Showing posts with label variety show. Show all posts
Showing posts with label variety show. Show all posts

Thursday, 26 December 2013

The glitz fizzles eventually...

No Bed of Roses (Cecil Rajendra, 2013)
Malaysians can never get over the romanticism of the time when we, as a nation, were euphoric over being independent. The years after independence with their favourite Prime Minister at the helm will be forever remembered as the golden era of our young nation. People were accommodative and non judgmental in their outlook. At a time when the colonial masters' way of living and socializing was universally accepted, nobody would look at another with a 'holier than attitude'. Muslims consumed alcohol and no watchdog moral police stopped them.
After the terrible trying times of the second World War and the economic prowess of their commodities at all time high, it was time to celebrate and did they celebrate. Against this backdrop emerged a rose which sparkled for a while but it could but not leave without leaving behind a legacy of a time not easily forgotten.
This book is not a biography in the real sense. It does, however, enumerate significant events in the life of Malaysia's most famous stage performer, Rose Chan at the end of the book.
It is told from time Rose is at her death bed with recurrence of breast cancer in series of flashbacks.
It is almost unbelievable that the author, who professes of never seeing Rose perform live, could narrate in such details and set the perfect ambiance of the excitement of her shows. Perhaps we could attribute it to the author's imaginative writing skills and the imaginative poetic brain of his as well as the champion storytelling ability of Rose's confidante and manager, Lee Ying.
It does not give a year to year account of the life and times of Malaysia's legendary stage performer but instead tells in bits and pieces of her life events from which we, the readers can draw a big composite picture. It starts with Rose Chan lying in her death bed counting her days on Earth.

The origin of this Soochow girl is no different from that of any other migrant to this country. At the tender age of 6, the young Chan was bundled off alone with a relative to Singapore to escape famine. Using her self learnt survival skills, her familial skill of acrobatics, entrepreneurship, helping at the kitchen, undying zest to learn, a broken marriage to a senior citizen of which she may have been sold off, she eventually progressed to be a member of a dance troupe. A wardrobe malfunction later saw her getting more attention than to her dance. Hence, started her performances in her birthday suit, the wrestle with an albino python and being run over by a motorcycle!
To add credence to the story telling, the author had decided to leave a big portion of the spoken narratives in broken English (Manglish/Singlish). It actually adds humour and authenticity to the storytelling.
The tale goes that Rose Chan who became Roseminah after marrying a bloke who had an uncanny resemblance to her heart-rob at that time, the debonair prince Tunku and the swashbuckling movie star P. Ramlee. It goes on to tell about Roseminah using her culinary skills to raise funds for the young nation. She must have known the two ways to a man's heart - the curves and the culinary skills.
Talking about getting into a man's heart, we cannot say that she did master that trade as she married 5 times altogether.
The steely lady had her share of brush with the law, local and international. In Australia, she was once charged for soliciting sex but her charisma turned her trial into more like a freak show to the amusement of the public gallery supporters and the annoyance of the presiding judge.
The law in Malaya those days regarding exposure of the flesh was quite relaxed in keeping with influence of the colonial masters. In spite of various attempts by certain quarters to ban her shows, she miraculously survived. There was a particular law about nudity in public. A nude person is not breaking any law if she does not pose a nuisance to others and does not move when exposed. She was once charged when she was still moving on a carousel-like contraption. In a heart warming trial, she, defended by David Marshall who later became the Chief Minister of Singapore in a case which, by today's Malaysian standard of outdoing each other in 'holiness', only happen in your wildest dream!
This 1950 Miss Singapore 1st runners-up had a stellar international fame. She retired at the age of 51 in 1976 just to be bogged down by breast cancer 4 years later. Being the fighter that she was, she fought the given prognosis of 2 years to live another 7 years. She died almost a pauper, after giving a lot to charity and the bottomless pit of her adopted son who squandered quite a bit of her earning. The goodwill of the general public paid for some of her medical expenses. The book also includes recipes of Rose's cooking and aphrodisiac advice and sexual manoeuvres. The list of gourmet enlisted is reflective of her assimilation into her new found homeland - fish head curry, sambal udang assam, penang chilli crab, penang pork-strips, abalone soup, etcetera.
Looking at the trend of things these days, this book would be banned only if it is translated to the national language. It may confuse people. Otherwise it should be okay! The tutorial on Chinese aphrodisiacal techniques were quite graphic, to say the least!
Her charm is supposedly immortalized by a Wilfrid Thomas, BBC radio presenter, during his stopover at Singapore, who was smitten by the star of the day to pen a composition (Rose, Rose, I love you) to the tune of an old 40s Chinese song (May Kway, oh May Kway) for Frankie Laine to record later. Our own Datuk Zainal Alam had a quad-lingual cover version too.
http://www.youtube.com/watch?v=WdfDYSzxjJU (Zainal Alam)

http://newspapers.nl.sg/Digitised/Article/straitstimes19501030-1.2.3.aspx

Wednesday, 25 July 2012

You can't take the film out of an Indian!

As part of their plan to change the landscape of attendees of the temple from a predominantly geriatric population who are trying to postpone their face to face appointment with their Maker to a much younger one and to enhance the inter and intra familial ties, the ladies wing of the temple committee that I attend decided to hold a variety show in their premises. The other agenda on the list was to source funds to channel towards an orphanage.
Well, you would think that getting orphanage to participate in this fare should be easy. Not really! Most of these institutions have their appointment books all packed with invitations from well wishers. They even limit the type of handouts that you can offer them. They can choose because they are not beggars! In a land of plenty like ours, everyone is affluent.
You would not be penalised if you think that there would not be any takers for purchase of ticket to this show. Wrong again. The tickets sold off faster than hot cakes, leaving many disappointed souls.
The theme of the show was 'Hum Saath Saath Hain' (we stand united) to illustrate the fact that a family that  spend time together feasting the eyes, mind and palate together would stand united as a happy family. 'Hum Saath Saath Hain' is a title of a Hindi movie that came out in the 90s of the trial and tribulations of an extended family. Someone said that he felt so nauseated throughout the film as every character were just much too sweet to each other sacrificing for others' wellbeing! (Like drinking 50% dextrose, you will puke!)
Good for you!
The show started keeping to Malaysian or Indian timings as the attendees were Malaysians and Indians. An excellent Masters of Ceremony kept the crowd in stitches and at their toes as he went around getting the audience involved in the event. The audience kept their side of the bargain by performing songs and going on stage as easy as flipping the coin. 
The event appeared like a remembrance of sorts for the recent passing of the Hindi film superstar, Rajesh Khanna. Many of the quiz questions and background songs were from his movies. Some of the performances were choreographed to his songs!
Can't keep the eyes off!
The performances flowed in seamlessly as the guests were digging into their delicious vegetarian cuisines. In midst of lucky draws were pantomime by the priest and his family on a sketch of how God works in mysterious ways, a Bollywood song singing competition between sexes (Antakshari), an imitation of a reality show as seen in Hindi channel, dances by the young and the old, music from Bollywood and a finale by the organising committee.
The organisers managed to grasp the attention of all ( from young to old) and made them stay around way past their bed times! They also managed to show how a wholesome show suitable for the whole family can be organised. Of course, the whole evening would have been a turn-off if it appeared preachy with hymns and prayers only. If not for Bollywood input, it would not have been possible. A right balance of entertainment and family values was maintained.  Kudos!


*Antakshri (Devnagri: अन्ताक्षरी, Urdu: انتاکشری) is a spoken parlour game played in India, Bangladesh, Pakistan and Nepal. Each contestant sings the first verse of a (usually Bollywood) movie song that begins with the Hindi or Urdu consonant on which the previous contestant's song selection ended.

“Be afraid. Be very afraid.”*