Writer, Director: Wong Kar-Wai
Our life is like a moving speed-train. We catch glimpses of experiences that excite us and poof, it is gone. We yearn to immortalise the pleasant encounter's memory, but unfortunately, it is not always possible. The journey itself is so unpredictable that the last delightful experience may not be the best, the best may yet be on the horizon. Or maybe, that was it! Oh, life is so uncertain.
Are all memories traces of tears and is nostalgia a bad thing? Does living in the memory of the past a wrong thing? Things that we learn in the past are the guiding lights for future battles, but somehow sometimes we still feel we accidentally let something slip by too prematurely or inadvertently. Regrets we may have a few.
For these, the writer creates a fictitious world/city/future where memories are permanent and can be re-captured. Nobody knew for sure if such a place existed but, nobody who went there ever returned. That is, except the protagonist, Chow. He wanted to change. He wanted certainty.
This is a rare science fiction that is not commonly seen in the Chinese cinema. Being a Wong Kar-Wai's creation, it is told in a disjointed form with many timelines crisscrossing each other. This film is the final offering of a loose trilogy (the others being 'Days of Being Wild' [1990] and 'In the Mood for Love' [2000]), based on the experience of love. It is a visually satisfying presentation that brings back the nostalgia of mid to late 1960s Hong Kong.
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