RIFLE RANGE BOY: Equality, an unachievable dream?

City Of God (Malayalam, 2011)
Director: Lilo Jose Pullissery

This film may mean different things to different people. Some may look at characters from four stories getting intertwined in the course of their lives. The storyteller tells the story in flashbacks and hyperlinks that finally paint a composite picture.

Basically, it can be divided into two main stories; one involving an immigrant Tamil unskilled workers in Kochin and their daily dealings, the other related to a group of rich and famous concerning an up and coming actress, her entourage and a tiff with a particular developer over a piece of land. When we look closely, both parties are no different from each other; they consume alcohol, indulge in carnal pleasures putting aside social mores, and are involved in criminal activities.

The affluent side somehow can do their unkosher pursuits without invoking too much fanfare with their affluence. Somehow the wheel of justice and enforcement can be wrapped around their fingers with their wealth and influence. They can literally get away with murder. They are no paragons of virtue, not much different from their economically-challenged counterpart.

However, the whole might of the enforcement befalls upon the non-wealthy. To top it up, their social behaviours are closely scrutinised by the community itself. Morality restrictions are clamped upon them. The name of God and ancestral traditions are used towards this end. It seems that chastity laws only apply to the disadvantaged, not the well-heeled.

(P.S. Not to be confused with the Brazilian 2002 movie 'City of God' about brutal gang wars in Rio de Janeiro's poor neighbourhoods. It seems everyone thinks their country is chosen by God. Keralites refer to their state as God's own country whilst Rio de Janeiro has the mammoth soapstone structure of Christ the Redeemer overlooking its city.)