The end justifies the means?

Penguin

Miniseries (8 episodes)

Even though it was supposed to be shot in Gotham City, we do not see a single shot of Batman or any resemblance to his existence in this miniseries. After all, it is a spin-off from Batman 2022. It tells how Penguin turns to become a wealthy mobster that he is. It also serves as a cooling period before the first sequel to the trilogy comes out in 2027. This miniseries helps to maintain the DC Comic fans' interests before the dark-caped one makes his presence again. 

The series explores Penguin, aka Oswald Cobb, 's rise to power. Often ridiculed for his physical handicap, Mama's boy decides to fight his tormentors through his devious, twisted mind and planned outbursts. From a disfigured run-around nobody, he becomes a feared gangster. Along the way, he picks up a faithful, quick-thinking sidekick. His nemesis is a lady from a gangster family who Oz killed and pocketed his new designer drug.

At the end of the day, when one is well-heeled, nobody is bothered by how one acquires wealth. He simply slides into high society. Money sanitises everything. Evidence can be manufactured, security can be bought, and one can obtain the best justice money can buy. The end determines the outcome, not the means to reach it. 

Colin Farrell delivers an incredible performance as The Penguin. His prosthetics, receding hairline, and distinctive tilt in his walk make him virtually unrecognisable. 

This work is licensed under a Creative Commons Attribution 4.0 International License.

When stock pundit be held responsible!

Money Monster (2016)

Director: Jody Foster

That it is. There is no shortcut to making that first million. First, one must realise that one's journey to the land of gold and honey may meet impassable obstacles and not reach the intended destination. Or, he may be skewed away from the path and end up in a ditch. Or, he may be swallowed by a beast (or troll under the bridge, if you still believe in fairy tales!)

Wealth is finite. It is a zero-sum game. For one to make a million, somebody else must lose a million. The way advertisers do their thing, prospectors buy the idea that no one is a loser. They entice you into the gravy train, which never runs short of curry!

With the advent of complex algorithms, the unholy union of data scientists and conniving dupe masters never had it better. Speaking in incomprehensible jargon that they do not understand, they create a smokescreen that can cleverly hide their true malfeasances. Their spick appearances and polished social etiquettes belie their demonic intentions beneath their mask.

Even nations are getting involved in this debacle. When fiat money is churned out indiscriminately, even small Governments with altruistic intentions gamble on their children's future when their investments appear robust and are backed by the greenback. 

Have you noticed how financial experts have such short life spans on the airwaves? Like swallows before the summer, they appear in droves when the stock market is doing well. They yak and yak like they have perfected the art of making money out of the market. It is as if they are there for everyone's picking. Overnight, they will be uncontactable when things go south; swallow fly south. This must be why their actions are termed 'flight by night' activity. And the market will swallow everything in one big lump. 

What happens to all those sycophants who promote and sing praises of the moneymaking product as if it is the best thing to happen to mankind since sliced bread? Are these mere messengers? We do not kill the messengers. Or can they be held accountable for what comes out of their mouths? 

These are the questions that go through the mind of the compère and controller of a popular money programme named 'Money Monster' when a disgruntled investor holds the host at gunpoint and straps a bomb vest over him. The investor had lost his inheritance in stocks after taking the programme's advice, hence the frustration. 

As expected, life on the silver screen is more black or white. By the film's end, the cause of the stock prices' fall is pinpointed to fraud by its owner, and instant justice befalls the wrongdoer.

This work is licensed under a Creative Commons Attribution 4.0 International License.

Wealth bequeath power for generations to come!

Fool Me Once (Miniseries, S01 E01-08; 2023)

The thing that piqued my interest is the apparent class difference that happens in the UK. It is common knowledge that European societies were separated based on their professions. Pretty soon, the professions were imprinted on their surnames. Weavers became Webbers and Webster, clerks to Clarke, shoemakers to Schumachers, scholars to Scully, tillers to Tyler, and the various Smiths and Taylors.

Specific surnames denoted aristocracy and privileged them to move around the royal family and stand a chance to pick a bone strewn by the monarch. Hanging around with the right crowd ensured prosperity and opportunities to venture out to exotic lands and further fatten the family coffers.

Talking about making an overseas trip and coming back rich, besides the Pirates of the Caribbean, we have, from the East, Robert Clive. Robert Clive owes much of his existence to India, and he had appropriated the word India into his name. Clive of India had amassed so much from political wrangling and military conniving. He started employment in the East India Company as an office clerk and, through his expert manoeuvring, overthrew one of the wealthiest rulers in India to bring home £25miilion in today's money. His status was raised to a Baron for his efforts in bringing in foreign exchange. His family was set for generations to come.

When the imperialist powers moved their mercantile prowess to the East, they tried to pigeonhole their subjects into similar divisions. They found this kind of 'divide and rule' helpful as it also created animosity amongst its subjects. The imperialists laughed all the way to their ship and their motherlands. Years later, from their lootings, they emerged as first-world nations, smelling of roses. Their subjects, even generations later, stay stinking as basket cases. They not only still had to look up to their former colonial masters but also be dependent on them for items of precise engineering.

That was what went through my mind when I viewed this miniseries. It is set in an obscenely colossal manor in the UK as the family comes to terms with the brutal murder of one of its sons. Things take a turn when a nannycam picks up the deceased on camera playing with his daughter.

Pandora's box opens many family secrets, under-table dealings, family dirty linen and shady family businesses involving Big Pharma and poor third-world nations.

Expect a Sivaji's 1964' Puthiya Paravai' kind of ending in this one!

This work is licensed under a Creative Commons Attribution 4.0 International License.

The truth will set you free?

Dead to Me (S1-S3, E1-10; 2019-22)
TV Series

The fallen will often be pacified with the conviction that truth will eventually prevail. If someone is accused of something he did not do, he will find solace in telling himself that the truth will set him free. Everybody thinks the Universe will take its own sweet time, but justice will meted out in the end. 

Everyone is told to look at the bigger picture and concentrate on winning the war, not merely the tiny battles. At least, this is what the lawyer will advise his client. The truth will not come out breaking through the walls with a flying cape to save the day. It has to be fought with tooth and nail. Court cases are won by shrewd legalese minds with all the money they can continue paying. The promise of justice at the higher courts is shrouded by the need for more retention fees.

Therefore, I have come to think I will follow the wise words of the not-so-wise Malaysian parliamentarian who went Hansard saying, "It is not wrong to take a bribe; it is also wrong when you get caught!" One has to look in all directions, cover the bases, dot his 'i's and cross his 't's as and when he is caught in a potentially incriminating situation or even commit a crime himself. Even if he does not get away scot-free, his defence team can at least create an element of doubt in the prosecutor's arguments. 

The law is such a pain that it favours those in power. Even God cannot save his priest, as witnessed by the numerous pending court cases. The only thing that is keeping them away from being cooped behind bars is not God's grace but good old-fashioned moolah that gets them good representations!

This dark comedy starts with a mother of two, Jen, a realtor, mourning over the death of her husband. He was hit by a speeding car at 2 o'clock in the morning. Jen attends a support group where she befriends Judy. Unbeknownst to Jen, Judy was the driver of the hit-and-run vehicle. Judy, remorseful of her act, tries to make amends with Jen. Meanwhile, Judy herself is moaning over her five previous miscarriages and her imminent divorce. 

Things become complicated as police investigations hit an impasse. The plot thickens as Jen finds out his loving husband had an affair. Judy discovers that her husband is involved with the Greek mafia. Meanwhile, an argument with Steve ends with Jen killing him and hiding his body in her freezer. The story becomes increasingly complicated with Jen covering her crime, Judy concealing her accident, and both developing an unbreakable bond. Only on the TV/silver screen, a morbid subject like death and murder can be turned into entertainment. And a perfect crime is actually possible.

This work is licensed under a Creative Commons Attribution 4.0 International License.

Love thy neighbour, they say!

Fauda (Chaos, Hebrew/Arab; 2015-2019)
(Miniseries S1-3)

Is it not ironic that the Western nations want to police the whole world but failed miserably at finding peace at the heart of the Judeo-Christian stronghold. It seems that the brothers of the Book perform poorly when it comes to showing brotherly love. Also funny that a place that four great religions of the world look up to as their holy land cannot be protected by their Protector. A land hardly larger than 30,000 square kilometres, but this piece of land had not seen peace since time immemorial. 

The feud has lasted so long that nobody can remember who drew first blood. Both parties, the Palestinians and the Israelis, claim legitimate historical rights on that piece of land. Looks like all that talk of the religion of peace, the religion of love and the religion of compassion is mere rhetoric. The reference to 'brotherhood' is only offered to the brethren of the same faith, not of the whole of mankind.

I am sure God must be in a quandary. It is like the old Indian saying or maybe an old movie dialogue. It is akin to asking a mother which child she wants to support; she would say, "you are asking me whether I love my right eye more than the left eye. I love them both." Probably that is why there are no permanent solutions here. Let both brothers fight it out till both exhausts each other. The trouble is that their course has sympathisers from people elsewhere. Everybody else is drawn into the bottomless wormhole. 

This miniseries shows, from an Israeli viewpoint, is about a group from an Israeli counter-terrorism unit in the Israeli Defence Force. They are often referred to as Mista'arvim, meaning living amongst Arabs. They speak Arabic and assimilate into the local population to collect intelligence on the latest Palestinian terrorist activities. In the series, we find a power struggle between the Palestinian Authority (PA), Hamas and the newbie around town, ISIS. It looks like PA wants to maintain law and order, but everyone else has their idea of which brand of Islam should prevail on their land. They want more possession of land, which they assert was theirs anyway, to start with. To die for such a course is divine; they have been indoctrinated and have the rest of Palestine (and the world) follow suit.

This is, of course, the Israeli perspective of things. The Palestinians should rebut with their own version of the ground situation, but then, there will be confusion on which version is acceptable. Each faction of society would insist theirs is correct and proclaim their claim is a pursuit worth dying for.

This work is licensed under a Creative Commons Attribution 4.0 International License.

Work life balance?

Severance (Miniseries, S1, E1-9, 2022)

Director: Ben Stiller, Aoife McArdle

Apple TV

First, we were told that our vocation determines us; staying true to fulfilling the goals of our job is equivalent to being close to Divinity. But just see what it let us to - a social classification system that essentially pigeon-holes one's future by birth. Karl Marx then asserted that life is more than mere monetising one's labour. Man has to find balance in maximising time spent on Earth by indulging in things that excite him, maybe hunting, art, music, etcetera. And that led to Lenin extrapolating it to stir the working class to rise against their enslavers.

Now we are told that we should find a life-work balance. We should not bring home the stresses of our workplace home and vice-versa. We cannot let our personal dilemmas affect our work performances as well. So what better way to severe these two intertwinings? 

This is the premise of this miniseries. Workers of an unspecified company doing seemingly so much yet nothing agree to undergo this dissociative procedure. A small device is implanted in the brain, which gives no memory of their outside life once they enter the office. Essentially, they lead two individual lives, oblivious of their two lives.

Soon the workers realise that there is more than meets the eye. The latest recruit wants to resign, but she is told resignation is not an option. Pretty soon, the workers discover a way to find their outside life. This leads to many events with a nail-biting cliffhanger at season end. The miniseries is far from over and has built a cult following. Season 2 is in the pipeline as internet sleuths try to identify the Easter Egg cues that may explain the whole meaning behind the story.

On the side, the viewers also sense that the tale also takes a swipe at the modern environment and etiquette of the typical modern workplace. There are plenty of unproductive actions in the name of work, and there is a tendency to self-aggrandise one's frivolous 'success'. This 'success' motivates workers to continue their pursuit to lick the boots of higher management and the imaginative figures of 'Big Bosses'. Non-conformers are labelled troublemakers, and their career paths can be far from smooth.

This work is licensed under a Creative Commons Attribution 4.0 International License.

 

Laugh with friends, cry alone!

The Eyes of Tammy Faye (2021)
Director: Michael Showalter

It is not only Islam that provokes the name of God to legitimise each and every one of their actions. In the late 70s, when the US economy was in the doldrums, and a plethora of social issues hogged the headlines, Ronald Reagon, despite his not so-Christian background, being a divorcee and his pro-abortion stance as Governor of California, decided to woo the Christian Conservatives and the Evangelists to his side.

This practice, having proved successful, continued through the campaign of a born-again candidate, GW Bush. And we know how that divided the world with a wide fissure - you are either with us or against us! (or should it US?)

In the zest to cow people into submission, to coax the herd in the intended direction, money was infused indiscriminately into megalomaniac projects that never materialised. A point to note in the Malaysian context. Over the past decade, many shady foundations were created with the zeal to imbibe Islamic values into the administrative system. They were managed by politicians of the ruling party and their cronies. Their transactions were classified as official state secrets. The million ringgit question is whether the intended target goals were met or the intended target group benefitted from them.

The change of Government saw a little light shining through to expose the foolhardy, but as quickly as the change, a backdoor coalition usurped power to cover everything up again.

This film shows a pair of high strung drop-outs of a Christian College with big ideas going out to the world to spread the word of God. Starting with nothing, their brand of televangelism admixed with puppetry, music, songs, and sermons drew the attention of a Christian TV channel. Pretty soon, they had their TV channel. Jim and Tammy Faye Bakker were rolling in money in torrents from sympathetic donors.

That is when everybody wanted a piece of the action. Everyone wanted to ride on their popularity. Even Ronald Reagan had Jim and Tammy help him win his re-election.

Marital issues started seeping in. Taxmen started querying their income and expenditure. The last straw was when Jim's gay partner exposed their affair. The party who was supposed to manage the company amidst the trials decided to take over management instead. Jim went to jail for tax charges. Thus ended their dream tale of rag to riches and then slip-sliding into oblivion as the number one enemy of the state.

  This work is licensed under a Creative Commons Attribution 4.0 International License.

More than meets the eye!

The 10th Victim (La Decima Vittima, Italian; 1965)
Director: Elio Petri

Riding high on her fame as Honey Ryder, 1962 Dr No's Bond Girl, as the Ultimate Bikini Goddess, Ursula Andress continued making movies banking on her sex symbol status. She also appeared in the 1967 Bond spoof 'Casino Royale' as Vesper Lynd, whose grave we saw in 'No Time to Die'. In between, this Swiss vixen also found time to act in this B-grade Italian movie. 

'The 10th Victim' is a futuristic movie set in the 21st century, where the world enjoys peace as society has managed to put a stop to wars. Man's predilection for violence is curbed by having society-sanctioned killing. Each person has the opportunity to kill ten people in a computer-drawn programme named 'The Big Hunt'. In five of the hunts, the selected play hunter and the other five, he plays the hunted. The hunter is given all information about his target but not the hunted. The hunted is clueless about who the assassin is. One who survives all ten hunts get loads of money. In between, the advertisers piggy-bag on the televised hunt.

The Bikini has come a long way since its introduction in the
1946 Paris catwalk. It was named in honour of Bikini Atoll,
the site where the US hydrogen bomb was tested.

The two main characters in the movie are Caroline and Marcello. Both of them are nine-time winners. Marcello is in a massive financial quandary trying to pay alimony to his ex-wife and sustain his expensive mistress. Winning the competition would mean a lot to him. He is chosen as the victim. Caroline is an American who lands in Italy to hunt her prey.

Despite being a brainless movie with plenty of eye candy and blatant flaunting of the female anatomy, the film seems to make reasonably accurate social commentary of the 21st century. It showcases a time where reality TV is a craze and advertisement drives people to sell out. Advertisers are more worried about their sales than the value of human lives. Marriages are a farce. Marcello had been married eleven times before.

The iconic bikini scene from Dr No skyrocketed the sales of bikinis.

In 1965, she was asked why she posed nude in Playboy. 

Her answer was, "because I am beautiful!" 

At one time, Ursula Andress was referred to as Ursula Undress.

This work is licensed under a Creative Commons Attribution 4.0 International License.

Before they 'jump the shark'!

Brooklyn Nine-Nine (season 8, final season)

After a long hiatus, Brooklyn Nine-Nine returned with its last season. A lot of things happened after the previous season. George Floyd's mishandling, Black Live Matters movement and calls to defund the police did not put the police in the best of light. Despite the public sensitivities and the problems of filming under pandemic situations, the team managed to churn out an entire ten-episode season. The producers decided to keep it neutral by avoiding too much police work and limiting the storyline more to the precinct's pranks.

Fonzie on water skis, in a scene from the
1977 Happy Days episode "Hollywood,
Part 3", after jumping over a shark

Maybe it is just me; I feel that actors have all grown lethargic playing their roles. The initial glow and enthusiasm seem to have been lost. Perhaps the producers saw that too. Rather than creating a 'jumping the shark' moment or even 'nuke the fridge' scene, they wisely decided to call it quits. After eight years of 'working', the team ended the season emotionally with their classical whacky treasure hunt during the Halloween season.

What do these jargons 'jumping the shark' and 'nuke the fridge' even mean, you may wonder?

Between 1974 and 1984, 'Happy Days' was flying the waves with its sitcom set in the mid-50s to mid-60s midwest USA. After an initial stutter, they started flying high but hit a bump in Season 5. The producers tried to push the limit by using the show's main star, Fonz's, waterskiing abilities. They made him leap over a shark in one episode in his trademark leather jacket and shorts. The show went on for seven other seasons but never really regained its past glory.

Pundits always mention the 'jumping the shark' moment as the beginning of the decline of the show's popularity. It may not have not totally true as other outlandish characters appeared in that season too. Mork, an alien, stranded on Earth, made his debut. He was so popular that he went on to have a life of his own in a spin-off 'Mork and Mindy'. All in all, 'Happy Days' had 255 half-hour episodes.

Phoebe Waller-Bridge (Fleabag) is rumoured
to be the next Indiana Jones. 

The general understanding is that any film sequels more than three are bound to be a dud. So when the 'Indiana Jones' franchise became so popular, the monetary attraction to make a fourth film was just too great. The scene where Indiana Jones survives a nuclear explosion by hiding in a refrigerator lined with lead was simply too outrageous for even a die-hard Indy fan to stomach. Just when you think that the 'nuke the fridge' scene would put an end to future Indiana Jones endeavours, think again. Indiana Jones 5 is in the pipeline for 2022, and in keeping with Hollywood's gender fluidity agenda, a female actor may be whipping the asses of the baddies.

This work is licensed under a Creative Commons Attribution 4.0 International License.