RIFLE RANGE BOY: Vampires in Mississipi?

Sinners (2025)
Directed: Ryan Coogler

https://www.imdb.com/title/tt31193180/

We are all familiar with vampires and the medical explanation for their condition. Examining their behaviours, doctors have concluded that they must be suffering from acute intermittent porphyria. It is a genetically inherited disease in which a deficient enzyme leads to the build-up of heme under the skin. Certain trigger factors can initiate a chain reaction, producing by-products that cause severe skin reactions, such as blistering and pain. These triggers include light and possibly garlic, which contains sulphur.

Legend has it that the aberrant gene mainly affects a particular aristocratic family in Transylvania, present-day Romania, known as the Draculas. Understandably, folklore about this family in movies and stories involves white-skinned characters. Of course, in this day and age, just an arrangement would not suffice.

In the early days of photography and the development of moving pictures, as well as until the 1970s, film rolls were often biased against individuals with dark skin. They were orthochromatic, meaning they were sensitive to blue and green light but blind to red. This technical limitation made lighter skin tones more flattering, while darker skin tones appeared unnaturally dark and lacked detail. Film development processes cater for Caucasian subjects.

The discrimination persisted into the 1960s, when colour film gained popularity. The chemicals used to develop the films were not designed to preserve a wide range of tones except for shades of white. Kodak even had a colour chart called the Shirley Card, featuring a picture of a particular white woman, used as a standard to determine image clarity and skin tones in prints.

Shirley card

It was protests from furniture makers and chocolate manufacturers against Kodak's films that prompted changes in how they detected a wider range of colours in their movies. Earlier complaints from graduating black students, along with blurry graduation photos, were ignored. They had complained, 'The darker the person was, the less visible his image.' When Kodak's business interests were threatened, they responded. Kodak introduced Kodak Gold, which claimed it could photograph a black horse against a white background without losing any details.

Digital photography transformed everything. Instead of using light-sensitive films that need developing, it utilises electronic sensors to capture and store images.

Given this background, it is only logical that 21st-century filmmakers, for whom equity is a buzzword and various movements around us testify to this, should create a film that rectifies the past. Now, we have a fictional story of vampires suddenly appearing in 1930s America, specifically in Mississippi, where African Americans are portrayed as running around with fangs and biting necks.

Incorporating themes of racial discrimination, the KKK, and a gore-filled night scene in dim lighting, the film aims to correct historical errors, featuring black vampires and meticulously filming dark-skinned actors with attention to makeup and facial expressions.

Verdict: Not my cup of tea (3/5).