RIFLE RANGE BOY: We are just inventory?

Asteroid City (2023)

Director: Wes Anderson

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This film received mixed reviews. One either loved it or hated it. The trouble is that it needed to be viewed more than once to grasp the essence of the story it attempts to tell. Even most film critics conceded to watching the film multiple times before putting pen to paper to share their two cents' worth.

Wes Anderson films have cult followings. As with all Wes Anderson movies, the most striking aspect is the deliberate choice of comforting light colours, which evoke specific emotions and imbue the story with a nostalgic feel. The images presented on screen are symmetrical; the colours selected come from a particular spectrum; the characters are quirky; and the scenes are interspersed with moments of awkward silence.

This time around, the film centres on two concurrent sets. One, presented in black and white, is a play as narrated by the screenplay and director. The second is set in the present (i.e. 1950s), where nuclear tests are taking place in a remote desert town, Asteroid City. Meanwhile, a stage announcer is seen, seemingly breaking the fourth wall, and perhaps the actors do the same. The actors move between sets, as if everything is merely a continuum, blending the past and the future. This leaves viewers wondering about its true meaning. One must make one's own judgement about the narration.

The present set features a fictional town in the desert, with its landmark icon being an asteroid allegedly left behind by an alien, hence its name, Asteroid City. It serves as a stopover point for science enthusiasts eager to view a particular constellation in the sky. Coincidentally, a junior astronomy award presentation is also taking place there.

Angus Steenbeck, a recently widowed war photographer, arrives with his prodigy son, Woodrow, and his three young daughters in Asteroid City. Woodrow is to receive an award. Their car breaks down, forcing all five to stay behind. Although their mother passed away three months prior, Angus has not yet told his children the bad news. Their neighbours at the chalet are Midge Campbell, a weary star, and her teenage daughter, Dinah. Dinah is also to be honoured at a grand ceremony, which will be attended by renowned scientists and high-ranking military officials.

During the event, something strange occurs. An alien spacecraft hovers over the town, and an alien descends to collect the asteroid before disappearing into the night’s darkness. A quarantine is imposed, and a media blackout is enforced, treating the city as a danger zone.

Nestled within this narration is the 'black and white' stage play, where the director recounts the story.

At the end of the day, the key lessons from this film include managing grief, the uncertainty of life, how people often dictate to others how life should be lived, perhaps the question of what is truly presented to us, and likely the question of divinity. We convince ourselves that life ought to be lived in a certain way as if we possess that knowledge. As if someone has crossed to the other side and returned to tell the tale. What the COVID-19 pandemic has taught us is that nobody truly knows anything. The loudest and most charismatic among us lead, while the rest simply follow. Sometimes, truth is suppressed to further their personal agendas. The person who controls the news controls the world. No matter how much the truth is buried, it has a way of resurfacing.

Lest remains the unanswered, burning question: Why are we here? What is the plan? Are we merely to create the inventory?