Showing posts with label swedish. Show all posts
Showing posts with label swedish. Show all posts

Friday, 7 March 2025

What goes through the synapses?

Queen of Hearts (Dronnigen, Swedish; 2019)
Director: May el-Toukhy

https://www.filmaffinity.com/en/film115292.html
This tale reveals two truths: defenders of justice are not exempt from breaching the very laws they ardently uphold, and one cannot put a price on the matters of the heart.

A lawyer, Anne, who champions the plight of an abused teenager, is herself embroiled in an affair with her young adult stepson. Anne is married to a physician, Peter, and has twin daughters. Peter's troubled son, Gustav, from his first marriage, appears at their doorstep. Gustav has never liked Anne for taking his father away from his mother. The relationship between Gustav and Peter is not fantastic, and his academic performance appears poor. For amusement, Gustav stages a break-in at Peter and Anne's house.

Although the police could not identify the culprit, Anne confronted Gustav to reveal his recklessness.

Anne and Peter's marriage had lost its spark over the years due to their respective work commitments.

The sexually deprived Anne starts a clandestine incestual relationship with Gustav, threatening to squeal to Peter about the fake burglary if he tells his father about their affair.

There comes a time when Anne wants out, but Gustav is too vested. This is the part of the movie at the height of suspense. The tension between Gustav informing the father and Anne threatening her stepson is intense.

When Gustav finally opens up to his father, Anne displays an emotional outburst that is so convincing, denying that an affair happened at all and that Peter accepts Anne's innocence. Using her feminine charm and passive-aggressive methods, Anne gets Peter to think that Gustav just creates stories out of the air. Anne assumes that everything will die down as it is time for Gustav to return to college.

Unbeknownst to everyone, Gustav goes missing and is found dead, presumably after a suicide.

Matters of the heart are intricate. Unlike other worldly exchanges, they do not operate on a quid pro quo basis. It is not as straightforward as "I do this, and you do that, and we're even." Sometimes, the other party may perceive it differently, and the outcome could be heartbreakingly devastating. The signs of depression can be pretty subtle and easily masked. No one truly knows what goes on in the synapses.

P.S. In addition to meaning someone's sweetheart, the title 'The Queen of Hearts' could also be a subtle reference to the character of the same name in Lewis Carroll's 1865 book 'Alice in Wonderland'. The Queen is foul-tempered and quick to sentence her subjects to death for the slightest offence. At one point, Carroll admitted that the character was loosely based on Queen Victoria. With her majestic and nurturing aura, she embodies the force of unconditional love and the nurturing spirit. In psychological terms, the 'Queen of Hearts' is egoistic and narcissistic. She possesses a cold heart and shows no qualms about beheading her enemies or anyone who refuses to obey her commands. She is a bully.


Thursday, 30 January 2025

A criminal demigod

Clark (Swedish; 2022)
Miniseries S1, E1-6
https://www.imdb.com/title/tt12304420/

I came across this miniseries after reading about Stockholm Syndrome. Clark Olofsson is the man whom the bank robber at Norrmalmstorg, Stockholm, in August 1973, wanted to be released from prison as part of the deal to free the hostages. We all know how it all went terribly wrong. The robbers were confined in the bank vault and were smoked out with poisonous gas. 

It was the heady time of the late 1960s and early 1970s. The generation had a rebellious streak within them. After witnessing the world annihilate itself in World War II and observing their contemporaries bomb Vietnam to smithereens, they became disillusioned. They regarded anti-establishment acts as heroic. Bank robbery and plane hijacking were seen as political expressions. 

Clark Olofsson was born into a dysfunctional family. His father is an abusive alcoholic, and Clark receives far more whippings than affection. He spends most of his time trying to stay alive amidst his father's beatings, scoldings, and occasional drownings. His mother is preoccupied with shielding him from his father and is ultimately institutionalised due to mental illness. 

Clark starts his life engaging in little mischiefs, stealing, breaking into houses, and cheating. He can be described as manipulative and narcissistic. He enters and exits the prison system as if he were entering a saloon. He also successfully escapes from prison. During his imprisonment, he wooed various ladies and sowed his wild oats. He ultimately achieved demi-god status after robbing a bank. The media went wild when his cellmate robbed Kreditbanken at Norrmalmstorg, and he was brought into the bank as part of the negotiation.

The entire story is narrated lightly despite the weighty subject matter. The six episodes explore his family dynamics, relationship with his parents, and troubled childhood.


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Thursday, 1 February 2024

To tame the reptilian mind?

A Nearly Normal Family (Swedish, Season 1, E1-E6; 2023)
Director: Per Hanefjord


Maybe there is no one there watching you. You are just out there alone on the small blue dot amid all that emptiness.; a blob in that awful waste of space. That’s all. Above us, only sky, and there is no hell below us.

Perhaps the wise men who came long ago knew about this all the while. They also knew that an observing eye in the sky ensured conformity and obedience. Could they know about the double-slit lamp examination findings and how the results vary when an observer is included in the experiment? The reality changes when observed. Putting the fear of prancing eyes would ensure people act within social mores. That would prevent straying from the needs of the societies, sticking together against the elements of Nature and from predators eyeing the exact needs.

As time passed, things were added and amended to suit the demands of the times. A certain amount of legitimacy was sealed by infusing a divine infusion into the equation. For a while, things went on smoothly.


The great leap forward in the sciences made people question many of the so-called God-sanctioned laws they had blindly followed. Words like empowerment, personal spaces and choices began to be mentioned. Suddenly, the religious fervour lost its lustre.

The world then noticed that everyone had their own vision of the world, and they wanted to live it as they chose. Life rules do not matter anymore. Rational reasoning took precedence. Unfortunately, humans are not so disciplined. They let their heart and minds sway. Soon, they fell prey to their primal needs.

Getting into mess after mess, they soon realise that religion, whether a God existed, paved a safe journey to the destination.

This thought went through me as I watched this miniseries about a pastor, his philandering lawyer wife, and their precocious teenage daughter. The daughter, when she was 16, befriended an older boy who sexually assaulted her. The family decided not to report the rape to the police. The daughter grew up with unresolved issues, opting out of her studies but continuing her carefree social life. One day, she is accused of murdering a 32-year-old young man who turned out to be her lover.

Life takes a turn for all three. The rest of the story is about how the family stays together to resolve the issue at hand. As if realising that divine guidance is necessary for peace of mind, the series ends with the daughter lighting a candle at a church when everything is resolved.



Wednesday, 23 June 2021

Check out anytime, but can never leave!

Kalifat (Miniseries S1 E1-8, Swedish, 2020)
Netflix

BR Ambedkar, the Indian polymath, an economist, a jurist, a philosopher, politician and social reformer, was once at a crossroad.  Having had first-hand experience pulling himself out of poverty and earning himself a myriad of international recognitions, the public's discriminatory behaviour was still palpable. The honour of leading the committee to draft the Indian Constitution meant nothing. Post-Independent India still oozed caste discrimination bigotry. 

He ventured into the possibility of leading the whole oppressed and backward communities to embrace another religion. Babasaheb Ambedkar took a deep dive into various religions, including Islam and Christianity, and finally decided upon Buddhism. About Islam, he had this to say. The Brotherhood of Islam is not the brotherhood of Man but an exclusive club to care for their own kind. 

Even though the religion preaches egalitarianism, in reality, this is far from it. The Arabs like to think they are superior because the Prophet was an Arab. With their long civilisational history behind them, the Persians would get offended if he is confused for an Arab. The whites are of a different class, but the Asians and Africans go nowhere near the status of the Arabs.

Muslims comprise 21% of the world population, but they share only 5% of its GDP. 57 Muslim majority countries (out of 195) have 1,840 universities (25,000 worldwide). To date, there are only three Muslim Nobel Laureates in the field of science - Mohammad Abdus Salam in Physics (Pakistan),
Aziz Sancar (Turkey) and Ahmad Zewali (Egypt) both in Chemistry. Unfortunately, Abdus Salam, as he is of Ahmadiyya denomination, has naturally been declared a non-Muslim by Pakistan. Interestingly, all these Professors reached their zenith only after leaving their home countries for further education. Even after their successes, they had to settle overseas to delve deep into their research.

Despite all the bad publicity surrounding these countries, there seems to be no concerted effort to correct the situation. It is not business as usual, though. Many of the occupants of these countries lament that all their problems are perpetuated by the enemies of religion. By allowing radical belief ideologies to take a mould, everyone looks contended, seeing all of mankind's progress take a U-turn and move into a retrograde fashion. Women empowerment has gone down the drain, the thirst for knowledge has fizzled out, public amenities have collapsed, but nobody is deterred. They have a bigger calling - to fulfil self-proclaimed God's commands and to prepare for the afterlife. That is it. The cavemen savage laws that our ancestors worked so hard to rectify have made a pompous comeback with the help of petrodollars.

This miniseries, which is set in a country with the capital city with dubious infamy as the rape capital of the world, is said to give a realistic portrayal of what happens at the ground level. It shows how young pubescent girls are brainwashed through radical Islamic teachings and packed off to ISIS territories as jihadi brides. They are given the wrong impression of the supposed land of milk and honey in the palaces of ISIL. The boys are given weapons to fight in the streets of Syria. There are promised a place in Jannah as if the teachers have gone there and have a first-hand account of what goes on there. 

The story starts with Suleiman and his two teenage daughters. Suleiman is an Islamic immigrant to Sweden who has personal experience seeing how radical Islam can spoil a nation. His girls lead an everyday Swedish teenage life - school, friends, boys, mobile phones and basketball. However, an assistant teacher who is part of a more significant movement goes on a recruitment drive preying on troubled and confused teenagers.

Meanwhile, in Islamic State, a Swedish girl, Pervin, who ran away from Sweden to become a jihadi bride, wants to return. Now, with a four-month child in her arms and living amidst daily bombing and drone attacks, it is not what she signed up for. She wants out. Through a friend with a mobile phone, Pervin managed to contact a social worker in Sweden. 

The miniseries, through the 8 episodes, tells us how the Swedish police try to rescue Pervin and at the same time try to save Suleiman's daughter, who made a dash to Daesh Land. Interesting.

I cannot help but think of Ingmar Bergmann's film 'The Virgin Spring' when viewing this show. 'The Virgin Spring' was set at a time when Paganism was having a hard day keeping its congregation. Christianity was making inroads, and it was the flavour of the times as more of the affluent part of the society took the plunge into Christiandom. Unfortunately, it looks like Christianity has had the same fate a millennium later, trying to ward foreign teachings from permeating their community. Life is cyclical; history repeats itself!

Friday, 18 January 2019

Social mores move with the times...

Port of Call (Hamnstad, Swedish; 1948)
Director: Ingrid Bergman

The reason I thought that this movie is of value is that it depicts how much our society has changed in just about seventy years. Even though Sweden was regarded as a liberal country then, we realise that they still held many conservative values which by today's standards would be considered archaic.

Probably, for the first time, taboo topics like suicides, promiscuity and abortions are openly discussed. This must be something new for the post-World War 2 modern world.

Berit is seen jumping off a wharf, to be rescued by a sailor, Gösta, who had decided to call his sailing days quits. They develop a relationship. Slowly, we are told of Bertha's past. She is a disturbed young lady who had a troubled childhood. Growing with a strict mother and frequently quarrelling parents, she yearned to find freedom. One day, a teenage Berit is locked outside her apartment when she returns late from an outing. She runs away from home, lives in with a man and is rescued by social service. That starts the cascade of reform school, associated as a 'bad' girl, exposure to other girls with bohemian ideas about life and a few bad relationships that she later regrets. Her past reputation haunts her work as a machine operator in a factory. Colleagues are not precisely polite with their conversations and conduct.

Soon, she opens her heart to Gösta about her checkered past. With such a tainted history, the question is whether he is able to accept her as she is?

Only then do we, citizens of the 21st century, realise how the world has changed. From a time when chastity and virginity were held in such esteem, the society now views maidenhood something like a trade transaction in a garage sale, with its errors and omissions.



Wednesday, 9 January 2019

The curse of memory?

Thirst (Törst, a.k.a Three Strange Loves, Swedish; 1949)
Director: Ingmar Bergman.

Do you really know what we want in our lives?  Are we dreaming up something and spending our whole lives trapped in a nightmare attempting to achieve the impossible? When mores in the society used to be so strict, perhaps it gave a certain amount of sanity to the general population. With empowerment and the decline in needing to conform, people started doing things as their wish. Happiness and self-contentment is the end-point. The problem is that the quenching of this thirst is an ever-elusive unattainable goal. 

The film, which is quite revolutionary at this time, in its cinematography and storyline is typical of Bergman's movies. It speaks of things that are considered taboo in the society at that time- suicide, infidelity, lesbianism and depression. It revolves around three love stories which are somewhat inter-related. It is narrated from the point of view of Rut, who is returning from her Italian vacation with her thrifty husband, Bertil, who counts every penny that they spent together. Their relationship is not really fantastic with constant bickering. Rut is frequently moody and nags most of the time. During their long train journey return home, the unhappy Rut reflects on the things that she has had. She used to be an up-and-coming ballet dancer who had an affair with an abusive married man. He scooted off at the first news of her pregnancy. After undergoing a complicated termination of pregnancy which doomed her to infertility, she yearns to be a mother. Bertil had a baggage of his own. He had previously married a widow, Viola, who nowhere really got over her deceased husband and needed therapy.


In another flashback, we see Viola being treated by a psychiatrist who could easily be labelled as a whacko himself. She runs away from the therapist's office only to meet a former schoolmate, Valborg. Now Valborg used to be Rut's confidantè in her ballet school when they were terrorised by a fierce instructor. 


The unstable Viola was overwhelmed by Valborg's unabashed romantic confrontations. It proved too much for her that Viola committed suicide by jumping off a pier.

Meanwhile, Rut-Bertil's shaky marriage gets more bizarre. Unable to stand the wife, Bertil actually has thoughts of throwing her off the moving train and at another instance, whacking her at the back of the head with the end of a beer bottle. 


It ends with a happy note with both parties secretly promising to work harder at making the marriage work.


Maybe our ability to remember things is a curse. Despite the leaps of progress we have made with our increase in our cognitive function over the aeons, in the emotional field,  our inability to forget our bitter experience impedes our desire to put our past behind and move on. Our daunting histories keep bringing up trapped like a rat whose feet are stuck in sticky glue. The more it tries to entangle itself, a bigger mess it creates for itself.


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Friday, 7 August 2015

Life, a living hell?

Prison (Fängelse, 1949)
Directed by Ingmar Bergman

Another early offering #6 from Bergman. It is a short film which has a very dark background, setting and story-wise, noir like. It is precursor to many of his later movie with dark themes like the silence of God, mental illness and the uncertainty of life. Here, it looks at the trappings of life.

A movie shooting is in progress. The director's old Maths professor who had just been released from mental asylum meets him to propose his bizarre story for consideration to be made into a film. The story narrates how Satan comes to Earth to declare it as Hell itself! The team politely declines the story. The happenings over the next few days actually makes everyone thinking. Perhaps, life on Earth is already a living Hell!

Tomas, a screenwriter, of late has been consuming more and more alcohol than he should. During one of his stuporous states, he suggested to his fiancé they should commit suicide together! Startled, the fiancé bolts for her life after knocking him out with the end of a wine bottle.

On the other side of town, a young prostitute, Birgitta, is pregnant. Her guardian promises to gives the baby for adoption. Birgitta is tormented in her guilt but feels helpless to expunge herself from her predicament. She longs for her lost childhood.

The baby was never given for adoption but was killed by Birgitta's pimp boyfriend and his partner. The police picks up the cue and are hot on her trail.

Tomas and Birgitta meet along the way. They find that they get along well but certain old memories from her past still torments her. The image of her dead child haunts her. She runs away from Tomas decides to continue her routine life.

The film crew realise that perhaps there is truth in the Maths professor's prophecy. Life on Earth has became tough for some, a real living Hell.

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Saturday, 23 August 2014

Slip sliding away...

Face to Face (Swedish; 1976)
Director: Ingmar Bergman
This is a painstakingly slow film about an extremely difficult topic, of mental illness.
A psychiatrist, Dr Jenny Isaksson, comes to stay with her grandparents after her husband, also a psychiatrist, goes on a long conference. She had lost both her parents during her childhood to be cared by her grandparents.
Her grandfather is having senile dementia whilst the grandmother goes out of her way to care for her partner.
The environment of the house rekindled her suppressed childhood memories to ignite an episode of mental disorder that becomes quite debilitating, affecting her duties as a doctor, mother to her daughter and herself.
It shows the intricacies of a breakdown. It is difficult to pinpoint events that lead to it. In a world where we like to put a name to any disease and go down to the bottom of it, it makes us wonder if there is anything (or do we know everything) about this dreaded irritant. There seem no shortcut to put this ailment at bay. It is a case of the body being willing but not the mind. Individuals inflicted with worse life situations and misery somehow come out unscathed and in stronger form whilst others just keep slip sliding down the slippery pit of hopelessness and helplessness.

Thursday, 3 July 2014

The uncanny similarity?

The Magician (Ansiktet, a.k.a. The Face, Swedish; 1958)
Director: Ingmar Bergman
At first you wonder what the heck is happening. A group of travelling magicians are seen moving in a caravan back in the late 19th century Sweden. The leader of the team, Dr Vogler, an apparently mute magician has in his entourage, an assistant (an obviously lady masquerading as a man who later turned out to be his wife), a mysterious 200year old nanny, a stage coach driver, a helper named Tubal who actually just wants to settle down as a house husband are all mixed up in this hodge-podge of conmen who appear to be running from something.
As they go through a small town, they are stopped by police to be interviewed by a group of cynics. These cynics, The Police Superintendent, a doctor - an atheist and a man of science and a nobleman all interview them on the authenticity of their 'magic' acts.
The nobleman's wife is still mourning over the death of her son and was hoping to 'meet' her lost son through the magic man.
One by one the magician's antics was unravelled and the troop was humiliated.
The brooding Dr Vogler is also discovered not to be mute after all. The coach driver is hypnotised to kill Dr Vogler, so is everybody is made to think! The deceptive magician get the last laugh when he manages to frighten the living daylight of his detractors. He uses the body of another death man's body when the doctor decides to perform a post mortem! Can you imagine when he appears in flesh and blood?
In the end, events turn to a heady start. The magician is feted and glorified by the Swedish courts. They leave for the palace to be glorified.
You go on wondering... Who are these people, what are their relationship to each other? Then it strikes you! A person revered for his seemingly miraculous acts, awes many, is put to the test by sceptics, is killed and seen to arise from his death. He gives hope to others to anchor their trusts upon. He himself is sceptical of his capacities and thinks that everything is an illusion but gets glorified in the end. Does it not ring a bell?

Friday, 20 June 2014

One failure leads to another!

To Joy (Till glädje, Swedish; 1950)
Director: Ingrid Bergman

One of Bergman's early offerings, good nevertheless. Here it is not about the silence of Creator but rather of the complicated dynamics of family life, specifically man and wife and its complexities.
The film starts with a violinist being interrupted from performing when an important phone call comes in. The call is for Stig. He receives a rather bad news about the death of his wife in a kitchen accident. The story goes back to 7 years previously...
A rather timid man, Stig, is a violinist in a philharmonic orchestra. He soon develops feelings for the only female violinist, Martha, in the group. Even though there were other suitors, Martha decides to settle down with Stig for his simplicity and straightforwardness.
Stig has big plans for his career, being a soloist and playing in Stockholm. Unfortunately, his skills do not match his ambitions. One by one, things happen and the young man is more disheartened. Martha gets pregnant and he is drawn into a hasty marriage. Even though Martha is doting wife, Stig is still listless. Inadvertently, he outpours his resentments of his failure on his wife.
The seemingly loving couple can be seen slowly growing apart.
Along comes an acquaintance and his flirtatious young wife. In the heat of the moment, he caves in and an affair ensues.
Martha, upon discovering the liaison, leaves with kids (2 by then).
The separation and the discovery of the mess that the affair had brought him, he repents. Letters after letters, Martha and Stig get back together, with the kids too. And later, the accident...
The movie ends with his orchestra's rendition of Beethoven's classics.

Quotable quote: We second-raters also necessary. Without worker bees, no beehive!

Friday, 21 February 2014

Storm in the tea cup

Sawdusttinsel.jpgSawdust and Tinsel (Gycklarnas Afton,Swedish; 1953)

Life, has its up and down. Every now, a crisis builds up and disappears just as fast as it appears. At the time it materializes, it seem like the end of the world but then, with time, it finds a steady state and then it no longer is the big problem that it was previously.
This 1953 drama narrates the happenings around a travelling circus which stops at a town. The morale amongst the performers and its owner, Albert, is low as viewers' appreciation is low and income is measly.
Albert arrives at the town where his ex-wife and young sons who he left 3 years previously, lives. He now travels with a young pretty mistress performer, Anne.
Albert gets a idea of having a great parade to advertise their presence in town but their tattered costumes were nothing to show off. He decides to borrow costumes from a drama troupe in town. He approaches the director. What ensues is an interesting dialogue between two group of performers, one from the lowly circus performers and the egoistic drama actors.
The debonair main actor, Franz, catches the eye of Anne. In another scene, Anne is concerned about Albert's visit to his ex-wife's place. She is afraid that they may patch up again.
The ex-wife is however quite comfortable in her own life without Albert. The convenience store is that she is running is doing quite well and she is the main dealer of tobacco in her town. She is in fact in a much better shape finacially than Albert who left the family to run the circus. The ex-wife, Agda, categorically states that she enjoys her current freedom and is not ready to give it up for anything! She categorically implied that Albert was not welcomed there.
A distraught Albert discovers Anne sneaking out from the theatre and entering the goldsmith store on his way back. Despite his own plans to be a turncoat to their relationship, he accuses Anne of infidelity. In reality, Anne was turned on by the actor's charmed life and did bed him in exchange for jewelry which turned out to be worthless!
An duel ensued during a circus performance between a drunken Albert and Franz. Albert was humiliated and  bruised badly. Albert was contemplating suicide but instead shot an aging bear. There is another side story associated with the bear.  It is owned by Albert's confidante in the circus, the clown's wife. The wife once humiliated the clown by bathing nude by the beach just because she was wooed by some soldiers. The clown rescued his wife and forgave but Albert could not understand why.
Finally, the circus moves on to another town. Albert and Anne forgave each other and move on with life.
The film albeit being more than 60 years old and being black and white, give you the perspective of the circus from an angle never seen before. The views that we get are very close range.  Even at such an era, the female characters are quite liberated and they savour freedom.

Wednesday, 1 January 2014

On motherhood...

Nara Livet [1958, Swedish; Brink of Life(US), So Close to life(UK)]
Director: Ingmar Bergman
A drama which earned 1958 Cannes award for Best director and awards for Best Actress (all three main characters), this is a story of the concept of having children, the guilt, the acceptance and the problems associated with them. 
It narrates the occurrences in the maternity ward over a span of a day. 
Not every child is born in the world wanted, sometimes their loss wrecks relationship, other times so much hope is placed on them which leads to disappointed when expectation is not met!
The film starts with Cecilia Ellius, at three months' pregnancy being wheeled in to the ward after experiencing bleeding. A guilt stricken Cecilia has a miscarriage and blames herself for her predicament. She never wanted the child in the first place. Her husband too, in midst of completing his thesis was not really ready.
Mr and Mrs Ellius' relationship take a dive for the worst and are contemplating separation.
Cecilia, not a young person, feels that she is not fit to be a mum. She feels that at her age, solitude and loneliness just suits her fine.
Sharing her same room are two expectant mothers; Stinas Andersson, a first timer who had way past her due date and is waiting for the baby to pop out and Hjördis Petterson, a unmarried teenager whose boyfriend takes no responsibility of her pregnancy.
Stinas and her husband are so excited to receive the addition to the family and have made plans for the newborn. During visiting hours, the Anderssons discuss the baby's room and the paraphernalia that needs to be added.
Hjördis, on the other hand, was admitted as she was unwell and some time more to deliver. She is generally a frustrated young lady. She had left her mother's house as she could not see eye to eye with her. Her mother was displeased with her behaviour and they had parted on bad terms. Now, at ends' wit and lack of cash, she yearns to go back home but has no courage to face her mother.
In the meantime, later that night, Stinas goes into labour. Unfortunately, her big plans came tumbling. Complications during labour ended with untimely demise of loved child.
Hjördis laments her condition to the welfare officer who, herself subfertile, feels happy for her being pregnant and discouraged her to undergo a termination. Hjördis herself cannot understand she should be happy with her pregnancy as she has been a disappointment to everyone around her.
Along the movie, the three ladies do communicate and give each other support. Cecilia coaxes Hjördis to call her mother for encouragement. She picks up some courage to call her and to her astonishment she willingly asks her to return home. Together, they were going to usher the newborn.
Cecilia's problem is also solved when her sister-in-law gives her some words of wisdom. She resolves to mend her relationship with her kind husband.
Stina, on the other hand, was sleeping her woes away when the film ended.

Sunday, 15 December 2013

It is all a package!

Autumn Sonata (Höstsonaten, Swedish;1978)
Director: Ingmar Bergman

How long can you go on blaming your parents for your behaviour, misbehaviour and emotional wellbeing? Sure, they provided the building blocks upon which you blobbed up to a multi-billion celled organism but did they not undergo all that psyche and physique altering 9 months. Then there were the phenomena of maternalistic instinct and the ever embracing comfortable bosoms that she provided. What about the story of the mother and the burning house? She would rush in to grab you from the raging fire even when the beam of the house is in the verge of collapse and even jump into a lake without knowing to swim, just to save you.

And the sleepless days and nights caring for you during your time of being under the weather. All these were done without any expectations of return. Now, you are big and strong and you blame all your failures and underachievements on her. And you say that it was not your choice to be born but your parents had a choice...

Bergman's movies as always make you think about life and you end up more confused than ever as there are no self-help and no directions in the voyage of life.

This film is the ramblings of a daughter to her seemingly aloof mother on the turn of events in her recent life and the horrible childhood that she had. Eva (Liv Ullman) is living with her pastor husband (Victor) in a lonely home and in a loveless relationship. Eva invites her mother, Charlotte (Ingrid Bergman), to stay with her after the demise of her partner.
Charlotte, a renowned pianist, spend a lot of time during Eva's childhood away performing much to the chagrin of little Eva. The lonely days that Eva spent with her father, a quiet man, resulted in her in having a resentment to her mother. During the time the mother is back home, she is too busy practising for hours on end. Eva also has a sister, Helena, who has been inflicted with some neurological condition needing constant care, whom she feels her mother had abandoned when she left her in a nursing home.


Being constantly left alone, Eva had apparently befriended a guy who impregnated her. Charlotte decided that this would not do for an 18year old lass. The ensuing termination further infuriated the young mind against her mother.
Charlotte, this time around, has to face the bitter truth of reckoning. She finds that Eva had taken the severely handicapped Helena into her home to care for. Charlotte had to answer to her now-grown daughter, after staying away for 10 years. She had to 'face the music' to all her actions or inactions.
On her defence, Charlotte had to bring in the money and the joy and the attention that she received at the keys. Eva's marriage had also become unhappy after the drowning of her 4year old boy.

This showdown did not really end with a kiss-and-all forgotten kind of finale, however.
After the confrontation, the mother left the house after facing the demons. She is quite happy just corresponding with her daughter. Absence does not really make the heart grow fonder. Out of sight, out of mind is more like it. Time heals.

We do not choose our relationships, we do not choose to be born. The relationships and bonds that come to us can good, bad or ugly. It is up to us to sieve the favourable to the undesired ones and make the best that what life has in store for us...


“Be afraid. Be very afraid.”*