Baby, baby, it’s a vile world!

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Society wants us to believe that it is progressive. It gives the impression of being open to new ideas and radical changes. It uplifts us when we think outside the box and are bold enough to express the unthinkable. It encourages us to break unspoken societal barriers. In the modern era, where clicks and likes determine financial returns and the popularity of a social media channel, subscribers cheer and indirectly push the boundaries of what can be spoken and done. 

The presenter on the other end will be enveloped in the illusion that he is the most significant discovery since Columbus found the New World. This is what fame offers us: an inflated, infallible feeling that nothing can go awry. We believe that our entire fan base has our backs covered. Sadly, the opposite is true.

This, Ranbeer Allahwadia discovered the hard way. After ascending the ladder of fame through his informative podcasts and YouTube videos, he went as far as to receive national awards for being a role model to young people. His guests include high-ranking ministers, academics, and even figures of faith. 

Alongside this, he was also invited as a guest on other shows. In one reality show, Ranbeer thought he would try his hand at comedy. His choice of comedy, plagiarised from a Western sketch, turned out to be the worst decision of his career. The joke was deemed too vulgar for public consumption in India. His fall from grace was set in motion. The house of cards started crumbling. People who had initially piggybacked on his platform for public exposure and self-promotion became turncoats. They started a vile campaign against him. Left-leaning channels with opposing views to Allahbadia's revelled in the scandal. They even went so far as to dig up and analyse dirt of the past, even involving his parents. Allahabadia's parents, as gynaecologists, had an ovum donor die of Ovarian Hypersimulation Syndrome (OHSS). Suddenly, now it is a big issue to emphasise that the boy is of bad stock. No one talks about the good things he has done.

Now Ranveer stands alone out in the cold, despised by everyone, dropped by advertisers, facing interrogation and responding to legal notices. 

It is a cruel world. The very people who lift us onto the palanquin will be the same ones who lay us to rest. It merely reinforces the old adage, 'the higher the climb, the harder the fall.'

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Elvis has left the building!

Elvis (Disney +; 2022)
Director: Baz Luhrmann

Elvis experts generally agree Baz Luhrmann's depiction is sprinkled generously with artistic licence and liberal truth-bending. It can be said that the movie was made to appease the woke generation and to rebrand Elvis to the newer generation who had not heard of the King of Rock and Roll. The message behind the movie was that Elvis Presley appropriated black music and the real heroes of rock and roll were the numerous black legends who never had their moments under the spotlight because of the bigoted attitude of the people then.

In reality, Elvis did sound like a black singer. Growing up in the deep south, he drew inspiration from the black gospel church and helped popularise rock and roll music.

The narration of the whole story is from the point of view of Elvis' notorious long-time manager, Colonel Tom Parker. Colonel Parker is a shady character who had allegedly illegally immigrated from Netherland and was not a colonel. He, however, had a short stint in the US Army. Apparently, one of the reasons he opposed Elvis' international tours was that Parker did not have or could not get a passport. He later went on to be convicted of defrauding the Presley estates.

Austin Butler plays the King.

The film went on to take artistic liberty to paint a rather cosy relationship between Elvis and some of the black singers of his time. In particular, it implies that BB King and the King (of Rock and Roll) had a first name kind of a relationship. In modern times, it would be akin to having him on his speed dial. Purists insist that the closest they came together was probably being caught in a photograph together.

The film tries to paint the idea that the public perception of black culture was that of decadence. That a white boy singing in the tune of a black voice was akin to promoting the black style of living amongst the whites. In reality, however, just 30 years previously, the nation was hailing the Harlem Renaissance. This New York City neighbourhood went on to become a Black Cultural mecca to showcase the golden age in African American culture, manifesting in music, stage performance and art.

Tom Hanks as Col. Tom Parker

Elvis' trademark of gyration of hips was viewed as a big crime and kicked a lot of dirt in his days. It was discussed extensively in the dailies. Somewhat erroneously, the movie seems to imply that Elvis volunteered to be enlisted in the US Army as pro quid quo against incarceration for lewd acts in public. It seems that Elvis was drafted, and Parker encouraged this to paint the image of Elvis as an all-American regular guy.

Life is never easy, even for the King of Rock and Roll. Coming from n underprivileged background, the stigma refuses to go away. His brand of music was referred to hillbilly music by a newspaper. Elvis' father, a truck driver with whom Elvis was not really close, had a criminal record and was perhaps easily manipulated by the Colonel for self-interest. Elvis' mother, with whom Elvis had a strong bond, died relatively early in his career. His stint in the Army, it seems, gravely depressed her. She feared losing him, just like how she had lost Elvis' twin at birth.

The stress of being in showbiz obviously had its toll on Elvis. The razzmatazz of fame added strain to his marriage. His philandering ways broke down his marriage. He had to resort to a cocktail of prescription drugs to keep up with the gruelling challenges. This combination of polypharmacy gave him bad constipation, and he succumbed to a myocardial infarct during straining at the toilet.

The Colonel was only interested in making money, it seems. Elvis rebelled by cutting deals with other new agents with new ideas and political statements, but the Colonel was having none of those. He had a stronghold on Elvis' affairs. His later stints at Vegas were apparently to offset Parker's gambling debts. Elvis' last years saw him a lonely man, barely alive, working hard to satiate the appetite of loyal fans.

The higher they rise, the harder they fall.

Of hopes, dreams, obsessions and nightmare...

Judy (2019)

When the mythical Pandora Box finally opened, all the evil virtues flew out, leaving only hope. Well, one can assume that when everything is gone, and one is down and out, there is always hope for one to start over. 

But then, conversely, one could ask why hope is there in the first place among unsavoury traits like jealousy and gluttony. Is it that sometimes, even hope gives a false sense of surety that masks the situation of the ground? Could hope, after the initial useful jumpstart progress to some kind of obsession? The dream to excel becomes so essential that one forgets to slumber. One needs to sleep to dream but then what ensues is just a nightmare when several self-defeating means are deployed to hope against hope to keep the dream, which is now only a delusion, alive. 

‘Judy’ is the story of a child prodigy, Judy Garland, at the tail end of her sad life. Coming from a showbiz family, she and her two sisters were in a vaudeville called Gumm Sisters. Judy skyrocketed to stardom at an early age. (who doesn’t know Dorothy Gale in Wizard of Oz?).  In the dog eat dog world of Hollywood, staying afloat is no easy feat. Drugs and intoxicants, which kept her stay relevant through the years, finally reared their ugly heads in her later years. With poor business management, bad life choices and spiralling legal fees, Judy had to fight a losing battle to win custody of her two children. 

Her labile temperament and frequent absences from shows made it even more problematic. 

I thought Rene Zellweger gave a stellar performance as a 40-something Judy as she tried to redeem herself as a singer in the London clubs before her demise due to barbiturate overdose.  

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