi's non-involvement. Nevertheless, the Western media continued their efforts to undermine Modi and the BJP's reputation, often disparaging them before major general elections through publications such as the BBC and its affiliates.

Following the riot, the police initiated a wave of arrests, and several high-profile police staged encounters occurred in Gujarat between 2003 and 2006. Rumours spread that these deaths were orchestrated by right-wing politicians, specifically Modi and Amit Shah. At one point, Amit Shah was also apprehended for his involvement in the staged encounters.

For approximately eight months, from 2010 to 2011, Rana Ayyub, who was then employed by Tehelka, went undercover as an American documentary maker. She adopted a fictitious Hindu name, Mthali Tyagi, complete with Sanskrit credentials. Accompanied by her purported cameraman, a 19-year-old French student named Mike, she conducted a sinister mission to interview various figures directly involved in the notorious fake encounters, employing her camera and, later, a concealed recording device when they wished to speak off the record.

With her charisma and the Indian public's susceptibility to foreigners, NRIs, and "goras", Ayyub successfully obtained recommendations by conducting counter-references to interview high-ranking police officers, intelligence officers, anti-terrorist squad personnel, former MPs, and even former Commissioners of Police in succession. Many of the interviewees have since retired, and while some were initially somewhat hesitant to open up, they eventually relented.

Rana Ayyub
https://tcij.org/person/rana-ayyub/
Through her research, she uncovers a significant amount of misconduct within the police force. Some individuals were conscientious and performed their duties diligently, without fear or favour. Nevertheless, a culture of subservience to both superiors and politicians prevailed. Rana suggested that police officers exhibited discrimination against their peers from lower castes. The extra-judicial killings carried out under the guise of police encounters were executed with indifference, according to her. Rana Ayyub, in so many words, implies that Modi is the mastermind behind the unrest in Gujarat, with Amit Shah as his trusted aide who carries out all his orders.

As her sting operation draws to a close, Rana Ayyub manages to secure an interview with Narendra Modi himself. However, the book concludes abruptly afterwards, leaving the outcome of the interview unexplored.

Ayyub's audacious attempt to uncover the root of the unrest in Gujarat raises ethical questions about such an operation. Betraying people's trust, exploiting their vulnerability, and inserting oneself into their lives under a false persona may not be moral. However, individuals are unlikely to volunteer information without prompting. This encapsulates the essence of investigative journalism; one cannot solely rely on official statements.

Whatever Ayyub attempted to unleash has evidently yielded no results. As time has shown, Modi must be doing something right. The BJP's successive victories in elections, its popularity, the current state of the economy, and the general mood of its citizens suggest that India is on the right trajectory. One must consider the broader context. However, checks and balances remain essential. 



The purveyor of culture?