Director: Aditya Vikram Sengupta
Admittedly all cities expanded and developed to their present glorious states, not via virtuous paths but through acts of sin. Show me one still-standing city that did not benefit from actions considered unholy transactions. They all benefitted from shady nightlife activities, brothels, alcohol, smuggling, racketeering, and robbing, you name it.
Still, life goes on. Umpteen people migrate to cities daily with a chest full of hope. Many manage to improve their lives, breaking their backs, sleepless but with a restless dream with the sole intention of climbing the ladder of success. Some falter, crushed by their enormous goals, obviously too big for the shoulders to carry. The city has seen the successes, the decadence, the swindling and the ploys. Its duty is not to punish. It merely records to play for anyone willing to hear the lessons of what lurks behind the bright city lights.
As far as nostalgia is concerned, Calcutta must surely be a city that has many tales to tell. After functioning as the capital of the British Empire and later as the site of many bloody turmoils following Partition, its past must be painted in blood, sweat and tears. Now, in 21st-century independent India, it morphs yet again. Buildings and statues that were grand then have become eyesores and need to be deconstructed.
Against this background is where this movie is set.
Ela is an ageing actress who has many things on her plate. Her young daughter's death has drawn her to the bottle and destroyed her relationship with her husband. They live under the same roof but lead separate lives. Ela is trying to get a loan to buy a house to move out, but she has no money. She had spent all her savings on her daughter's illness.
Ela may jointly own her late father's old and run-down family house. The problem is that Ela's late mother was a cabaret dancer and her father's mistress. Ela's half-brother, Bubu, blames the mistress for his own mother's suicide and refuses to give Ela any access to the property.
Bubu gets increasingly paranoid about his servants. The almost single Ela has suitors of her own. She reconnects with her old flame, and a proprietor of a Ponzi scheme showers her with gifts. The ugly side of the whole city network soon comes to the surface. The Ponzi scheme collapses, and Ela's old flame's new highway collapses.
It appears that city is a scavenger and is hungry for more and more, but remember that people make cities.