We dig our own grave?

The Eternals (2021)
Director: Chloe Zhao

The story is actually an amalgamation of many stories, folklore mainly. After all, most world mythologies have almost a similar theme. See how often babies are left to float in a vessel by a river to escape persecution. Moses survived Pharoah's persecution and was adopted by the Pharoah's daughter in a twist of fate. Karna was left off by his unwed mother in Mahabharata to escape humiliation, only to be adopted as a charioteer to fight his younger brothers later! And see how everything comes to an end, in Armageddon, or when Kalki descends from his horse at the end Kaliyuga.

Gilgamesh

So, how did Judea-Christian mythology get intertwined with Hindu mythology? Simple. After destroying the First Jewish Temple in Jerusalem, Jews were taken as slaves and brought to Babylon by Nebuchadnezzar and subsequent Persian conquerors. They spend 48 years in Babylon imbibing the Indus culture into their, hence, the cross-overs. King Cyrus freed them from Babylon and helped them rebuild their temple in Jerusalem. So, one can see many cross-over influences in the Judeo-Christian stories.

The Sumerians have their own past stories of glory. Annunaki was an extra-terrestrial king if we believe what our ancient alien theorists say. He thought homo-sapiens were not too intelligent workers and frequently fought amongst themselves. Annunaki decided to infuse extra-terrestrial DNA to make humans into productive workers. Gilgamesh, one of the characters in this movie, is a long-forgotten Mesopotamian hero. In the first half of his life, he was a king who fought fearsome battles and spent the remaining half pondering the meaning of life. His adventures are depicted in the Epic of Gilgamesh.

In this movie, the Eternals are a breed of near-immortal of ten alien superheroes sent to Earth around 500BCE by Arishem to protect the planet against Deviants. Deviants are Arishem's (The Creator) creations who have gone rogue. They are hell-bent on destroying Earth, and The Eternals are assigned to protect Earthlings from them. Periodically, the Eternals infuse knowledge into Mankind. With this knowledge, Mankind made periodical monument jumps in their civilisation. The Eternals were strictly told not to interfere with any conflicts that arose from within humans. The last of the Deviants were slain, so they thought, in 1521. And the Eternals awaited further instructions from Arishem, which never came.

In the present time, the Eternals had to re-group when a Deviant re-emerges. Their leader, Ajak, is killed, and Sersi assumes command. She communicates with Arishem telepathically to be told that their real mission was to save Earth from the Emergence (the End of the World).

Friction ensues amongst the Eternal for what they feel as being 'used' by Arishem. The rest of the show is about how Earth is saved and how they resolve crises.

The human race is meant to progress through the exploration of their intelligence. Their discoveries are meant to propel them collectively forward. Exclusive control of power and knowledge by alpha predators (leaders) seems unhealthy as they would steer the whole race towards a particular that would benefit them. Hence, the Deviants were meant to clip the wings of the alpha predators. Unfortunately, the wisdom handed to Earthlings seem not to civilise them but instead lead to their own destruction. The Emergence/ Armageddon/ End of Days is their own doing.

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5000 years of civilisation given due recognition?

Shang-Chi and The Legend of Ten Rings (2021)

Gone are the times when Hollywood made movies that overtly mocked cultures other than Western ones. Typically Indians and Chinese were portrayed as bumbling fools. Their cultures were made to look ridiculous, and their followers were mere bufoons. Perhaps they still do that but, alas, in a more subtle way. Just try to remember Amrish Puri as a Kaali worshipper enjoying human eyeballs as a delicacy and the faithful and spineless follower of Fu-Manchu plunging to their deaths in Hollywood's Fu-Manchu series.

For that matter, even the Russians and German were made to look like headless chickens running aimlessly in espionage sagas and combat movies.

Shang-Chi was a character introduced by Marvel in 1973 to spice up the series and satiate the appetite of comic fans the world over. Shang-Chi was presented as a long lost son of Fu-Manchu, who had been training in Tibet. In the earlier films, his daughter Lin Tang was characterised as his evil sidekick, doing the groundwork for Fu-Manchu's megalomaniac ambitions.

In concordance to Marvel and Hollywood's agenda to pander to screams of the woke generation and offer so-called 'olive branch' to the minority and marginalised groups, the filmmakers have decided to make a Chinese superhero. However, the legend of Fu-Manchu reminds the world of the bygone idea of Sax Rohmer and writers of his era with the awful idea of 'Yellow Peril'. East Asia was portrayed as a threat to the western world, and Fu-Manchu was singled out as a caricature of a one-man mission to kill all white men and women to bring China back to its ancient glory. In 1932, the Chinese Embassy had expressed its objection to MGM's 'The Mask of Fu Manchu'.

China is such a big market for movies that Hollywood can ill afford to offend. The reminder of an offensive villain would not augur well with the Chinese market and for Chinese diplomacy.

In different versions of the comic series, Shang-Chi's father had been others - Zheng Zu and Mandarin. In this 2021 film version, the screenwriters have cleverly downtoned the evil quotient of these villains to create a composite character called Wen Wu. This works just well for Marvel had not obtained rights over the characters of Fu-Manchu and his nemeses. Incidentally, Mandarin was seen as Iron Man's arch-enemy. His 'Ten Ring' was an alien finding. 

The earlier ten rings were finger worn.
Tony Leung as WenWu

Shaun, a parking valet, leads a quiet life with his colleague Katy in San Francisco. All that comes to a halt when some bad dudes turn up on a bus he was travelling and create a hell ride on the undulating streets of San Francisco, reminiscent of the movie 'Speed'. The baddies are out for his pendant. Fearing that they would go for his sister, Xialing, Shaun (@Shang-Chi) speeds to Macau to meet her.

Malaysian input

That starts the dark family secret, the truth about his missing father, the story behind his mother's death and the legendary fight to stop the forces of evil from reigning Earth. In their own way, the film tries to apologise to the Chinese diaspora about Mandarin's past in Iron Man 3. An impersonator, Trevor Slattery, admits to having portrayed Mandarin and bad stereotyping behind him.

The final outcome is a story rich with ancient Chinese wisdom pregnant with much oriental mysticism. With the advancement of computer graphics and digital enhancement, what churns out is a tale that puts China and Chinese culture back on the map of its ancient glory. It is much like what Admiral Zheng Ho did to the Ming Dynasty in the 15th century when he sailed the high seas to explore till the New World, maybe.

(P.S. Malaysia has two representatives in the movie, Ronny Chieng and Michelle Yeoh)

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He who controls timeline, controls the Universe.

 Loki (Season1, E1-E6; 2021)
Marvel Cinematic Universe

When Loki was apprehended and transported after Avengers: Endgame, in the confusion of Hulk creating a tantrum for needing to use the stairs and Iron Man faking a heart attack, Loki escapes captivity through a Tesseract and enter a different realm. He lands in the headquarters of Time Variance Authority (TVA). 

Here, the narcissistic Norse God of Mischief Loki learns of variants of himself floating in the multiple timelines creating havoc. The Time-Keepers had set a Scared Timeline for events to happen, but somehow variants have made branches from the main timeline. The TVA's job is to ensure that the correct path of the Sacred Timeline is followed. Some of the variants are evil alter-egos and are hellbent on creating chaos. As he is charged against the 'Sacred Timeline', Loki's plea bargain is to hunt down another Loki variant who had killed TVA officers and stolen the time resetting devices.

Time, as we perceive, is a one-way single linear motion. In reality, it is a composite of multiple minor diversions which, from someone from a different dimension, sees it as one, much like we see a slithering snake past us by part by part in a twisting motion but on a straight path, with the present, past and future.

Since a Sacred Timeline is being followed, does it not mean that the characters in the timeline have no free will but have their path determined? No amount of willpower can change anything if everything is predetermined. If the variants have a free hand in doing things, then the whole balance would collapse. 

That brings us to the philosophical dilemma about battles and battleships in the context of free will and determinism. Who decides whether the war starts tomorrow? If it is predetermined that there is a battle tomorrow, what is the commander's decision-making role? If he chose not to go to war, is it his decision, or can we say that not having a battle was predetermined?

Loki and alter ego

Loki soon discovers a few disturbing revelations. The Time Keepers are mere androids but are controlled by someone else.

The rogue variant of himself that Loki was hunting for turned out to be a female, Sylvie. This must be a comforting story plot for those who look at gender as something quite fluid, yoyoing from one end to another and changing with time. The thing that takes the cake is that Loki, the narcissist, is so in love that he develops feelings for Sylvie! What do you call that? Love thyself?

TVA itself, the Lokis realised, is made up of variants. It turned out that it is not an authority to kerb variants after all. The need to find the real person who controls TVA becomes a necessity. This leads them to a new villain comparable to Thanos, 'He who remains' who is created in the mould of Kang the Conqueror.

The tenet of the storyline, which we will learn, is that branches from the Timeline would create variants. Some of them are evil and may overpower another variant on another timeline and exert their authority on the turn of subsequent events. It gets more complicated than in the final finale. A decision has to be made at the Citadel at the End of Time - whether 'He who remains' is the good variant trying to bring stability to the timeline or not. 

A wrong move... and a segue to the next season and the opening of a bag of worms where the evil 'He-who-remains' takes control of TVA, as Loki soon discovers...

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Strength in Unity!

The Falcon and Winter Soldier (Miniseries, E1-6; 2021)
Marvel Cinematic Universe

Just how long did it take for a person to stay in a country for him to be accepted by his fellow countrymen to be one of them? Human beings are innately racists. For a long time, they have generally felt safe being amongst their own kind who share the same sentiments and values. Perhaps it is something that they have not been able to shed off from their tenure as dwellers of the caves. In those days (even now, of course), Nature has been quite harsh for things to be left for granted. The vulnerability of exposure to the elements of Earth made us suspicious of everything. The last thing they want to be is to end up as a meal for others.

So, it is human nature to look upon the other who looks different from them and be wary of their intention. But we also have developed a sense of awareness that teaches good values and conducts. Are these mere decorative motifs to fill books and scriptures?

'The Falcon and The Winter Soldier' takes off from 'The Avengers: End Game' when Captain America (Steve Rogers) handed his mantle to Sam Wilson after 'The Blip'. Sam, feeling inadequate, donates Captain America's shield to the Museum. The real reason for his non-acceptance is that he thinks that America is not ready for a Black Captain America. He leads a life as The Falcon. When trouble starts with a group of serum enhanced anti-patriotism soldiers, Captain America's shield is gifted to an ill-prepared John Walker. 

The rest of the story tells how The Falcon teams up with The Winter Soldier to overpower the anti-patriotism group, taking the shield from John Walker to become the new Captain America, puts the names of former black soldiers who sacrificed for the USA in the annals of military hero list. The whole show is basically a social commentary that reminds us that America is neither white nor black, but it comprises a potpourri of colours and shades.

That brings us to our country, Malaysia. Modern Malaya skyrocketed to international fame in the early and mid 20th century in trade, commerce and sports. This happened primarily because of the hard work of various ethnic groups who landed here by choice or by fate. The euphoria of Independence and self-rule propelled them to even greater heights. We were labelled as the emerging 'Tiger of Asia'. The tiger, however, had its developmental milestones stunted by the works of bigoted zealots who were hellbent on purging the country of its people who were not of their selected ethnicity and religion. 

They know we grow in unity but in their blinkered eyes, but it seems that blind faith blinded them. In the meantime, we are spiralling down the ladder of hopelessness and ponder upon the possibility of becoming a 'basket case'. The pandemic is our wake up call.

Going back to the story of a black being Captain America, my friends and I had invested in hours of discussion on the above subject. On the one hand, the great divide is attributed to repetitive restrictive laws and social constructs that segregate and suppress a race the already had a checked start from the starting line. They were enslaved and systematically oppressed over generations leaving scars that left a trans-generational dent in their psyche. Opposition to this type of argument is that 150 years after their emancipation in 1865 is a long time for the oppressed to pull themselves up by the bootstrap. American history has its fair share of black success stories as well. Many black millionaires, entrepreneurs, and many musicians of the Harlem renaissance re-engineered songwriting and music appreciation. One or two success stories are here for perusal...

Harry Pace (1884-1943)
Founder of Black Swans Records and Northeastern Life Assurance Company.

Georgia born, orphaned and passed out as a white to live in a white-dominated housing area under the Jim Crow laws. In his later years obtained a law degree to have a legal practice.

Roland Hayes (1887-1977)

Started singing in his early teenage years in church choirs. After singing in troops, he finally picked the courage to have his own musical recital of classical European music at a time when black music was limited to minstrelsy and getting a sponsor was impossible. Using his good office at the church and kind sponsors, he rented a whole hall for this purpose. His popularity soared. He soon performed in many major US cities. He later performed in London for the British royalty. His magnum opus must be performing Schubert's piece in Berlin in 1924 in front of a jeering German crowd. This was after WW1 when the Germans were unhappy with placing black American soldiers in Germany. There was pin-drop silence once he started singing.

Roland Hayes' 'Were you there.'

(narrating the biblical moment when Christ was on the Cross.)

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The blurring of real and reel life!

Wandavision (Miniseries, Season 1; 2021)
Disney + (Marvel Cinematic Universe)

Now that memory and brain activity can theoretically be digitised and stored, and our cinematic presentation, (i.e. movies and TV shows) are essentially data that can be modulated and transmitted from port to port, nothing will stop these two forms of data (series of 1's and 0's) from intermingling. 

With our fixation with Tinseltown and penchant to immerse into instant visual gratification added with the obsession with having our TV/computer displays on 24/7, we may want to run our lives like they do on the silver screen. But, unfortunately, nothing will stop what is real and what is fake, fuelled by a fetish for hyper-reality, virtual reality, and obsession to experience in 3D and VR imaging.

How often have we seen children expecting their parents to be like those depicted on American sitcoms? How they wished their parents were cool like them too? When the hard knocks of life hit them hard at their tender spots, how they would have yearned for real life to be as easy as in the reel life? If only the script of our lives is written to our liking and draw to a conclusion at the end of the preset screening times, they would like to have. With the relevant technology at their disposal, it is only a matter of time, if they only could, that they would transform their worldly existence into the make-believe world of filmdom.

Elizabeth Olsen as
Scarlet Witch / Wanda

This must have been the premise to Wanda Maximoff/Scarlet Witch turned to after her defeat in Avengers: Endgame, and she lost the love of her life, Vision. With her telekinetic and reality-altering abilities, she recreated her comfort zone that she remembered watching all through her formative years in Sokovia when love was in the air, and her family was intact. She took over a suburban town named Westview, turned its occupants into TV sitcom characters. She created a robust electromagnetic fence around the perimeter to ward off the FBI and SWORD. Wanda wrote the script of a narrative where she and Vision lead a man-and-wife life in a setting ala sitcom like 'Dick Van Dyke Show', 'Bewitched', 'Mary Tyler Show', 'I Love Lucy', and many more. As time went on, the setting changed to fit shows of the 70s and 80s - 'Brady Bunch', 'Full House', "Malcolm in the Middle', etc.

All the while, the FBI and SWORD teams are cracking their minds trying to infiltrate the perimeter. Then, finally, Wanda world of make-believe slowly crumbled, ending with a spectacular display of pyrotechnics and prowess of computer graphic imaging. 

Even though the series is labelled as the first season, it appears to have a nice ending at Ep #9 and segue nicely to fit Marvel's upcoming superhero offering 'Doctor Strange in the Multiverse of Madness'. A second season is unlikely.

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Lost it!

Wonder Woman @ WW84 (2020)

I remember my school teacher telling me this. Doing well at the first attempt does not ensure that things will pen nicely the second time around. In fact, it is more difficult to excel on the second occasion. There is mounting pressure to prove that the first win was no flash in the pan. These pearls of wisdom rang so clearly as I restless laboured through the two and a half-hour of scenes after scenes of a disjointed story whose plot did not make any sense. 

After an exciting outing with the first of the current franchise, I thought this would be like its predecessor. I expected a well-crafted story with visually pleasing cinematography ending with a message sprinkled with philosophy or meaning of life. It was a disappointment.

To the followers of the DC Cinematic Universe, the story might be confusing. According to Batman vs Superman, WW was supposed to be missing somewhere after World War 1, and Superman had to search high and low to trace her in the 1990s. She was doing so much stuff and damage in 1984, but the man in cape obviously missed it in his research. 

The story seems disjointed, and the scenes appear inserted in like an afterthought. The power that the maniacal villain is so vague and the premise of another Superhero manifestation is unwarranted. A wishing crystal as a weapon of mass destruction to control people, President of the USA and nuclear warheads is all too confusing.

As we saw over the recent years, we saw superhero movies develop complex stories where the heroes struggle with worldly and personal issues. It tends to leave with a public message and food for thought. But, not this one. It seems like this film was churned out just to con the audience to depart from their hard-earned moolah in the name of fandom.

Bruce Wayne got hold of this rare photograph to locate the whereabouts of WW.

Wonder Woman of another era.

It's cold out there!

Joker (2019)

It was a time when I was a teenager. I had been selected to play the role of Jesus Christ in a pantomime. It was an Easter play depicting the Resurrection. Obviously, the most alluring girl in the Sunday class, Catherine, was cast as Mary Magdelene. Everything went on all, and the show was enjoyed by everyone.

I realised the hard way that people are generally not nice, and children are imps. Life is not fair. There is no justice on Earth, and we are kidding ourselves that there is a higher judge out there who would mete out appropriate justice when the time is ripe. As if pacifying a wailing child, we convince ourselves, rather foolishly that payback may happen in the afterlife or next birth.

After the show, the children started teasing me as 'Black Jesus'. Of course, I did not know then that Jesus may have had Negroid features, but I felt particularly offended with the word 'black'. The teasing went on, joined by the other. One particular chap, Jeremy, I think his name was, was particularly aggressive in provoking a reaction. I chased him. When I could not catch with him, I removed my shoe and threw at him. By a twist of fate, it hit him painfully on his back to invoke a counter-reaction. Just about then, the Sunday School Master walked in, only to witness Jeremy getting the shoe treatment.

So began the talk session and after listening out both sides of the story (to be fair), the Master told both Jeremy and me to apologise to each other with a handshake.

I felt that I had been wronged. I had been told to say something that was not my fault at all. There I was minding my own business doing what a good student should do, and there comes somebody to provoke anger, and when I retaliate, I have to apologise. It appeared unfair, but that seems to be the goings of the world. When someone jumps a red light at an intersection to hit you when you are free to go, the fault of the offender is only 80%. The onus also falls on you to ensure that the road is free of traffic before you move. So say, my lawyer friends.

I have many received many WhatsApp messages depicting

him as a Joker. His mannerisms, accent and subject matter 
may not make sense to many but beneath all that is wisdom
that is screaming to be deciphered. Nithyananda of 'the me 
in you' fame. ©Nithyananda.org.

Nature is also not kind. Try spending a night outside in the cold. If you do not die of hypothermia, probably a wild beast will kill you. Play football in the torrential rain, if you do not slip and fall, maybe you would be struck by lightning. Living carelessly in the wild may expose you to zoonotic diseases, parasites in the soil, in arthropods and even the plants and water which are said to be the elixirs of life. They are all just out to get you. What does not kill you only makes you stronger. Life is just not fair. Life is not a bed of roses. It is not a reward.

I started having a soft spot for the cartoon character 'The Joker', especially so after watching Heath Ledger in 'Dark Knight' and his sad ending. This movie just cemented my liking. It highlights the plight of the little men in this world.

We all want to do our things in this world; indulge in niceties, do our things with our loved ones and hopefully, pave a unique path for them to tread. We think that by obeying the rules and setting our life path along the lines set by those who have been, we will be okay. We are deluded into thinking hard work and obedience equal success and happiness. Sadly, this is far from the truth.

There is a constant plot to swindle the masses by those in power to cow them into submission. The poor are their target whenever their economic pursuit hits a brick wall. Again the oppressed gets the blame and the brunt of sufferings when hardship hits a community.

'Joker' shows such a scenario. The divide between the haves and have nots have spread so extensive that the crushed are fighting back. Jokers are the scorns of the system who periodically rise to kick the society in the behind to jolt it to reality. 

They are essentially revolutionaries who make their political statements through noticeable means. Jokers cringe in the inside to make others laugh. At one time, people thought Jesus of Nazareth was a joker - asking his followers to turn the other cheek when struck! 

A good show 4.8/5.

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Knowledge is everywhere, not just books

Shazam! (2019)

I remember watching a cartoon series on Malaysian TV in the 70s of a character who would shout something like 'Shazam!' for the person to gain magical powers. It involved the Arabic landscape, camels and all. So, when I agreed to watch this movie, I thought it was that one. Hold behold, I was totally wrong on that account. My memory had played tricks on me. It was Shazzan, not Shazam!

Apparently, there is a DC hero who has been around since the 1940s and initially came with the name Captain Marvel. His franchise was doing so well that even a feature film came out. Then came the copyright infringement suits and everything went south. 

Captain Marvel was rebranded as 'Shazam!'. 'Shazam' is the acronym of mythical figures - Solomon, Hercules, Atlas, Zeus, Achilles, Mercury. Shazam is said to embody the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus to initiate the lightning, the courage of Achilles and the speed of Mercury. 

Shazzan

Cartoon series in the 70s, set

in a mysterious Arabic land.

Of late, many superheroes have been the broody and contemplative type. There was Batman with the burden of his checkered past above his head all the time. Then, there was Spiderman whose grandfather's death and his relationship with Mary Jane forever plagued his every decision of his life. For a change, this superhero, Shazam, is a light-hearted chap with a mind and wit of a 14-year-old boy who is more interested in showing off his superpowers than thinking about the problems of the world.

The film is a guided express course in learning about Greek Gods and an introduction to Christian theology, particularly, the seven cardinal - pride, greed, lust, envy, gluttony, wrath and sloth.
So who says, cartoons and superhero are for children and does not stimulate the mind. Knowledge is everywhere, and it is for us to scoop.

The 14-year-old protagonist, Bill Batson, a troubled teenager who has been going from one foster home to another is one day jostled into a strange world. He is suddenly given great powers by a wizard and is tasked to save the realm from a madman, Dr Thad Sivanna. In the course of his duty, Bill discovers some unsavoury truths about his biological mother and learns that family is where one shares love and goes through the thick and thin with you.

And that is the final learning point of this film. We need not have DNA similarities to call ourselves siblings or relatives. We do not require the sharing of a common gene pool to feel for one another. We are all connected by the common goal of survival and traversing the same journey of life. Biological connexions are mere freak accidents of Nature. If not for that one in the billionth chance of hope, we would have been existing in the first place. Let us look at all as brothers and sisters and come together right now.

https://asok22.wixsite.com/real-lesson 

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Which is your superpower?

Avengers: Infinity War (2018)

The first thing that I noticed was that there were too many superheroes and I had a difficult time trying to identify them. Some of them even look somewhat similar to my eyes. To me, one who is a slow learner of this genre, Captain America and Star-Lord has the same face-cut. Black Widow and Scarlett Witch look almost alike. Even Bruce Banner without his Hulk outfit and Iron Man seem to share a similar exoskeleton. Anyway, one gets the gist of the story as the story, which could have easily been plucked out of the Indian mythology.

Thanos, the protagonist, who wants to destroy half of the world's population to put things right. To do this, he needs to have in his possession some precious stones which are implanted in some superheroes. Just as seen in Hindu mythologies when an Asura is given a boon and he terrorises, all the Devas have to join forces to set order in the Cosmos, here the Avenger and the Guardian of the Galaxy teams put their resources together. Spoiler alert, Thanos wins in the end with many of the superheroes falling apart like powder. It sets nicely the platform for a sequel and something for the diehard fans to talk about until the next instalment is out. Dr Strange, the mystic and the seer, prophesied that this ending is the best (but for what?) It just gets more interesting.
Why are we so fascinated with superpowers? Perhaps, it is because we, as human beings, feel so vulnerable against the forces of Nature that we yearn for extraordinary abilities.

Thanos at the closing scene, setting the
stage for the possible outcome of his
unlimited powers.

Just the other day, I read of an ad-hoc study on people's preference for a superpower, if ever in their wildest dream were given a boon for invincibility. People gave many options but by far, most chose the ability to fly or the gift of invisibility. Researchers postulated that there was a clear distinction between people who chose either strength. Flyers tend to be extroverts and people who like to flash their ability. Men tend to opt for flying. Invisibility is preferred by the introverts, the social misfits and perhaps conniving individuals.

In that study, none of the people researched said that they chose their powers to save mankind, but to ease it for subversive activities like stealing, cheating and dodging buying tickets. Maybe mankind is innately evil.

https://asok22.wixsite.com/real-lesson 

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