...and they think they can get away with it!

American Murder series
The Family Next Door (2020)
Laci Anderson (2024)
Gabby Petite (2025)

Watching true crime dramas, I am convinced that there can never be one perfect crime or one perfect murder. The audacity of it all is that people still commit crimes, thinking that they can get away scot-free. Forget the fact that God is watching their every move. Anyway, He is not going to be summoned to give His evidence in the court of Law. Even though we were taught that no one can escape God's justice, every day we are persuaded that justice can be bought with the best money one can afford to lose. In the immortal words of Swami Nithyananda, who was caught on CCTV misbehaving with his female follower, "It is not God that one should fear, my friends, it is the CCTV that one has to answer to!"

In the digital age, one cannot escape being captured by digital technology. Even if one can dodge the viewfinder of a paparazzi or the mobile phones of friends, acquaintances, or bystanders, one cannot escape being recorded by public monitoring devices. The mobile devices we own make it extremely easy to track our every movement, either to prove our innocence or, conversely, to put us in the spotlight, caught with our pants down. 

Suppose traditional police investigative work involves visiting the crime scene, collecting evidence, and interviewing potential witnesses. In that case, the first thing the police would do is seize the hand devices of all involved and review all available CCTV footage in the vicinity. 

In the first of the American series, 'The Family Next Door' (2020), Chris Watts called the police, reporting that his wife and two children were missing. He put up a straight face, fooling the police and joining the search team. Unbeknownst to everyone, a mistress is involved, and Chris finally confesses to killing his pregnant wife and his two daughters. The wife's fixation on documenting everything that happened in her life online helped investigators gain insight into her domestic life.

In the second offering, 'Laci Peterson' (2024), an 8-month pregnant wife is reported missing by her husband on Christmas Eve 2002. She had apparently gone out to walk her dog and never returned. The husband, Scott Peterson, was in the midst of things, searching for his wife. His suspicious demeanour prompted the police to investigate and discover another woman at the scene. Scott had apparently killed his wife and dumped her in the river. Her decomposed corpse and her expelled fetus were eventually found.

 In the third documentary, Gabby Petito and her boyfriend decided to invest all their little savings in a van and go travelling around America. Gabby chose to keep a travelogue, updating it with all their travels. Trouble was first detected when someone in Utah spotted them and reported a physical alteration to the local police. Almost two months into their travel, Gabby went missing, and her mother made a police report. The boyfriend became the person of interest. Gabby's remains were found later, determined by the forensics to have been strangled. The boyfriend was on the run and was later found dead by a self-inflicted gunshot wound, leaving a confession in his notebook.

Two things stand out in the cases above. All that we see on social media is fake. Those seemingly happy, smiley faces that we see are often masks that cover inner unhappiness. We may scream till our throats go dry that we value our privacy and have drafted laws to protect it. In fact, we can all be read like an open book. There is no deception involved. As a matter of principle, we signed it all away in the fine print of the online agreements that we never read anyway.

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Partners in Crime?

The Honeymoon Killers (1969)

Director: Leonard Kastle

https://www.criterion.com/films/582-the-honeymoon-killers?
srsltid=AfmBOooBrXMILjkfWbYvLAPPpo9ZQUaj
ZxWi0VU1etpA94OFZeon-9jN

This film was originally intended to be directed by Martin Scorsese, but he was dismissed early in production. Another director, Donald Volkmann, was suddenly replaced after just two weeks of filming. Kastle, who wrote and developed the script, then took over as director. This obscure production is often praised for its realistic documentary-style filming and has gained cult status.

 

The story is based on a true crime from the late 1940s, famously known as the 'Lonely Heart Killers'. It focuses on Martha Beck, an overweight nursing sister who is also a single mother of two children (not shown in the film), each with a different father. Her friend recommends her to the local Lonely Hearts Club, where she meets a smooth-talking con man, Ray Fernandez.

 

Although Martha is a nurse, she seems to be emotionally quite immature. Ray, who is simply a con artist, was already married with children and expertly manipulates Martha. In the name of true love, he persuades her to pretend to be his sister while he continues his day job of deceiving lonely women for their money and jewellery under the guise of marriage. Martha becomes his accomplice and actively plans their robberies, which also involve murder.

 

It is believed they were responsible for up to 20 murders between 1947 and 1949, but three cases received significant news coverage. In the final murder, a neighbour reported disturbances at the house. However, in the film, it is implied that Martha herself called the police.

The couple was imprisoned at Sing Sing prison and executed by electrocution.

An intriguing black-and-white film set in a period when filmmakers did not rely on gore or Technicolour to emphasise horror.

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The filth of the city?

The Asphalt Jungle (1955)

Director: John Huston

https://commons.wikimedia.org/wiki/
Category:The_Asphalt_Jungle_(film)

This is one of those movies where viewers do not get attached to any of the actors but rather enjoy the storyline, dialogue, and the nitty-gritty of how a crime is organised. This is way, way back before we had 'The Italian Job' and the like. 

Every character is vital in the film, yet none should overshadow the others. The main plot revolves around a heist, masterminded by Doc, a recently released model prisoner who devised a major diamond theft while working as a librarian during his incarceration. 

He approaches a small-time bookie, Cobby, with his plan. Doc needs money to pay the right men for the job. A seemingly wealthy lawyer, Emmerich, then arrives, promising to finance the operation and handle the loot. In reality, Emmerich is broke and plans to cheat the robbers out of the jewels to keep them for himself. 

The real reason people tuned in to watch this movie is Marilyn Monroe. She appears as Emmerich's ditsy mistress and may be the cause of Emmerich's poverty, as she is costly to keep. Monroe leaves a lasting impression on viewers and establishes herself as a true legendary performer here. Her sultry, naive 'damsel in distress' persona stands out in scenes where she has to lie for her master. 

A locksmith is hired, and a local thug named Dix is brought in. Dix is a disillusioned man who wears a perpetual frown. He is fed up with city living and yearns to return to the peaceful country life that he left behind for a better life in the city. Now, he sees the city as an indelible dirt that permanently stains the skin. In his bitterness, he fails to appreciate the love that his girlfriend, Doll, shows him.

The robbery proceeds as planned without a hitch, but the TNT used to break the safe detonates nearby alarms, alerting the police. The thieves escape with the merchandise, but not before a confrontation with a guard. One of the robbers is shot, but all three manage to flee in the pre-arranged getaway car. From that moment, it becomes a downward spiral as each one falls apart due to internal squabbles and police apprehension.

It is a very intense film. One can almost feel the heat and the filth that the city exudes. To the characters in the movie, breaking the law is normalised. The police are not friends, but people you need to be wary of. They have seen enough corrupt policemen. The film also features many memorable and classic lines.

Experience has taught me never to trust a policeman. Just when you think one's all right, he turns legit.

One way or another, we all work for our vice.

Home is where the money is.

Worth the while. 8/10. It went on to win many accolades and was selected for preservation in the US National Registry as being "culturally, historically, or aesthetically significant".

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So much for women empowerment

Suzhal 2: The Vortex
Season 2, 8 episodes

https://www.indiatoday.in/entertainment/ott/story/
suzhal-the-vortex-season-2-trailer-kathir-takes-on-
gripping-murder-mystery-with-aishwarya-rajesh-
2682271-2025-02-19

This is not a continuation of the previous season, even though the main characters resume their roles, but with a new mystery to solve. While the accused remains behind bars awaiting trial, her defence lawyer, a vocal activist, is shot in the head. While the police are investigating along the lines of suicide, new evidence emerges indicating that the lawyer must be part of a paedophile ring racket. Just then, eight young teenage college girls turn up at various police stations, admitting to having killed the lawyer.

In the background is a month-long local temple celebration honouring eight local deities. At the temple, the activist lawyer, a devout believer, had stopped some toes when running the temple celebrations. 

Further investigations suggest that a well-executed kidnapping and transport of young girls to international waters using local fishing boats may indeed be occurring. Additionally, the unhealthy liaison of a school principal with this entire affair adds intrigue. It is quite an interesting series, filled with plot twists, mind-boggling dead ends, and infectious emotions, set against a backdrop of symbolism that venerates the feminine power of the Universe, namely Amman/Sakti.

It is perhaps quite startling to see that in a country which worships feminine powers and has millions of temples in her honour, some of the members of the society treat their female counterparts. Even ancient Indian history abounds with tales of brave female consorts and queens who led armies against invaders. Literature is aplenty with the works of female writers and thinkers. In contemporary times, the brutal rape-killings of young women do not speak much of their civilisational development. And the existence of colonies, infamous centres of flesh trade in most big cities targeting impoverished females, is nothing to be proud of.

https://www.riflerangeboy.com/2022/07/like-whirlwind-story-swirls.html

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Could have done better?

Adolescence (2025)
Miniseries (4 episodes)

https://kinocheck.com/show/s23/adolescence

This miniseries has everyone buzzing. It is likely regarded as the most surreal creation to grace screens since 16-year-old Linda Blair portrayed Regan MacNeil in the 1973 film, The Exorcist. This is Netflix's latest blockbuster offering. The subject matter is undeniably dark, involving a 13-year-old student murdering a fellow female student as a result of cyberbullying. 

The miniseries features the filming of each episode in a single shot. While it may feel sluggish at times, this approach enhances the story's immersion as the case unfolds.

The essence of the story begins with a police raid to apprehend a teenager suspected of murdering another teenager. From that moment, it evolves into a police procedural drama as the legal system processes the accused. It showcases the overwhelming emotions experienced by everyone involved: the police officers, the supportive staff, the lawyer, the social worker, and the psychologists. For most of them, it is their first encounter with a young person embroiled in such a heinous crime. This situation is a devastating blow to the accused's parents and sister, who struggle to comprehend the idea that their beloved son could commit such an act.

As the series progresses, we learn more about the family dynamics and the atmosphere within the school. Much has changed since our own school days. Children now possess a private portal to the outside world, a realm filled with malevolence and deceit that threatens to ruin their futures. No matter how much strict discipline and guidance are instilled in them, they lead lives of their own. Cyberspace offers a secluded environment where anything goes. The thin line separating decency from insanity becomes increasingly blurred. What was once considered taboo has now gone mainstream. Children are vulnerable; they possess the illusion of agency and believe they can make their own choices. They misuse privacy for all the wrong reasons, constructing an impenetrable barrier around themselves. The adults' words of wisdom can sound harsh, digging them deeper into the abyss. With alien neologisms like incel (involuntary celibacy) culture, the manosphere featuring harmful gender ideologies, and themes such as the '80-20 rule', schoolchildren are lost in their quagmire of finding a place in their universe.

When the proverbial excrement hits the fan, everyone will be in for a shock. They will ask, "How did our innocent little child transform into such a monster?" Parents will start to question where they went wrong. Could they have done better? These parents faced greater hardships from their own upbringing and external pressures, yet they turned out fine. Why can't their offspring, with all the modern conveniences at their disposal, manage to be resilient and not easily triggered? No one seems to understand.

A criminal demigod

Clark (Swedish; 2022)
Miniseries S1, E1-6

https://www.imdb.com/title/tt12304420/

I came across this miniseries after reading about Stockholm Syndrome. Clark Olofsson is the man whom the bank robber at Norrmalmstorg, Stockholm, in August 1973, wanted to be released from prison as part of the deal to free the hostages. We all know how it all went terribly wrong. The robbers were confined in the bank vault and were smoked out with poisonous gas. 

It was the heady time of the late 1960s and early 1970s. The generation had a rebellious streak within them. After witnessing the world annihilate itself in World War II and observing their contemporaries bomb Vietnam to smithereens, they became disillusioned. They regarded anti-establishment acts as heroic. Bank robbery and plane hijacking were seen as political expressions. 

Clark Olofsson was born into a dysfunctional family. His father is an abusive alcoholic, and Clark receives far more whippings than affection. He spends most of his time trying to stay alive amidst his father's beatings, scoldings, and occasional drownings. His mother is preoccupied with shielding him from his father and is ultimately institutionalised due to mental illness. 

Clark starts his life engaging in little mischiefs, stealing, breaking into houses, and cheating. He can be described as manipulative and narcissistic. He enters and exits the prison system as if he were entering a saloon. He also successfully escapes from prison. During his imprisonment, he wooed various ladies and sowed his wild oats. He ultimately achieved demi-god status after robbing a bank. The media went wild when his cellmate robbed Kreditbanken at Norrmalmstorg, and he was brought into the bank as part of the negotiation.

The entire story is narrated lightly despite the weighty subject matter. The six episodes explore his family dynamics, relationship with his parents, and troubled childhood.

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google.com, pub-8936739298367050, DIRECT, f08c47fec0942fa0

Delon, the clothing moghul?

Plein Soleil (Purple Noon, French; 1960)
Director: René Clément

Malaysians are more familiar with Alain Delon as a stylish clothing brand than as an accomplished actor. He was definitely an accomplished person, and he is synonymous with French cinema in the vein of Gérard Depardieu and Bridgette Bardot. Like his career, his personal life was colourful, with criminal investigations, multiple affairs, and offspring.

He died at the age of 88 in 2024.

In his heyday, he was a prolific actor with sex appeal who toured between French cinema and Hollywood. 

This is one of his early movies, which launched his career. It is a dark tale about two buddies who have a strange relationship. Delon, the poorer of the duo, is constantly bullied and ridiculed by his wealthy friend. Actually, they are not friends at all. Delon is just a messenger passing a message from his father for a fee. The rich guy has a yacht and a pretty girlfriend. 

Long story short, Delon kills the rich guy and assumes his identity. He then tries to woo his girlfriend by spinning a tale that the boyfriend left her for another. Meanwhile, the police are hot on his trail because they smell a rat. The rest of the story is a cat-and-mouse game, with Delon running from the police and the girlfriend finding her lover. It has excellent entertainment value.

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Wage war against God?

Prisoners (2013)

Director: Denis Villeneuve

Sometimes, bad things happen to good people; conversely, good things happen to bad people. "Who are we to judge?" we ask ourselves. When things get too complicated, we end the conversation by saying, "God knows best!"

When an adult dies after living a fun-filled life with booze, drugs and flesh, we rationalise his demise by uttering words like 'he should have seen it coming' or 'he lived his life to the fullest'. When no vices are detected, the spot diagnosis would be 'God loved him more'. If the deceased is an infant, toddler or newborn, the standard answer is 'God, in his wisdom, had bigger plans.' We are too perplexed to think of a reasonable explanation. Invoking the name of God somehow seems acceptable. Washing hands the responsibility and passing the buck to an invisible force that does not justify His moves is legitimate. Nobody gets angry with God. Nobody can derail God's plans anyway.

This is what happens when people try to settle a score with God after losing their loved ones. A motherly lady, after losing her son to cancer, decides to wage war against God. To create demons out of parents, she abducts other people's children. The lady was on a mission to make God lose his followers. 

An intense movie narrating the tale of families whose young girls go missing. The parents, after finding that the police were not doing enough, decide to take the law into their own hands, acting on a hunch only.

This work is licensed under a Creative Commons Attribution 4.0 International License.