Written and Directed by Vivek Agnihotri
The storyteller is trying to equate the Adivasis (aborigines) to Buddha whilst the capitalists and the communists as mortals try to bribe their way to usurp the Adivasis' rightly owned lands for personal interests.
For a movie that Agnihotri had so much difficulty trying to secure financial backings from the movie stalwarts in the initial stage and abandonment by financiers later, it sure did fan a lot of excitement, protests and even riots. It is said to have popularised the term 'Urban Naxalites'. It was the academia where it hurts the most. For a long time, people in higher learning institutions have been looked upon as socialist, leftists or communists' sympathisers. Many have been accused of joining the breaking India forces to cripple the nation from within. Even during the Raj era, educated locals would wag their tails to the beck and call of their colonial masters. They continued as sepoys, and now as journalists, academics and God-men continue their dog and master relationship overseas and even in India.
The capitalists are no different from the socialist in the way they expect the masses in their agenda of making money. Nobody actually cares for the underprivileged and the marginalised. It is just dollars and cents.
The films tell of a group of free-spirited MBA students challenged by their professor to develop a business model to help an NGO sell aboriginal pottery. It is allegedly to be siphoned back to the community for their upliftment. The protagonist realised that the setup is a sham to hoodwink the government subsidies for their private coffers. Helping the tribes is the last thing on their mind.
A refreshing look at the real world of philanthropy. It is filled with revelry, intoxication and hedonistic entertainment at the expense of the poor. It had always been self-interest, not altruism.