Mahavatar Narsimha (Hindi, 2025)
Director: Ashwin Kumar
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https://www.imdb.com/title/tt34365591/ |
Growing up in the 1970s, the only way to learn about stories from Hindu mythology was through stories told by elders or in satsangs (religious gatherings). Later, we were introduced to Amar Chitra Katha comics, which were quite a hit among us, the children. We essentially heard most of our Hindu fables from these colourful books. Anything that came close to a TV production was an anime movie that came out, as an Indo-Japanese joint production, as 'Ramayana: The Legend of Prince Rama' in 1993.
Currently, a plan is underway to develop a Mahavtar Cinematic Universe, comprising seven films based on Hindu mythology, over a span of twelve years (2025 to 2037). Given the quality of this project, I am confident that in the years to come, we will be immersed in a cinematic wonderland.
The filmmakers decided to start by depicting Vishnu's most fierce avatars. The half-lion, half-human Vishnu is His most combative form.
Directly or indirectly, we are aware that Vishnu, as the protector of the world, assumes various forms to restore order when chaos (adharma) prevails. All in all, He had taken nine forms thus far (in this yuga), with one more to go at the end of times, Kalki Avatar. He is duty-bound to fight evil and must do so cyclically, as time progresses in cycles, with fission-explosion-entropy succession.
There is also a subtle reference to the Avatars in evolution. The first Avatar is Matsya, in the form of a fish, who protects the people on Earth and their knowledge from a mammoth flood reminiscent of Noah's Ark and the preservation of species. Now, one may wonder why this motif of the great flood appears in many cultures. In the Zoroastrian tradition, Gilgamesh is also credited with saving humankind from floods.
As life evolved from being sea-dwelling creatures and became land dwellers, so did Vishnu's avatar. It is said that Vishnu assumed the role of Kurma, a tortoise form, to help in the churning of the Universe to extract the elixir of immortality and other benefactors in a deathly duel between the Asuras and Devas. This event is immortalised sculpturally in the Swarna Bhoomi Airport in Bangkok.
The third and fourth Avatars, Varaha and Narasimha, are featured in this animated offering.
Back to avatars and evolution, Varaha is depicted as a wild boar, said to be one of the most sturdy herbivores adapted to land-based living. Despite being a herbivore, it can be a ferocious beast with rudimentary tasks and muscular limbs. In this juncture, life has firmly grounded itself on land.
In the movie, a pair of twins, Hiranyaksha and Hiranyashipu, were born. They were Asuras because their mother was from the Asura lineage. Asuras do not automatically infer that they are bad, but rather the general narrative in the Vedic scriptures, over the ages, has transformed to mean so. Because they conceived at an inauspicious time, because their mother, Diti, felt horny, and despite her husband Kasyap's warning, they succumbed to lust. Thus, two of the nastiest Asura of the celestial levels were born.
On a side note, Hiranyaksha and Hiranyakashipu, the twins, were the reincarnations of Jaya and Vijaya, once the gatekeepers of Vishnu's abode, Vaikundam. Jaya and Vijaya were cursed by Brahma's sons for not allowing them to enter Vaikundam. Vishnu could not cancel the curse, but gave them two options. The first option is to be reborn seven times as a Vishnu bhakta (follower) or, alternatively, as an anti-Vishnu for three births. They chose the latter. Hence, Hiranyaksha and Hiranyakashipu were their first births. The next two are from Rama's era (as Ravana and Kumbakarna) and Krishna's era (as Shishupala and Dantavakra).
Hiranyaksha decided to submerge Earth into the cosmic ocean. Vishnu, as Varaha, fought Hiranyaksha and scooped up Earth, as Bhumidevi, the female personification of Mother Earth, with it. Now, here is the interesting observation that some Hindu scholars agree on. Some of the ancient sculptures of Varaha, erected for worship, depict the Earth as a spherical object. This means that the Indians were aware of Earth's appearance. It is not surprising, as the likes of Aryabhatta had already made gigantic steps in the field of astronomy by the 5th century CE.
After Hiranyaksha's demise, his twin Hiranyakashipu went into intense penance, worshipping Brahma for his boon. Now, Hindu supreme powers are usually quite generous with their wishes. The important lesson in any story where wishes are granted is that the requester must be extremely careful and precise in their requests. So when Brahma did eventually manifest and was willing to grant his wishes, Hiranyakashipu made his request-not to die at the hands of any of Brahma's creation, not to die inside a residence or outside, neither during day nor night, not to be killed by any weapon, human, animal, demigod or serpent. He should not be killed by anyone born of a woman, whilst having supreme power over all living beings. He is bestowed the boon.
The Universe had something up its sleeve. Hiranyakashipu's pregnant wife was kidnapped by the lustful God of the Skies, Indra. He was intercepted by the celestial sage, Narada, who took the pregnant mother under his care. The unborn child grew up exposed to songs praising Vishnu, to the extent that the child, Prahlada, became a devoted devotee of Vishnu.
Trouble brewed when the father, Hiranyakashipu, tried to market himself as a true god to his subjects. The recalcitrant Prahlada continued singing praises to Lord Vishnu, much to his father's chagrin. The son was punished again and again, only to be miraculously saved. At the point of reckoning, when told to show the might of Vishnu, the Lord appeared from the walls of a pillar, in a corridor, at twilight, to be mauled by a half-animal, half-man Narasimha, with His bare claws, without any weapons, keeping within the terms of his boon.
The computer graphics are excellent. Similarly, the choices of colour, background score, storytelling, and continuity are also captivating. After the near demise of the Marvel Cinematic Universe (MCU) in Hollywood, the Mahavatar Cinematic Universe is here to take over where it left off.
The story of evolution continues with human avatars of variable intellectual capacity, such as Vamana, Parashurama, Rama, Balarama, Krishna or Buddha. Kalki will appear at the end of times.
P.S. In future, when you find yourself stuck with a genie in a situation where you are granted three wishes, be wise. Ask for a wish where you never run out of wishes!
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