The Messiah?

Kalki 2898 AD (Telegu; 2024)

Director: Nag Ashwin

Why is it that every culture predicts a nihilistic future where annihilation is the final outcome? Almost all paint a picture of chaos where morality is down the drain, virtue becomes an alien feature, and pandemonium is king.

According to Hindu culture, time is cyclical in Nature. A time unit, chaturyoga, lasts 8.64 million years. It is divided into four yugas—Satya, Treta, Dwarpa, and Kali. We are in Kaliyuga, which commenced in 3102 BCE and will last for 432,000 years. Each yuga depicts further deterioration of human behaviour. Like the four seasons on Earth will repeat indefinitely. By the end of Kaliyuga, human behaviour will be despicable, with total anarchy and chaos, reaching the point of entropy. Decoiry, emphasis on external beauty, false divinity, fakery, greed, and the list go on about what can be expected by the end of Kaliyuga. Nature would need to reboot and restart the system, returning to Satya, the golden age. Rinse and repeat.

It is believed that the end of the Kurukshetra War marked the commencement of Kaliyuga. With so much disorder (adharma) ongoing, with so much breaking of conventions and ethics, it is said that Vishnu's 8th avatar, Krishna, manifested to set rules for mankind so the effects of Kaliyuga could be minimised. 

It is prophesied that Vishnu's final avatar, the tenth, will appear at the end of Kali-yuga to set order once again and pave the universe into the next yuga, Satya-yuga, the golden age.

In the Hindu scripture, eight icons are booned (cursed) with immortality. Besides Hanuman, Vyasa and Markandeya, Ashwattama was cursed by Krishna to roam the jungles, deformed with wounds festering with blood and pus for 3,000 years. For the context, Ashwattama was Drona's son. Drona was the archery teacher to both Pandavas and Kauravas. Because of politics, Drona and Ashwattama fought for the side of the Kauravas. Krishna was the charioteer for Arjuna, the principal warrior of the Pandavas. 

As dirty as war can be, the Pandavas tricked Drona into believing that his son, Ashwattama, had died in the war. Drona's temporary lapse of concentration cost him dearly. In actual fact, an elephant named Ashwattama was killed. The angry Ashwattama went on a rampage, which eventually led to him attempting to kill Pandava's last heir, Uttara's unborn child, Arjuna's grandchild. Hence, the curse.

This is where the movie starts. Six thousand years into Kali-yuga, 2898 CE, the world is dystopian, with Kashi being the only 'civilised' place left standing. Kashi is ruled by a despot harbouring serum from pregnant mothers for youth rejuvenation. I do not think Shrimad Bhagavadam describes things as these. The storytellers have taken the artistic liberty to draw in viewers. The rebels have gone underground at Shambala. One of the mothers in the incubation pods carries Kalki in her womb. But the extraction of serum proves fatal. Hence, the rush to save the day. We can deduce this from the fact the mother's name is Sumathi. 

Ashwattama springs into action. A bounty hunter who catches anyone and anything for a fee is also on the trail. Unbeknownst to the bounty hunter, Bhairava (a reference to Shiva's incarnate. controller of time) is a reincarnation of Karna. The movie is obviously just a teaser to one of many more sequels. 

Ashwattama was cursed with immortality for aiming 
a celestial weapon at Abhimanyu's pregnant wife to
kill the Pandava lineage. In his defence, he was not
taught how to disarm the weapon.

With all the CGIs, this is undoubtedly a rare attempt of Indian cinema to create science fiction using Indian mythology. With no local templates to follow, it is evident that the makers got the prototypes of their props from Star Wars. 

Is it a coincidence that most civilisations and religions present a world entirely of sin and debauchery, leading to the annihilation of the world? And a saviour always comes on a white horse. What do you know? Kalki is said to ride a white horse, too. Why are there so many overlaps between Abrahamic and non-Abrahamic traditions? The story of a newborn escaping royal capture happened in the cases of Jesus and Krishna. Moses and Karna were placed in a waterproofed basket in the river to be adopted by someone else. 

One possible explanation goes back to the time after Nebuchadnezzar's army destroyed the First Temple of Jerusalem. The Israelites were taken captive and brought to Mesopotamia as slaves. There, intermingling with the local populace before King Cyrus the Great brought them back to Israel, the early Jews added tales common to Hinduism to their pantheon of stories.

(P.S. 2898 CE is long before the end of Kali-yuga if it lasts 432,000. It seems too premature for Kalki to be born.)

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Another old profession - gossiping!

Civil War (2024)

Director: Alex Garland

The world thought the USA's second Civil War was about to start when Donald Trump lost his second term in office. The Capital Building ambush by Trump's far-right supporters on 6th January 2021 was forever enshrined as the biggest desecration of the American democracy.

In this movie version, it is sometime in the future when America is in a civil war. America is divided into areas controlled by regional militias and other extreme factions. The President is re-elected for a third term, and people are unhappy. There is mayhem in the country. Local vigilantes have taken control of most areas. In essence, it is like a war zone.

Amidst this chaos, two photojournalists have to travel by road across the country to Washington, DC, to interview the President. The film is about their experience of seeing America in a civil war.

I was intrigued by the special privileges and status that journalists hold when they carry out their jobs in high-risk areas. The Geneva Convention has determined that they should be protected. Journalists have the right to report things as they see, as they are supposedly giving firsthand accounts of events. They are given special privileges to attend events deemed of public interest. Journalists are also protected from having to reveal the source of their information.

As the world awakens from its long slumber, the question is whether the journalists' accounts of events are indeed the undeniable 'truth'? If schooling taught us anything, it told us that History lessons taught to us are testimonies written by victors. We are often fed with contradictory news in the immediate past and the present. It is expected to get many versions of what is happening in Ukraine, such as who is winning and who has more casualties. In the Israel-Hamas conflict, every journalist from either side paints a different picture of the situation on the ground.

Previously, the CCP insisted that Urghur Camps in Xin Jiang were reeducation centres, whilst many opposers of China insisted they were nothing like internment camps of dissidents.

Another thing that keeps cropping up is fake photos of victims in war-torn zones. It is often mentioned that many of the so-called 'victims' were paid actors who kept on appearing again and again at various disaster sites. An Afghani girl with amber-hued irises who emerged during the Russian invasion of Afghanistan was seen resurfacing during the Syrian civil war. Then, the tale of the walking corpse. I guess journalism had lost its professionalism and integrity.

          

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Don Quixote’s Paradise

It is the year 2074. Yes, the world is still around, and so is the human race. It has been over a century since Malaysia received its mandate to self-rule. Technically, we should be in a utopia with so much sunlight throughout the year and a chirpy tropical climate devoid of depressing, chilling winters or debilitating natural calamities. A potpourri of food options is available 24/7 at our fingertips and delivered to our doorsteps with easy-access drone servers. We should be the happiest people in the world. In reality, however…

https://borderlessjournal.com/2024/05/14/don-quixotes-paradise

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On a collison course?

3 Body Problem (Miniseries; Season 1, 8 episodes )

Adapted from the Hugo Award-winning novel by Liu Cixin

There is an episode in the original Twilight Zone series titled "Where is Everybody?" in which a person wanders around a township with no soul in sight. Enveloped in 'The Great Silence,' he runs around like a headless chicken, looking for any sign of life. That must surely be a veiled reference to Fermi's paradox. With so much wasted space around us and after so many years of searching, why can't we contact any lifeform elsewhere in this widespread Universe? With time, the possibility of the presence of more and more solar systems is being suggested. Surely, someone somewhere must have picked up our radio signals by now. What if they are advanced enough to pick up gestures of friendship. Or maybe they have already made visitations before if one believes the ideas mooted by Erich von Däniken about ancient aliens.

Conversely, if a civilisation is indeed more advanced than us, wouldn't it want to dominate us? Come to think of it, our announcement to the Universe may be counterproductive as it may put us at risk of being run over.

This is exactly what happens in this story. An alien race, the San-Tis, from a distant planet, Trisolaris, in Alpha Centauri, four light years away, are looking for an alternative home. Their planet is unstable, and they are looking for an alternative home. A signal from a Chinese scientist comes in. The Trisolarians grab this opportunity. They send advanced minuscule computer programmes called 'siphons' to Earth through accelerated methods (breaking light barriers) to retard science on Earth while San-Tis conquer our planet. Reaching Earth takes over 400 years because they have not breached the light-speed barrier. 

Meanwhile, scientists are committing suicide as science results are going haywire (Science, as they knew, is dead). The gist of the story is trying to save Earth from the inevitable space invasion. In the midst of all that, there is death, murder, love, deceit and friendship.

I do not claim to fully understand the science behind the story. It skips me why the scientists decided to commit suicide, as scientists are generally resilient and have the in-built capacity to resist adversity. 

I understand that the 'three-body problem' is a physics/ mechanics conundrum. Predicting the path of two bodies with gravitational pulls towards each other can be done by looking at their trajectory, pulling forces, and a pre-determined point of reference. In a three-body model, the path looks chaotic and appears like they may collide at any time. It is more difficult for scientists to foresee. This is the exact problem San-Tis has. Their three suns (hence the name Trisolaris name for the planet) cross paths, leading to destructive outcomes. There was the need to colonise.

The series is mired with controversy even before its release. Its producer, who helped to bring it to Netflix, died of poisoning in a business dispute. The Chinese Government is not pleased with its altered storyline, choice of casting and the adverse depiction of China. Under the guise of diversity, the Chinese are cast as villains, and the White man comes to the rescue.

(P.S. The novel is the first of a trilogy. Dark Forest and Death End will follow, as this sci-fi has geeks talking.)

(P.P.S. Food for thought: Are our efforts to send probes and time-capsules counterproductive? Like how flaunting our boarding passes online will expose our personal data to prowling eyes and unsavoury characters, will it attract space imperialists?)

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Apartheid in pipeline?

Pendatang (Malaysian Cantonese, Malay, Newcomer; 2023)
Director: Ken-Kin Ng

In the old days, most houses will have a single bathroom. Two, if you are in the upper middle class. Bedrooms were hardly to go by, usually reserved for the female members of the family for modesty. The males would usually rough it out wherever there was space. This was especially so when relatives visited the household. Everywhere they lay their pillow, it was a sleeping place. 

Fast forward to 1990 and beyond. Even siblings find it difficult to share living space. They talk about wanting personal space and wanting privacy. The concept of her sharing and accommodation for a fellow roommate or a sibling has suddenly become an alien concept. Hell hath no fury for a person whose personal toiletry or cosmetics are used without consent. 

Outside the confines of the home, we were a tolerant lot. We did not tolerate but instead accepted each other with each other's idiosyncratic ways of eating or worshipping. There was no concept of one ethnicity dominating one area over another. No doubt there were majorities, but each just accepted the other. Nobody claims an area to be theirs, even if there were the majority. 

We had Indians in Kampong Melayu, Malays in New Villages, Chinese in rubber estates, etc. In the 1980s, we saw townships with a particular ethnic flavour. Shah Alam and later Putrajaya claim to be Malay-centric and refuse to exhibit 'features' or engage in businesses that go against the grain of Islam. The local councils barred the sale of alcoholic beverages and the opening of pubs and nightclubs. Slowly, everybody developed a 'holier than thou' attitude of themselves. 

Now, in 2023, even illegal immigrants who had somehow stayed undetected below the radar for years have risen to the occasion. The Rohingyas, Myanmarese, and Bangladeshis have all claimed their pieces of the pie. After congregating at certain localities around the country and developing them by their standard through business and occupation, they claim legitimate ownership of those places. 

Naturally, the self-proclaimed princes of the soil would not take any of these. Their leaders, whose mental capacity never grew after the 1960s, used racist and religious catchphrases to bulldoze their agenda through small-minded straw man arguments. The trouble is the people who matter most opt for peace rather than combat bigotry at its core. The future looks bleak. 

This film imagines a dystopian Malaysia where an enactment is passed to ensure races are kept separated. It becomes a crime to interact with or harbour a person of a different ethnicity. The race felt that that would preserve the sanctity of the race, but it was a bitter pill they had to swallow. To ensure conformity to the rule of law, there is a group of ragtag vigilantes. 

A Chinese family moves on into a traditional Malay house. Unbeknownst to them, a young Malay girl is spotted hiding in the ceiling and scavenging their food. 

After some initial trepidation, the family decides to care for her, much to the wrath of the junta, which came for a home inspection. Next to follow is a series of escapes from this hell hole to a neighbouring country. 

Something obvious amongst the high-level officials and mega businessmen is that the segregation law does not apply to them. A Chinese factory owner is married to a Malay girl, and a Malay politician is seen making business deals with the Chinese. 

The take-home here really is that each race needs the other, and they have no ill feelings towards the other. In their lust to stick on to power and usurp money, the politicians and leaders create a non-existent bogeyman to create fear, divide and rule. It worked for the British then and will work for present-day East India Company 2.0, run by the country's own son of the soil.

The Klang Valley and the nationalities who claim stake.

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Pleasure in pain?

Crimes of Future (2022)
Director: David Cronenberg

Despite all the good deeds attributed to Tipu Sultan in fighting the British and planting the seed of nationalism amongst the people of Bharat, the Muslim monarch is infamous for signature torture. He would slice off his enemies’ noses. There was a time in South India when many defeated Hindu soldiers with gaping nasal openings on their faces. 

It is said the peddlers on market squares of old India were trying to insert prostheses to correct the victims’ nasal defects. Two visiting surgeons from the UK saw this during their visit to exotic India and decided to write it up in medical journals. That was the birth of rhinoplasty and the conception of cosmetic surgery. 

Tipu Sultan

Soon everybody found something wrong with their appearances; too fat, too plain, too Asian-looking, too unalluring, lines of ageing or even too short. Everything could be corrected if one were daring enough to go under the scalpel. The fear of surgery itself was a put-off to potential customers (not patients since they were not technically sick).

For those who braved the procedure or danced the nectar of joy of improvement of their perceived looks, an enhancement to the first cut became the norm. In a way, the first cut was not the deepest but became a stepping stone to many more to follow. As experience had proven, it soon became an obsession, no longer a therapeutic correction. In the real world, repeated nose jobs have resulted in necrotic nasal cartilages and the nose literally dropping off one’s face! If the rumours about Michael Jackson were true.

The movie tells us of a not-so-distant future where humans develop tolerance to pain, and somehow people do not get infections. The human body constantly evolves and is able to produce synthetic organs. A group of people can digest plastic. Because pain is ‘pleasurable’ and is tolerated well, surgical incisions and public displays of self-mutilation replace traditional sex. In this topsy-turvy world where growing new organ is an art form, the authorities try to register new organs!

Kosaji, after his nose job

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