Fundamentally Happy (Singapore; 2015)
Director: Yuan Bin Lei & Bee Thiam Tan
Writers: Haresh Sharma &Alvin Tan
Director: Yuan Bin Lei & Bee Thiam Tan
Writers: Haresh Sharma &Alvin Tan

The censors gave for prohibiting screening because the film contains "elements that may be sensitive to the feelings of Malaysian Malays and may be interpreted by Malaysian Malays as an attempt to reflect the community's attitude towards those who abuse the weak to fulfil their desires".
This ridiculous statement given by the powers given the cloud what the general public can be exposed is as absurd as what a retired Malaysian judge had said in a public address, that a particular Muslim cannot be charged for criminal breach of trust as by virtue of being a Muslim, he could do no wrong. As ridiculous as it sounds, he was not misquoted and had since gone into oblivion.
A single swallow does not make a whole summer. Hence, the subject matter in the film is specific to one ethnicity or culture. Paedophilia transcends all societies. It is a very sensitive subject. It negatively affects everyone. The aggressor may regret the whole thing, or he may not. He may just regret that he got but to do it on the sly. The victim may be too scarred to explore and re-open the old wounds yet again. The parties linked to the aggressor may also stand to lose by exposing all dirty linen in public. After all the investigation and public humiliation, there is no guarantee that the long arm of the law will mete out justice. The long ordeal may lead to nothing, and the victims still have to live through the trauma for the rest of their remaining lives. Anyway, how will punishing the perpetrator erase the scar that is imprinted deep in one's psyche?
This film tells about a 30-year-old young man, Eric (Singaporean actor Joshua Lim), who pays a visit to his old neighbour, Habibah (Malaysian actress Adibah Amin). After an initial cordial reminiscence of their good old times, Eric was a young boy who used to frequent Habibah's home. Slowly, the conversation turns murky, as Eric vaguely remembers Habibah's husband's awkward advances towards Eric. The home environment seems to bring those old disturbing memory to Eric. Habibah defends her husband whilst Eric accuses her of being complicit. She further accuses him of initiating and enjoying all the unholy liaisons.
In the second half of the show, the husband seems to have been interrogated by the police. Eric returns to Habibah's home and has another conversation with her. This time they bear to open their inner feelings about Ismail, Habibah's husband. They explore the complex issue of abuse with the grace of love.
Done in a theatrical performance style, it is packed with razor-sharp dialogue and a feisty display of emotions. A powerful presentation performed well by the actors. 8/10.
This work is licensed under a Creative Commons Attribution 4.0 International License.