Of brutal architecture...

The Brutalists (2024)

https://www.cornellsun.com/article/2025/01/the-
brutalist-on-art-capitalism-and-the-immigrant-experience

Written, Directed: Brady Corbet

It serves as Hollywood's occasional reminder of the plight of Jews in Europe during World War II. Cast with Adrien Brody, who has a personal connection to the Holocaust, what does he get? Ten Oscar nominations and multiple accolades, including a second Best Actor Academy Award for Brody. 

If the plot evokes Brody's character in 'The Pianist' (2002), don't fret. He is also an Eastern European Jewish refugee here and a remarkably gifted individual displaced by the malevolence that humanity inflicts in the name of nationalism, race, and religion. 

A Hungarian Jew, László Tóth, an architect who designed significant buildings in Budapest, finds himself penniless and homeless in the United States. He reaches out to his friend and assists in his furniture business. Tóth becomes acquainted with a wealthy man when the friend is commissioned to build a personal library on the estate. 

J Edgar Hoover building

In summary, Tóth impresses the wealthy man enough to be entrusted with the honour of designing and constructing a massive community hall in the city. 

The remainder of the 3.5-hour story chronicles the ups and downs of their relationship, his troubled friendship with his former boss, how his wife is brought to America, the challenges Tóth faces in bringing his design to life, and ultimately witnessing his creation come to fruition, only to be celebrated some 50 years later. It is all rather predictable. The acting and cinematography are exemplary, nonetheless, deserving of their Oscar wins.

Ryugyong Hotel

The lesson I learnt from watching this movie is that the word 'brutalist' has another meaning. Brutalist architecture is an imposing building style, often characterised by unappealing construction, which became popular after the Second World War in major European and American cities. It is also characteristic of many Eastern Bloc countries, which were predominantly communist. It features raw, monochromatic concrete blocks, creating a linear, geometric appearance both outside and inside. This style is typically used for public institutions, such as courts, universities, libraries, and public works. 

The Brutalists employed linear, monolithic blocks in contrast to older architectural styles, which featured domes, curves, and sculptures. The free world regarded them as imposing and emphasised their grandiosity. The communists believed that their unimaginative design was anti-bourgeois, exactly what they aimed to present to the world. The liberal use of concrete, along with playful variations, somehow signified equality. 

Scottish Parliament, Edinburgh.

Over the years, people have frequently lamented their ugliness. Although these brutalist buildings were initially considered low-maintenance, this proved to be a misconception. The buildings became visually unappealing once moss began to grow. They attempted to circumvent this issue by integrating greenery into the structures. Rust stains around the steel reinforcing bars were also problematic. Three notorious brutalist buildings around the world have at one time or another been voted the ugliest. These are the Ryugyong Hotel in Pyongyang, the J. Edgar Hoover Building in Washington, and the Scottish Parliament Building in Edinburgh. Many are being rapidly demolished, but the aforementioned three have so far staved off the wrecking ball.

https://www.buildworld.co.uk/blog/archives/the-ugliest-buildings-in-the-world

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Fight smart till the last strength.

Joy of Cancer (2002)
Author: Anup Kumar

The book's title sounds oxymoronic. How can one find joy after a diagnosis of cancer? The title itself prompts potential readers to pause and take notice. Many must have found that the book makes great sense, as it has become a recommended reading for those who wish to fight cancer. 

Indeed, it is natural to deny and to ask questions such as ‘Why me?' and ‘What did I do wrong?' while indulging in the blame game. However, these questions will not address the immediate and pressing danger affecting the patient. 

This describes the author's experience of successfully battling Stage IV lung cancer. In 2000, a suspicious shadow was detected on his chest X-ray during a pre-employment screening. Further tests confirmed his serious diagnosis. 

He was at the ebb of life. A highly qualified advertising executive with a postgraduate degree in nuclear physics, he had spent all his life savings on his daughter's wedding, and his previous employer had gone under. Moreover, his outstanding wages from his prior job remained unpaid. This was the main reason he sought new employment in the first place.

First and foremost, perhaps it is the butterfly effect. Life happens. One cannot expect a rational explanation for everything that occurs to us. It offers no guarantee that everything will be all right, either. Once one moves past denial, the quest for blame, and resistance, one can resign to the clear and present danger. In the author's experience, embracing the matter at hand, he made it his point to understand everything about his cancer, for his life actually depended on it. He wanted to be part of the battalion that fights the enemy. He worked alongside his cancer team, inquiring and clarifying his own misconceptions. He had to be completely immersed in the treatment regime. After all, it is his life they are dealing with. 

Friends and relatives mean well, but their eagerness to help sometimes becomes a nuisance. Repeating the already precarious situation time and again to relatives who are sometimes 'concerned’ and other times merely asking out of obligation can be exceptionally irritating, especially when the numbing effects of chemotherapy are in full force. In such situations, reclusiveness may be preferable. 

Scars and hair loss are temporary. Clutching at straws, he held on to whatever he could. Abstaining from noxious substances, eating healthily, and even chanting and listening to calming slokas played their roles. He had been a chronic smoker before. 

The last time I checked, Anup Kumar continues to live after undergoing two complete courses of chemotherapy, approaching each day with ambiguity and hoping it will be better than the one before. Not bad for someone who was given just four months to live in January 2000 when his diagnosis was first made. He advises maintaining a positive outlook from Day 1, investing in the right people, and creating a mind-body continuum to combat the illness, alongside the appropriate support groups. That forms a watertight battle plan. 

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About falling and the moustache...

A jocular Tamil proverb sarcastically portrays a man who denies losing his balance and falling flat on his face on the ground. He would show the people around him a clean moustache devoid of sand. The man hoped the others would believe he was a macho man who never fell. (குப்புற விழுந்தாலும் மீசையில் மண் ஒட்டவில்லை - the said proverb.)

This proverb has been playing in my mind over the past few days during the recently paused India-Pakistan War. 

It started with a band of terrorists crossing over from Pakistan, killing 26 tourists just because they were not Muslims and retreating back into Pakistan. Pakistan vehemently denied being part of the killing or even harbouring any terrorists at all in their country. This heart-wrenching moment, especially the one involving a 6-day married honeymooning couple and a father shot in front of his wife and young son, stirred India to take retaliatory actions.

Both sides flaunted their military toys, and the war games were flagged off. The only thing is that these were not games. People actually died.

Then, the media war started. Both sides were quick to announce their kills and successes. Loud cries of jingoism filled the air. Visuals of destroyed enemy planes and sites filled cyberspace. The only thing is that, as pointed out by their enemies, much of the footage was old pictures of unrelated events. Citing military secrecy, many images of damaged sites were kept under wraps. So what actually happened is anybody's guess.

Finally, both sides seem to be congratulating themselves on a well-done job. Both boast of inflicting much pain and destruction. They claim to be on the side of truth, and truth prevails in the end. Perhaps, time would be the best judge. In time, all the putrefying rots would start stinking. Maybe then, we would know where each country stands. 

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Will Dire Wolves Stalk Streets?

Life evolves. The new replaces the old, and fresh ideas overshadow previous ones. What was once an avant-garde style one day may appear unattractive the next. We sometimes feel embarrassed by the clothes we wear and the trends we embrace decades after models showcased them on the catwalk.

Trends come and go constantly. Species become extinct at a background rate of one species per million each year. Human activities, such as habitat destruction and chemical pollution, have accelerated this decline by hundreds or thousands of times.

https://borderlessjournal.com/2025/05/14/will-dire-wolves-stalk-streets/

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Bad is Good?

Good Bad Ugly (Tamil; 2025)

Story and Direction: Adhik Ravichandran

https://in.bookmyshow.com/movies/chennai/good-bad-ugly/ET00431346

I remember watching a movie on TV back in the day, under the watchful eyes of Amma. I remember it was a MGR starring Tamil movie. In one of his stereotypical roles, he, the do-gooder who fought against the evil zamindar, goes to jail at the movie's end for killing the villain. In the last scene, he returns home just to be feted with praise, showers of flower petals, and salutations. Amma was quick to interject. "What rubbish! He went to jail, and people are celebrating!"

I thought, "… but Gandhi and Nehru also went to jail, and you have a statue of them in the house and tell us stories of how we should emulate them." Thanks to my better judgment, I decided to keep my opinions to myself. 

That was how most Tamil movies used to be. The protagonist was the epitome of goodness. He was usually the exemplary one-dimensional character expected to set the mould for how one should love their life. He would indirectly propagate the virtues of being a teetotaller, speaking the truth, being honest and respecting the elders. The resolution at the show's end would teach the audience that goodness always triumphs over evil. Of course, we know MGR went into a successful political career and remains in the Tamil Nadu psyche.

So that was the time when movies tried to teach good virtues. It was then. Around the late 1970s or early 1980s, circa the launch of Kamal Hassan-starred 'Nayagan' and later Rajnikanth's 'Thalapathy', it suddenly became hip to be bad. 

Now, by default, the movie that hit big time at the box office would preach all the antithesis of what their predecessors of the Golden Era of Tamil cinema advocated. Just look at the typical blockbuster these days. It is cool to be a gangster, jobless, showing disrespect to parents, loafing around, getting drunk, indulging in pre- and extramarital trysts and eloping with one's jobless partner against all odds. 

In 'Good Bad Ugly', an unashamed reference to Clint Eastwood's successful spaghetti western, we see a repentant big-time gangster who is behind bars, drawn into his old world of thuggery and violence when his teenage son is kidnapped.

The whole movie is indulgence for Ajith Kumar's ardent fans. The outing is especially heartwarming for his fans. Ajith, also called 'Thala' (Leader), was recently conferred 'Padma Bushan', the third highest civilian award the Government of India gave for his philanthropic work. This film also celebrates his 30-plus illustrious years in Tamil cinema. Hints of his previous roles and innuendos of dialogues from his last outings are glaring in the face for his ardent fans to identify and savour. In short, it is a feel-good movie for his fans and does not contribute in any way to the upliftment of society. 

Darkkey and AK

This is quite diametrical to what MGR was seen to be spreading. We know his messages were political, but at least he told children not to steal or be sleepy heads and reminded them that the truth will always prevail. 

Malaysia's input is also evident in this movie. Darkkey, a Malaysian Indian artist involved in the local Tamil music scene for the past 30 years, appears in a cameo role. He renders his brand of music called Sambarock in the high-decibel song, 'Puli Puli'.

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Decide and chug along...

Revelations (Korean, 2025)

Director: Yeon Sang-ho

Although the ratings for this one were not very encouraging, the storyline made its viewers think.

No one knows the right course of action or what is contained in their recipe for good deeds. We merely drag our unfortunate selves along, clinging to straws, persuading ourselves that our actions are virtuous. No one can say whether our actions will lead to the best outcome in the grand scheme.

The movie explores what goes through the minds of three individuals who are somehow involved in the killing of a young girl and the kidnapping of another. There is a possible paedophile out on parole, wearing an ankle monitor. He seems to be following a young girl who enters a church. The paedophile follows into the church. The pastor notices him as a newcomer to the church and tries to woo him to join the congregation.

The pastor has a lot on his plate. He hopes to be promoted to a larger church, and he is troubled by his wife's infidelity.

One day, he forgot to pick up his son from school. Both he and his wife assume that their son has been kidnapped. The pastor suspects it must be the peculiar man with an ankle monitor. He hunts him down, believing he has killed him. Shortly thereafter, the wife informs them that a friend has collected their son.

The paedophile is also being followed by a police officer whose sister died after being kidnapped by him. Although she was released later, she took her own life due to social media shaming and PTSD.

The latter is assigned to investigate the paedophile after he went missing, having been assaulted by the pastor. Then it gets interesting…

So we end up with three people who want to do things beyond the bounds of decency but somehow find justifications for their actions.

The pastor wants to make sure that the paedophile is killed off before the police find him. The paedophile might say that the pastor tried to kill him. An arrest would destroy everything he had built for himself, work-wise and in his family life. He seriously sees signs from God that tell him he is on the right track. When he sees the clouds, an apparition resembling Mother Mary, and Jesus tells him to carry on, so he thinks, What else could he ask for?

The police officer thinks she failed the first time when her sister died. So, hunting down and killing the sadistic weirdo is justified. The question of her being a police officer does come into the equation. She sees images of her crying sister asking to seek revenge.

The criminal does not think he is doing anything wrong. All the voices in his head tell him so. His learned experience from his abusive childhood taught him so, too.

In the end, all three people have justifications to do all the things they want to do. While all these are happening, this church-going mother has lost her daughter. The pastor has to sit down with her to pray for the safe return of her child, who may have been abducted by the same criminal.

There is no secret formula for us to follow in this voyage of life. Every time the wind blows, we just hoist the sail, catch the wind and make intelligent guesses about where to navigate the boat. No self-proclaimed expert navigator can help you on this one.

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Not a joyride!

Crazxy (Hindi; 2025)
Written and Directed by: Girish Kohli

https://www.filmfare.com/reviews/bollywood-movies/
crazxy-movie-review-71820.html

When Girish Kohli shared his story, nobody believed it would sell. The idea of a lone man driving around in a car telling his story did not excite them. Therefore, Kohli turned to Sonny Shah, who agreed to finance and play the lead role. The end result turned out to be a real head-turner and an edge-of-the-seat, high-octane thriller. It is a road movie of a different kind, where most of the action and storytelling take place within the confines of the car, on the highway, and through phone conversations.

There are a few flashbacks and a video conference; otherwise, Sonum Shah is the only actor in the film. In the finale, his teenage daughter makes a brief, touching appearance. The caller ID images provide us with a rough idea of the other character's demeanour and role in their life.

I recall an instance when a medical officer, a mother, was busy at work in the Emergency Department, attending to a room full of sick children. Anxious parents were making a fuss, complaining about the long wait, the staff shortage, and the precariousness of their children's situations. They quickly shifted their anger toward the doctor, whom they perceived as incompetent. They became silent when the receptionist told the parents to bear with the doctor as her daughter was undergoing chemotherapy for cancer. 

That sums up the multitasking some professionals must undertake to responsibly execute their assigned tasks while fulfilling personal duties as a father, spouse, or child to their loved ones. Even in times of adversity, they must put on a brave front to give their subordinates undivided attention; they must remain pillars of strength despite the uncertainties they face. They must act professionally amidst all the turmoil in which they may be immersed. The world shows no sympathy for individual needs; it considers the bigger picture. An individual is merely a minute speck within the greater scheme of the Universe.  

The film begins with Dr. Abhimanyu Sood packing a bag filled with ₹5 crores in cash into his car. Dr. Sood, a general surgeon, finds himself in a predicament. A teenager he operated on for appendicitis dies due to complications, and he is squarely blamed for the death because of his antics outside of work. He has admitted to snorting cocaine. His lawyers have advised him to pursue an out-of-court settlement, as his chances of winning in court are slim. Therefore, he is making his way to drop off the money at a disclosed location.

It was April 1st. The radio was blaring, with April Fool's pranks filling the air. So when someone called him on his phone to inform him that he had kidnapped Sood's estranged daughter and wanted a ransom for the exact amount he was carrying, he was sure it was just a prank. 

Sood had previously left his wife and their daughter with Down Syndrome on less than amicable terms. His new girlfriend is eager to begin a fresh start. Juggling emotionally draining calls to verify the legitimacy of the claims and conversations with his current crush, Sood finally realised he had not been a good person. He had been unfair to his young daughter and wanted to make amends. He decided to use his stash of money to rescue her.

His situation becomes more precarious as his lawyers press him to deliver the money. His car tyre developed a puncture and needed to be replaced. To top it off, Sood's patient in the ICU requires urgent surgery. Sood assigns his inexperienced, reluctant junior surgeon to perform a major surgery under his direct video supervision via mobile. 

Despite being a solo performance with limited dialogue and a monotonous background, it succeeded in gripping its audience and maintaining their attention until the end. 4.5/5. Recommendable.

P.S. It is based on the 2013 Hollywood film 'Locke', starring Tom Hardy.

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