Follow your heart?

A Hidden Life (English/German;2019)

Director: Terence Malick

This is one of the movies that kept my eyes locked on the screen even after the credits rolled. It presents a long-lasting quandary about divinity and our purpose on Earth.

Most movies that we see usually depict Germans as a whole of homogeneous block that unequivocally supports Hitler and what he was doing to uplift Germany from the clutches of hopelessness. For a change, the main character in this film actually stood against German nationalism in the Hitler style. A devout Christian and a conscientious objector to conscription into the Army, Franz Jägerstätter opposes Hitler's rhetoric of a superior race. In his everyday life, Franz is a simple farmer living happily on the hillside of Austrian country, minding his wife, three little daughters, and the unending farm work.

So when he is called to serve the Army and state his allegiance to Hitler by instituting the Nazi Salute, he naturally refuses. Franz is arrested and imprisoned. Before his arrest, the people in the village were already looking at Franz's family scornfully. After his arrest, his family was boycotted by everyone, save for some who gave support, albeit clandestinely.

In prison, Franz is verbally and physically abused and told to just utter his loyalty to Hitler and get scot-free. Franz stuck onto his guns like a divine decree and endured the gamut - insults and grieve. All through his incarceration, he has an internal struggle with whether what he is doing is the right thing. All these were recorded in Franz's written communication with his wife, Fani. They provide the basis for the film. Franz's soliloquy is echoed in the voiceovers. Franz was finally executed. The rest of the story tells the hardship Fani, their daughters, and Franz's mother endure in making a life for themselves.

The burning questions that went through my mind were these.

We are social animals and are somewhat skewed in our thinking to be in sync with the thought of the majority. Perhaps because we are all clueless about our real purpose on Earth, we grope along and clutch on straws. We try to convince ourselves that we are indeed doing the right by apeing others. We follow the powerful, the wealthy, and the elders as we feel they are more knowledgeable about things in the world. At the same time, we realise these people are mere mortals like us, equally ignorant of the right path. The leaders also have vested interests. Is it not helpful for a shepherd if his flock is abundant and well-fed? The scary part is that the shepherd would one day lead them to the slaughterhouse.

The almighty, omnipresent and omnipotent in all his wisdom through the Book of John, has wielded to his congregation, "I have told you these things, so that in me you may have peace. In this world, you will have trouble. But take heart! I have overcome the world." (John 16:33).

Franz saw the events surrounding the war, the superiority of one race over the other, and saluting a man with these ideas as wrong. However, the verse in John convinced him that what he was doing was right, just as Jesus fought against the hypocrites in Judea. Just like the event on Cavalry Hill that changed the world, Franz was convinced that his resistance would have lasting impressions.

A man plants a mango tree, but the generations after him are the ones who reap the benefits the tree offers. They stop to rest under its shade and occasionally sink their teeth into the succulent fruit. Nobody turns around to thank or say a prayer to the planter of the tree. For all they are concerned, the tree just happened to be there! We should do things expecting returns. It is for the generation next.

We are responsible for our dependents if our actions affect those who will come after us. Franz has specific duties as a father, son, and husband on Earth. Is he relegating his duties by being an absent parent? His kids will grow up with the trauma of not having a father, the wife without a companion, and the mother with the ache of burying the son she delivered. Can Franz be so cocksure that he will indeed find his place in the promised land? Is he convinced that what he did was indeed what God wanted him to do? Guess we will never know!

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Not quite a towering inferno...

We were told to be ready for dinner by 6 p.m., so we had one and a half hours to kill before gathering at the lobby. My varsity mates and I, fourteen of us, on our regular bromance outing, had decided to embark on a six-day tour around Sri Lanka. Colombo was our last stop.

                                     

https://borderlessjournal.com/2025/01/14/not-quite-a-towering-inferno/

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In the land of make believe!

Spirited Away (2001)

Written and Directed: Hayao Miyazaki

All through our childhood, my sisters and I had been watching manga without manga was referred to as so. It was then just Japanese cartoon, with characters having big round eyes, cute demeanour and screechy loud voices.

Later, Japanese cartoons developed into separate entities grew wings and started telling more mature stories and themes. The written graphic form became known as manga, and animated forms that appear in games and films are known as anime.

I was recently introduced to Japan's eminent cult figure in the field of animation and direction, Hayao Miyazaki. His film ‘Spirited Away’ has been hailed as Japan's highest-grossing movie for 29 years. It also won the Oscar at the 2022 Best Animated Feature Film. BBC listed it in its 100 greatest films of the 21st century.

Partnered with Disney, this film infiltrated the four corners of the globe. Thanks to the vibrant colours, creative storytelling, and interesting characters, it looks like Alice in Wonderland on steroids. A lost girl, Chihiro, is in a weird world, only to be helped by many characters with Shinto-Buddhist backgrounds around her. She ends up saving the day and learning many valuable life lessons.

One of the reasons to live is to immerse yourself in a land of make-believe.

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An interesting police drama!

Oru Nodi (Tamil, One Second, 2024)

Director: B Manivarman

https://www.jiosaavn.com/album/oru-nodi/9-Xa0ZWs2NU_

Even though the trailer depicts MS Bhaskar, the bald character actor who had graced many blockbusters recently, it was all a business gimmick. He only appears for a short while, and his character is killed off quite early in the movie, but he is shown in brief flashbacks. The rest of the film is completed by newbies and unfamiliar faces. Nevertheless, they all did a decent job. The story, however, could have been made more interesting. At one juncture, I wondered why the police were flip-flopping between one case and another as if they knew they were inter-related. 

To get the story straight, a forty-something lady shows up at a local police station to report her missing husband. Having watched so many police procedural dramas, one can guess what would follow. The lady is bombarded with wisecracks like he had run away from her torture or that he had gone on a drinking escapade. Just then, an inspector walks in to take charge. He gathers that the lady's husband, who went off with a large stash of cash to his debtors, could have been killed by a loan shark. 

In another scene, the body of a young lady is found dead along the village path. The plot twists when the autopsy confirms that she was in her early pregnancy. Police investigations suggest there was a stalker among her working colleagues who was quite determined to win her heart. But she had a boyfriend to complicate things. 

Meanwhile, the missing husband's mobile shows activity. The police spring into action. 

The rest of the police procedural drama has excellent narration. It is a cat-and-mouse story of clues, dead ends, new clues, and plot twists, leading to a finale that ties all the loose ends together. Not bad, not bad at all!

(P.S. Forget police brutality. When an Indian mentions that the police interrogated the suspect in their usual manner, it is a code that they beat the truth out of the victim. I thought this type of evidence had no legal standing!)

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A giant awakens?

Awakening Bharat Mata: The Political Ideologies of the Indian Right
By: Swapan Dasgupta (2019)

History tells us of a time when Indian soft powers ruled beyond their lands. Indian (read Hindu) way of living was the only way to live to the East of the land irrigated by the Sindhu Saraswati river systems. The nearest advanced culture to them was the Persians. Now they had an issue pronouncing 'S'. They did not have 'S' in their spoken language but used 'H' in places occupied by 'S'. Hence, the people living around the Sindhu Valley became known as 'Hindus', and their way of living was Hindu.

The perplexing thing is that from an era when the whole world was imitating their culture whilst the rest of the world was in the dark ages, at the time of its independence, it was a nation quite apologetic to its way of life and its history. What gave?

Perhaps it was the repeated invasions and trans-generational traumas with a tinge of Stockholm Syndrome. Still, the bulk of Indians, during their independence from the British colonial masters, had a very low esteem of themselves. They tended to look at other civilisations as superior and scorn upon their own way of living. Maybe because they had missed the bus of the first and second Industrial Revolution and the mercantile type of economy ruled the world, the socialist-minded Prime Minister and his ruling party thought it was pertinent they should be followers, not leaders of the world. They even refused a UN Security Council seat. Government-sanctioned leftist historians reinforced Western false narratives. 

The 1991 Indian general elections must have been a watershed moment in the right-wing movement. Even though they did not win the elections, they sowed their idea of a Ram Rajya (Hindu nation) in the Indian psyche. Their election promises to rebuild the old Ram Mandhir in Ayudhya fascinated the population at large. Just about that time, archaeological excavations revealed that a mosque indeed built atop the site considered the birthplace of the much revered Prince Rama of Ayodhya.

With widespread news of corruption and mismanagement, the 2014 general elections saw the United Progressive Alliance (UPA), headed by the Indian Congress Party, lose to the National Democratic Alliance (NDA), a coalition headed by BJP. BJP, on its own, secured a majority, surpassing the much-needed 272 seats.

The right-wing Hindu parties have always been in the bad books of the Indians. Ever since Godse, a Hindu nationalist, assassinated MK Gandhi, RSS, the social arm of BJP, and other Hindu parties have been painted with the same brush. The anglophilic apologists and leftist historians have created a centre stage for a dichotomy of anglophile 'intellectual elites' versus homegrown saffron politics.

In the late 1960s, Congress weakened, and a wave of anti-Westernisation swept through the nation. The public was uncomfortable with the outward display of modernity and the intellectual move towards the West. They started reminiscing about the alternative intellectual ecosystem initiated by Hindu nationalist bulwarks like Tilak, Aurobindo, Savarkar and more. The new BJP-RSS combo was not anti-Western and anti-technological development but would use technology to improve administration quality.

After much deliberation, Modi was put forward as the PM material for the 2014 election. His economic success story in Gujarat worked in his favour. The naysayers, including the Western media, were rapacious in putting him as the villain in the 2002 racial riots. The foreign press went on a rant that he was bad news for Indian harmony. His visa to the US, UK and EU was denied as he was deemed too controversial.

Tired of the Nehru-Gandhi dynastic brand of politics with ineffective leaders in the Nehru's descendants, in 2014, NDA with BJP as the majority was voted in to rule the biggest democracy in the world. The going on till the time of writing of the book, at the end of BJP's first term, has been anything but smooth sailing. Quickly, many day-to-day issues can be made out to be big deals, even though the general public is not too bothered by them. The politicians and their desire to create a mountain out of a molehill are the root of the problem. After all, historically, India has a reputation for embracing all cultures, including Zoroastrianism, Judaism, Islam, Christianity and more. They had played host to many refugees.

A simple recital of a national independence hymn like Vande Mataram can become a national issue. Muslim leaders refuse to allow their people to chant this old anthem as it is considered not secular. Cow protection on one side and insistence on beef-eating as a birthright without compromise is another thorn in the Hindu-Muslim relationship. Even though the Indian Constitution bans cow slaughtering, occasional skirmishes and lynching continue. This is not a new problem. Even in 1966, Sadhus demonstrated in front of the Parliament to criminalise cow slaughtering unsuccessfully.

It is all right for a country to be ruled by Christian, Islamic or even Jewish ideologies. However, it seems Hinduism is not compatible with modern democracy. So says the rest of the world. The colonial masters even thought it was pertinent to emphasise in the Constitution that India is a secular country. In the mind of the right-wing Hindu politicians, Sanathana Dharma is secular. In the eyes of the world, Hindutva is a bad word, implying combative fundamentalism. In reality, it just denotes Hinduness.

In the understanding of the right-wing Hindu leaders, a Hindu is someone born in India, with the cultures of India, bowing to the nation of India. So, in their understanding, a Muslim or a Christian is a Hindu. It is wrong, say a Muslim to have allegiance with their religion and show reverence to an external force whilst turning his back to Bharat.

The book tries to clear many misconceptions started by the colonial masters and the subsequent Anglophile Congress leaders who just held the helm on their behalf. They try to allay the misinformation that RSS and BJP are anti-intellectuals or are lacking intellectual depth. They try to break the mould of slave mentality among the citizens and rewrite the distorted Indian history penned previously by leftist historians to maintain the hegemony of the colonial masters over their subject. 

A good read. 

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Play the game that people play?

Lucky Baskhar (Telugu; 2024)

Director: Venky Atluri

There are different rules for other players. The rich have it good. The system ensures that they stay wealthy. Money begets money. The law provides that the bulk of wealth remains within the confines of those with them. There are different rules for other players. The rich have it good. The system ensures that they stay wealthy. Money begets money. The law provides that the bulk of wealth remains within the confines of those who possess it. The legal system makes justice swifter for all the money that can be bought. The middle class stays put in a self-imposed restrictive loop. The middle class is trapped in a cocoon by concocting rules of morality as well as divine and social justice. Grabbing an obscene wealth escapes them and can only be an unattainable dream. 

The middle class is often used as a scapegoat to show society that the system is fair. By periodically using them as sacrificial lambs, society sets an example to others of what can happen if they flaunt the law.

The word scapegoat has an interesting origin. It comes from the Book of Leviticus. In the Jewish ritual of Yom Kippur, a goat is symbolically burdened with the people's sins and released into the wilderness. This was a practice of atonement. In modern life, the poor are left high and dry to sanitise the wrongdoings of the community's upper echelon. 

Gone are the days when people are judged by their virtues. Currently, man is assessed by the amount of wealth he amasses. It does not matter the means it was acquired. Once money jiggles in one's pocket, everything and anything can be sanitised. A middle-class person is no longer middle-class. He springboards to a different level and acquires a new set of rules. He is viewed as a success story. Society, hellbent on punishing him earlier, will now bend backwards to protect him. Anything friends in higher places cannot help; money will do that.

Lucky Baskhar is an interesting movie with twists at every corner. It is a make-believe story that shows how one can beat the system once one learns the trade of the game. Baskhar is a low-ranking bank teller who is springboarded to the post of Assistant General Manager after a minor scandal in the bank. 

Little does he realise he is a pawn in the big boys' game of interbank loans, middleman brokers, share market rigging, and swindling the Reserve Bank of India. Baskhar cannot be a hero and expose everyone as his good name is also dragged into the muck. Baskhar, too, has his own economic woes and pressures from his family, father, siblings and in-laws. So, how does he kill two birds with one stone? Baskhar devises a complicated web of deceit that beats the big boys at their own game, solves his financial woes and gives everyone a run for their money.

The viewers always like to watch the little men whip up the powerful man at his own trade. This is it. The audience will leave feeling satisfied as if they had watched 'Catch Me If You Can'!

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A lie is a lie.

About Elly (Iranian; 2009)
Director: Asghar Farhadi

Sometimes, we think a white lie would not hurt. Along with the lie, we squeeze in a little mischief. We justify our lying by convincing ourselves that it is all good in the grander scheme of things.

Little do realise of its repercussions. To cover the embarrassment of one's untruth being discovered and maybe to uphold the white lie, there is a need for more untruths. The trouble with truth is that it has a funny way of showing up at all the wrong times.

The lattice of lies will eventually crumble. Unless the individual has perfected the art of the sleigh of hands, the bluff will fall flat.

To add insult to injury, God forbid if anything untoward happened, all the blame would fall squarely on the person who initiated the white lie and the good intentions!

This is precisely what happens in this story. Old classmates, three couples with their kids and another divorced classmate decided to spend a few days by the beach. Sepideh, who organised the rushed trip, decided to include her daughter's kindergarten teacher. She was hoping to match her to the divorced friend. As conservative as the society was, Sepireh chose to tell the caretaker of the beach bungalow as four couples, the fourth being the kindergarten teacher and the divorced classmate who were on their honeymoon.

With all the confusion of the children being all over the place and the adults running around organising things, a child runs to his father, trying to say that one of the kids is drowning. Panic ensues. Everyone goes looking for the child and is saved from drowning. The kindergarten teacher, the adult caring for the kids, cannot be found anywhere. Did she drown in trying to save the child? Did she run away from them after discovering that she is suited to the divorcee? Then, a man appears in the picture as the teacher's fiancé.

Sepideh soon realises her mistake when her bluff falls flat, especially when the police get involved, and the caretaker learns that the fourth couple is unmarried.

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