Religion a political tool!

Jinnah (1998)
Screenplay, direction: Jamil Dehlavi

This must be Pakistan's reply to Richard Attenborough's narration of the Father of India, Mahatma Gandhi. It was made, not by a Pakistani, but by a London-based British of Pakistani-French descent. The controversial Jamil Dehlavi, whose 1980 film 'The Blood of Hussain' earned the ire of the Pakistani government. As the name suggests, the storyline paralleled the events surrounding the historic Battle of Karbala, which is vital in the Shia tradition, not to the predominantly Sunni Pakistanis.

Even though this film fetes the founder, the Quaid-i-Azam, the great leader of Pakistan, it was never screened in Pakistan. Most depictions of Jinnah elsewhere are often of one who is cunning, conniving, humourless, and challenging to deal with. To be fair, this film tries as much as possible to paint a picture of a well-meaning, conscientious Jinnah. It, however, glaringly gives a blank about a few particular things about his background that questions his portrayal as a soldier of Islam in his quest to establish a brand new fully Islamic country to safeguard the welfare of Muslims in the subcontinent. Jinnah and his Muslim League Party feared that an independent India would mean injustice from the British Raj would be transferred to another heathen ruler, the Hindu Raj.

In a flashback sequence, the story is told in a flip-flop manner, as Jinnah is at the fabled heaven's gate and being interviewed by St Peter. St Peter's archival system faces a glitch; hence, Jinnah has to narrate in person his life events. St Peter walks through his life, literally, as Jinnah is asked whether he regrets all the things he did in his lifetime and whether he would do it all again with the wisdom of hindsight. With a few regrets to his family life and the people who perished during Partition, Jinnah's answer is yes.

Nowhere in the film was it hinted about Jinnah's origin. The fact that he was a Gujerati, not from Punjab, where central Pakistan was carved out. It also omitted that he was of Shia denomination. I suppose where he came and at that time, it did not matter. He also did not speak Urdu, the spoken language of the majority of Muslims in India.

Jinnah's grandparents were Gujarati Hindus who were converted by a Sufi. Jinnah himself was not a traditionalist. After getting married as his mother's pre-requisite before leaving to study in England, he was initially meant to study medicine. He turned mid-way to read law and turned out quite a force to be reckoned in the courts. In 1929, he was said to have successfully defended Sardar Patel in a funds misappropriation case. He stood in Bhagat Singh's and Bal Tilak's legal team in the right to speech trial. In his famous speech, he asked the court, "You want to prosecute them or persecute them?"

Jinnah with his sister and confidante Fatima

At one time in the movie, Jinnah is seen as a maverick Anglophile lawyer arguing in the British courts. A plea by a friend, poet-philosopher-politician Muhammad Iqbal, turned his attention to the Muslim plight in India. And he plunged head-on into his Two Nation strategy. What they conveniently omit is that Jinnah was not particularly religious. He lived the life of a wealthy English gentleman, openly ate pork, consumed whiskey, wore expensive European clothing items, and married a non-Muslim, a Farsi as his second wife. He was neither a great admirer of Muslim principles nor a frequenter of mosques.

Islam was a political tool to claim a new nation using victimhood of persecution by radical Hindu elements in India. Paradoxically, this same element assassinated Gandhi, a Hindu leader. The premise of this new country, Pakistan, was to offer its citizens equal rights, privileges, and obligations, irrespective of colour, caste, creed, or community. It promised citizens that religion had nothing to do with the state's business but merely a matter of personal faith. Obviously, this piped dream came crashing down only a year after the birth of this nation.

Richard Lintern as young Jinnah

When Jinnah succumbed to the illness (TB, disease of consumption as it was called then; it consumes your body), which was a tightly-guarded secret between Jinnah and his physician of the Zoroastrian faith, Dr Jal Patel, he left behind a trail of dictators who had set aside democracy principles and let religious zealots dictate how a country should be run. Jinnah led as a Governor-General, and his word was law. Liaqat Ali, who became his successor, decided to accept Islam as the official religion. This caused a frenzy. Many, including its law minister, Jogendra Nath Mandal, a Dalit Hindu, who was impressed with Jinnah's vision, fled for their lives, taking refuge in India. Pakistan went on to become an Islamic Republic in 1956 after a military coup.

Jinnah's second marriage to Rattanbhai (Ruttie) Petit needs mention. Jinnah was Ruttie's father's guest in his mansion for two years when he asked a 16-year-old Ruttie hand in marriage. The 24 years of age difference and the differing religion were hurdles, but it happened two years later when Ruttie was a major. Probably because of the age difference and the different priorities in life, she had clinical depression. It is said that she later succumbed to morphine overdose. Ironically, Jinnah's only daughter, Dina, married an Indian-born Farsi, against Jinnah's approval and was disowned by him.

A nation's fate is decided under a tree.

Even though this movie is supposed to give a human touch to the founder of a country often portrayed negatively, and as a villain, it never got approval for screening in cinemas. The detractors complain that it is wrong to cast an actor who is synonymous with playing horror and vampire films to represent an esteemed leader of a nation. It is not that he is of European descent. Christopher Lee, who assumed the role, actually did a fantastic portrayal of Jinnah and was the spitting image of Jinnah himself, as we see in pictures. Lee also regards his performance here as the best in his career.

A stellar performance by the cast but history, as they say, is muti-dimensional. The viewers have to accept the storytelling maturely. The almost unrecognisable and puffed-up Shashi Kapoor appears as the St Peter character.

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