It ain't over till the fat lady sings!

Game Over (2019)

It is always easier to follow the weather-beaten road. After the imperfections, the potholes, the unevenness may have been corrected, or the path may carry a warning sign. Unfortunately, in this era where individualism and self-expression takes a paramount role in human development, the onus in handling curveballs in life is placed squarely on the individual's shoulders.

Previously, one can look back, follow the path of least resistance, have faith and move forward with confidence with the Divine Forces as the guardian angels. Failure is accepted gracefully as if it was meant to be anyway.

Modern men (and women) do not subscribe to such determinism. Intellect has given free will to fight whatever eventualities. It also gave them the ability to think of the possible adverse outcome and the fear of the unknown. Not all minds are equipped to handle such stresses. Some crumble. Memory is sometimes a curse, especially of a traumatic one.

Life is not as simple as in a computer game; lose one life and still have two in hand. In reality, it is one wrong move, and it is game over.

This story is well crafted one with many symbolism. It is a genre-bending thriller about a gamer who is recovering from a stressful situation; probably an assault of some kind which happened a year previously during New Year's Day.

It is New Year's Eve, and her panic attacks are recurring. The tattoo that she had got inked a year previously has started hurting. A visit to the tattoo parlour reveals that the ink had been contaminated with the ashes of a brutally killed girl. And the deranged killer is back.

The storyline is relatively predictable, but it comes with a twist at the end. It gives three possible outcomes to the ending depending on how one strategise one's move. One should use one's nature-given faculties to determine one's fate, not leave fate to decide one's life.

This work is licensed under a Creative Commons Attribution 4.0 International License.

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