Sairat (Wild, Marathi; 2016)
The Marathi cinema has the reputation of producing the first-ever full-length Indian film in 1913. Honouring the doyens of the yesteryears, the Government of India gives out an annual award to an icon of Indian cinema for lifetime achievement, named after the director of this movie, Dadasaheb Phalke.
Unfortunately, over the years, it lost out to its glamorous, world acclaimed and well-funded cousin, Hindi films of Bollywood. Of late, Marathi films are making a come back of sorts after the Government of Maharashtra made it tax exempted.
Many Bollywood actors and directors are jumping the bandwagon to dwell on the craze. 'Sairat' is the highest grossing Marathi film and is the first to cross the ₹50 crore mark.
The story is nothing spectacular. It is a tale teenage love of members of contrasting classes (a fisherman's son and a landowner's daughter). The lovebirds are hellbent on being with fulfilling their youthful desires despite the massive opposition from the girl's thuggish father. There is a lot of running, bashing and display of injustice and inequality. The positive feature of this flick, unlike its counterparts of filmy unrequited love, one does not see a lone macho boyfriend fighting tirelessly against the whole tirade of hard-core gangsters. He gets bashed up hardly giving a fight. The heroine is the dominant one who actually kickass to get things done.
The cinematography is pleasing to the eye and the narration shows the reality of love. Desire may feel the heart but the truth is, in the real world, we need a roof, food, place to call home and above all, money to get things in order. We cannot live on sunshine, air, music and undying love!