Desires last 60 days; lust 30.

Bangalore Days (Malayalam, 2014)

The stories of the silver screen and fairy tales make us believe that it is worthwhile to grasp that one chance at love. They convince us that it the single most crucial fight that one has to win. Overcoming that would translate to eternal bliss. It is happiness afterwards, forever and ever. Err... wrong answer.

In a very entertaining way, combining the scenic backgrounds of Kerala and Bangaluru, as well as the pleasing youthful features of the good looking actors, the story tries to tell us in a subtle way that it is not all hunky-dory when and especially after one finds love. It is an eternal struggle to keep the flames alive. Even if the ember stays aglow, there are too many interferences that threatened its harmony. In modern living, with the relaxation of rigid social restrictions that used to prevail and the scream of empowerment, no one can be pinned down anymore. Everybody is free to do what he (or she) wants. Is that daring to be different, to empower oneself, defiance to status or plain lazy to uphold the age-old agreed norms that rock the whole fabric of marital bliss? Or is it that the desire to defend the holy institution of marriage that makes one overlook or tolerate the many imperfections of the other?

Prince Charming turned out to be a loafer?
Like the Tamil proverb goes
'Desires are for 60 days, and lust is for 30 days'.
ஆசை 60 நாள் மோகம் 30 நாள் 

The story revolves around three cousins (Kuttan, Arjun and Divya) who are close as thick as thieves sharing an unforgettable childhood and the same sense of humour. 

Arjun, a son of an army man, went wayward after his parents divorced. We get the sense that he attributes his failure in life to his parents' separation. From a top student, he ended up being a dirt-bike racer and an occasional mechanic. His love interest turns out to be wheelchair-bound paraplegic. The positive thing about the film is the paraplegic character actually had a positive. Unlike a typical India movie where a far from 'perfect' person will usually sacrifice her life, here she is paved the way for a possible happy experience. 

Happy forever and ever?

Kuttan is a goody-two-shoes who followed all the pointers given by his parents and is a software engineer. One day, Kuttan's father disappeared from their home. He left a note citing his desire to find peace and purpose in life. A subsequent letter clarifies that he actually must be enjoying himself in the laid back beaches of Goa, away from the smothering of his wife, Kuttan's mother. Kuttan also realises that his mother, though meaning well, could be quite a pain in the neck when she moved in with him.
Meanwhile, Kuttan is also finding love, naively thinking that a nice traditional Kerala girl would be ideal. His first love, a stewardess, proved disappointing. She used him to get back to her ex-boyfriend!

Paris Laxmi
A French Malayalee
started dancing
Bharat Natyam at 3.

Divya, the only female of the trio, undergoes an arranged marriage to Shiva. After the wedding, Shiva and Divya move to Bangalore. By a twist of fate, her cousins land up in Bangalore. Divya soon discovers that her husband is far from intimate. Their marriage goes through a tailspin. Soon it is found that Shiva keeps a dark secret from his past.

The rest of the story is in trying to tie up everybody's life to a resolution and a happy ending. Inserted subtly into scenes are cryptic messages which tend to answer itself. One visible message is how Indians tend to parrot Western's way of dressing and embracing their culture while the Westerners look highly at the Indian way of living and cannot wait to immerse into them. 

At the end of the film, Kuttan, who was looking out for a typical Bharat Natyam dancing Malayalee with long pleats for matrimony, found one in Michelle, a Caucasian girl fitting the above description!

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