Kadaram Kondan (கடாரம் கொண்டான், Tamil, Conqueror of Kadaram; 2019)) Young Malaysian adults of the 1980s must be quite familiar with the umpteen times concerts by foreign artistes that were initially launched with much pomp and splendour only to be cancelled later by the powers that be. The storyline would be the same. The youth wings of some political party would oppose to performer's lifestyle or decry that the performance would spiral down the society into a web of decadence. Just so as quickly as the excitement started, it would just fizzle out until another organiser risks a similar venture and burns his fingers. Our loss would be our neighbours' gain. The performers would quickly change their venue, and the deep-pocketed would have no qualms to catch their icons there. The list includes Chicago in 1990s for their long hair, Megadeth in 2001 for the negative image of their mascot, Beyonce in 2007 for her short dress, Inul Darashista in 2008 for her tradem...
It is all Mimesis