RIFLE RANGE BOY: short film. multinational

Two (1965)

Director: Satyajit Ray

In 1964, renowned filmmaker Satyajit Ray was asked to create a short film for ‘ESSO World Theater’, a cultural showcase presented on television and funded by the American oil company Esso. Asked to write and direct the film in English, Ray opted instead to make a film without words. The result is a poignant fable of friendship and rivalry. As he did for many of his movies, Ray composed the music for the film, including the haunting tune played on a flute. After Satyajit Ray was awarded an Honorary Academy Award in 1992, the Academy embarked on an ambitious endeavour to preserve the works of the Bengali filmmaker. “Two,” also known as “Parable of Two,” is part of the Academy’s Satyajit Ray Collection (http://www.oscars.org/film-archive/co...), which includes 18 feature films directed by Ray and preserved by the Archive. (Youtube)

Ironically, a film without words can make one speechless. One can say so much by not speaking at all. It is partly the storyline and also the ingenuity of the director that help to bring out the unspoken message, which is left to everyone's imagination to decipher.

Ironically, Ray made this short film for a multinational company which is involved in the global promotion of consumerism, materialism and the decadence of the environment. I look at it as a slap on the face. From the get-go, one can see a well-fed, home-alone, well-dressed young boy, complete with a hat with big ear-like contraptions, which will only remind one of Mickey Mouse. And he is seen gulping a beverage from a bottle that resembles Coca-Cola - what else can it be? He is obviously feeling bored despite all the expensive toys that surround him.

Out of his window, he sees a poor peasant boy having a whale of a time playing a melodious tune on his flute. Jealous that the poor boy can have such a good time, he sabotages his every plaything; banging his drums, shooting with his toy gun, and even shooting down his kite.

Despite all the destructive attempts at spoiling the poor boy's play, the latter returns with more ideas to entertain himself. The rich boy remains unhappy despite his access to luxury and the toys at his disposal.

The people in power are hellbent on crushing the hopes and attempts of the less fortunate to progress. The well-heeled feel that only they deserve to be happy. After all, money can buy happiness, they think. The poor, they believe, merit what they have for all their Dionysian outlook on life.

The clip may be voiceless, but the message is loud and clear. Happiness is also a metaphor for the human spirit. The poor are representative of the human race as a whole. Despite the repeated insults hurled upon them by the powers that be, the wealthy multinationals which rapaciously destroy the planet or even Mother Nature, who regularly tests them with calamities, the human race will never give up. Hitting brick walls has become second nature to them. Overcome they shall.