Richard Jewell (2019)
Director: Clint Eastwood
The press and the print media are often referred to as the 'Fourth Estate' or 'Fourth Power' for a reason. It is supposed to act as an extension of the arms of governance after the legislation, execution and the judiciary branch of Government of rule via indirect public influence.
It traditionally played the role of the eye of the public to create a check and balance system of the ruling Government. Over the years, we have noticed that it is no longer working towards the well-being of the common man, but rather have the welfare of the financiers at heart. With financiers having vested interest in how a piece of particular news should be presented, the truth is somehow lost in the rabble-rousing. The same message can be displayed by different stations leaving totally different impressions on the public.
So, leave to the public to assess what is right and which is fake, you say. History has proven time and again that people are fickle-minded. Like Pavlov's dog, they can be easily conditioned by their masters. Their opinion changes anywhere the wind blows. With access to social media to opine their two-cents worth literally at their fingertips, arranging a trial by media is an easy task.
The question of exposing too much 'truth' to the public domain and having a trial by media has been popping quite rampantly in Malaysia after the change of Government. Traditionally, in Malaysia, the Fourth Estate has been functioning more like a Fourth Branch of the Government, working well as a propaganda machine of the ruling Government. The old Government is feeling the heat as many of their shenanigans out in the open. They cry foul citing loss of sovereignty of the nation as we go on a rampage washing dirty linen in public.
One thing people forget is that foreign investors come to our country not because we are trustworthy and virtuous. They come here precisely for the opposite reasons. Our leaders are easy to be bought over, and everything has a price.
The modern society talks about the need for a free press and freedom of information. The film shows one of the dangers of the unabated flow of information.
Richard Jewell is a timid man who lives with his mother and goes on by working as a security officer. It was 1996 and Atlanta was hosting the Centennial Olympics. During the tour of his duty as a security helper in a stadium, he notices an unattended bag. He alerted the police officers who confirmed that it contained a bomb. Jewell helped to evacuate the public from danger, prevent a catastrophe. He is hailed as a hero, and his pictures are plastered on all newspaper. Three days later, everything takes a 180-degree turn. He is reported to be a possible prime suspect as the bomber in the bombing. News leaks that FBI thought that Jewell fit the profile of a lone attacker - single white male, living with his mother, fascinated with guns who clamours a law enforcement career.
The rest of the movie is to shows the humiliation, public scrutiny and trial by media that Jewell and his mother endure. Under the name of national security and the thirst for the round-the-clock instant information, people's life is turned topsy-turvy.
The film created controversy when it suggested that the journalist, Kathy Scruggs, who leaked the information about the FBI investigations on Jewell being the possible suspect obtained it by providing sexual favours.
The saga affected Jewell and Scruggs profoundly. Both had premature deaths. Jewell succumbed to heart ailments, and Scruggs went on to be bogged with depression. She died on morphine overdose. The possibility of suicide was also considered.
Jewell's name did get cleared by FBI after all. In his time, he sued many newspapers and news networks including CNN. He got a fat compensation but, it seems, the bulk of it went to the lawyers' fees.
Director: Clint Eastwood
The press and the print media are often referred to as the 'Fourth Estate' or 'Fourth Power' for a reason. It is supposed to act as an extension of the arms of governance after the legislation, execution and the judiciary branch of Government of rule via indirect public influence. It traditionally played the role of the eye of the public to create a check and balance system of the ruling Government. Over the years, we have noticed that it is no longer working towards the well-being of the common man, but rather have the welfare of the financiers at heart. With financiers having vested interest in how a piece of particular news should be presented, the truth is somehow lost in the rabble-rousing. The same message can be displayed by different stations leaving totally different impressions on the public.
So, leave to the public to assess what is right and which is fake, you say. History has proven time and again that people are fickle-minded. Like Pavlov's dog, they can be easily conditioned by their masters. Their opinion changes anywhere the wind blows. With access to social media to opine their two-cents worth literally at their fingertips, arranging a trial by media is an easy task.
The question of exposing too much 'truth' to the public domain and having a trial by media has been popping quite rampantly in Malaysia after the change of Government. Traditionally, in Malaysia, the Fourth Estate has been functioning more like a Fourth Branch of the Government, working well as a propaganda machine of the ruling Government. The old Government is feeling the heat as many of their shenanigans out in the open. They cry foul citing loss of sovereignty of the nation as we go on a rampage washing dirty linen in public.
One thing people forget is that foreign investors come to our country not because we are trustworthy and virtuous. They come here precisely for the opposite reasons. Our leaders are easy to be bought over, and everything has a price.
The modern society talks about the need for a free press and freedom of information. The film shows one of the dangers of the unabated flow of information.
Richard Jewell is a timid man who lives with his mother and goes on by working as a security officer. It was 1996 and Atlanta was hosting the Centennial Olympics. During the tour of his duty as a security helper in a stadium, he notices an unattended bag. He alerted the police officers who confirmed that it contained a bomb. Jewell helped to evacuate the public from danger, prevent a catastrophe. He is hailed as a hero, and his pictures are plastered on all newspaper. Three days later, everything takes a 180-degree turn. He is reported to be a possible prime suspect as the bomber in the bombing. News leaks that FBI thought that Jewell fit the profile of a lone attacker - single white male, living with his mother, fascinated with guns who clamours a law enforcement career.
The rest of the movie is to shows the humiliation, public scrutiny and trial by media that Jewell and his mother endure. Under the name of national security and the thirst for the round-the-clock instant information, people's life is turned topsy-turvy.
The film created controversy when it suggested that the journalist, Kathy Scruggs, who leaked the information about the FBI investigations on Jewell being the possible suspect obtained it by providing sexual favours.
The saga affected Jewell and Scruggs profoundly. Both had premature deaths. Jewell succumbed to heart ailments, and Scruggs went on to be bogged with depression. She died on morphine overdose. The possibility of suicide was also considered.
Jewell's name did get cleared by FBI after all. In his time, he sued many newspapers and news networks including CNN. He got a fat compensation but, it seems, the bulk of it went to the lawyers' fees.
That is the bane of modern living - create a molehill out of nothing, make a big deal out of it, talk about principle and doing the 'right' thing but basically doing nothing but create a whole lot of mess. In comes the lawyers (or maybe bankers too) as the knights in shining armours. They prolong the confusion, build up anxiety and leave with a load of money, giving the impression of saving the day. To those affected, nothing really changes.
This work is licensed under a Creative Commons Attribution 4.0 International License.
