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Showing posts with the label oscar

How to normalise free sex?

Anora (2024) Director: Sean Baker https://thefutureoftheforce.com/2024/10/31/review-anora-2024/ I was nearly knocked off my socks when I heard that 'Anora' won five Academy Awards, including Best Film, Best Actress, and Best Director. However, receiving the Best Film award is beyond any rational justification.   My first impression of it when I viewed it was that it seemed like rubbish. It reminded me of the numerous B-grade films that excited teenagers in the 1980s when they gathered around their friends' VHS players to watch Koo Stark in 'Emily'. The plot is thin and predictable, and the storytelling fails to present anything new. The storyline has been told and retold in numerous other films, though it serves more as a subplot. For context, this narrative follows a pole dancer who also works as a prostitute and finds herself infatuated with the debauched son of a Russian oligarch. According to her, the correct job title is exotic dancer. They dive into a whirlwin...

Now, 'trans' can compete with 'cis'?

Emilia Pérez (2025) Director:  Jacques Audiard mvtimes.com/es/2024/10/29/emilia- perez-film-musical-genre-bender / This musical offering would not have garnered as much airtime if it had not been for an openly transgender individual who won the Best Actress awards at both the Cannes and the Oscars. Interestingly, a female actor (a cis woman) insists on being referred to strictly as an 'actor', not an 'actress'. They are particularly keen on this, demanding to be addressed as 'actors'. I suppose this does not apply to transgender actors. A quick glance at Karla Sofía Gascón's Wikipedia page states her occupation as an actress. For a transgender person, being addressed as female represents the ultimate victory of her transition.  It continues to be one of the most nominated films of the year and the most nominated non-English language film in the Academy's history. When it comes to the basics, this is a gangster film with a twist. The twist is that one can...

Love overcomes?

May December (2023) Director: Todd Haynes A May-December marriage is between two people with a wide age gap. May refers to the proverbial spring (of life), while December refers to late autumn or winter. The story is based on the 1997 infamous case of Mary Kay Letourneau, an elementary school teacher in Washington, aged 34, who had sexual relations with her 12-year-old student, Villi Fualaau. She was charged with rape. She delivered a love child during the trials. She was later imprisoned for breaking a plea agreement. After her release, the teacher and student married in 2005 and went on to have a set of twins. Mary already had four children when she was teaching Villi. She was having troubles in her marriage and was diagnosed as having bipolar disease. Both Villi and Mary justified their actions as acts of love. This film revisits the Mary Kay-Fualaau family in 2015. The timeline is out here. The couple has three kids, including a pair of twins. An actress, Elizabeth (Natalie Portman...

The schizophrenic society...

Das Lehrerzimmer (The Teacher's Lounge, German; 2023) Director: Ilker Çatak I feel lucky to have been born at the time I was born. If I were born to be a young adult at the present time, living in a 'so-called' developed nation, there is no absolute reason why I should not be a raving lunatic. The society is broken. Nobody respects anybody anymore. Power is too democratised. People with the most miniature brains are given on a silver platter the right to manage something they cannot handle - their rights. People think they know what they want, but they know diddly-squat. The individual is more important than the community. Personal liberty is more important than the common good of the community. Everyone demands the right to know about everything, but at the same time, there is a compulsion to protect information and privacy. This schizophrenic environment of today makes eccentricity the default mode of people's response. For every move perceived as offensive by the oth...

As you see it!

Anatomy of a Fall (Anatomie d'une chute, French; 2023) Director: Justine Triet We reassure ourselves by telling lies. We are so cock sure that truth will win. It would somehow emerge from the crack to balance the equilibrium of the Universe. One of the half-truths we convince ourselves is that there is a balance of two opposing but sometimes complementary forces; the good and bad, the truth and the lie, the masculine and feminine forces, chaos and order and so forth.  The 'truth' wins every time, we con ourselves. It is all a perspective of the now and the glaring presence of the evidence of the present. No caped sorcerer will ride the high horse of justice to right the wrong.   That, in my opinion, is the essence of this story. A husband is found dead in his frosted front yard, presumably after a fall from his balcony three storeys up. He was discovered by his blind son, returning from a walk with his guide dog. The wife was alone in the house with blaring music playing on...

N is the new 30?

Nyad (2023) Director: Jimmy Chin, Elizabeth Chai Vasarhelyi When do we pack everything up and call it a day? Is there a time frame within which we are expected to pursue our dreams, complete our bucket list and prepare our souls and minds to meet the Maker? Should there be limits to our wants, and is there a limit to the number of attempts one should give to an endeavour before calling it quits? Is age ever a deterrent to our effort to succeed? Should we give up and give it a go on another day when the going gets tough? Or surrender to let your descendants do it, or attempt it at the next birth? Most societies advise individuals to cool off after a certain age. Setting ambitions and fulfilling personal aspirations is left to when they are younger. Just how old is old? Things have changed drastically over the years. With increased longevity and the general well-being of the populace, we can live to push our bodies and minds beyond societal-sanctioned limits. Some expertise only comes wi...

Serenity exemplified in Auschwitz!

The Zone of Interest (2023) Director: Jonathan Glazer Even though this is about something that happened more than 80 years ago, put in a similar situation, I foresee we humans do the exact thing that we did during World War 2 Nazi rule of Germany. We justify our actions and inaction through the dog-whistle call of the majority without taking a step back and asking ourselves, "Am I doing the right thing?" Even during peacetime in Malaysia, a section of people is trying to steamroll their agenda to the rest of the country. Any sane person of reasonable intellectual capacity would understand this is not how democracy works. The majority chooses, and the rest would follow suit. Changes are made via constructive discourses at the appropriate forums. This renegade group is trying to change all these. The might of high decibels in the confines of an echo chamber cannot be underestimated. Like Grobbels, who thought that the propaganda machines of the State could steer the thinking of...