The Maoists and the urban Naxalites!

Bastar: The Naxal Story (Hindi; 2024)
Director: Sudipto Sen

This is supposed to be inspired by actual events. That part may be accurate, but the problem is that this part of Indian history has been ongoing for so long that the moviemaker took the liberty of cutting and pasting events that happened at different times in India's history. 

For the record, there was a rebellion in 1910 when the British were eyeing the minerals in Central India. Come to think of it, that may be when the word 'thug' came into the English language. Tribal people who resisted British invasion were labelled as carnivorous people worshipping a blood-thirsty form of Kaali named Thugeesewari. The tribals donned machetes for farming but were labelled as armed resistance forces instead.

In the late 60s, when the Communist Party of India split after the Sino-Soviet split, a group of them had the idea of a peasant revolution changing the status quo. This group came to be named Maoist (after Chairman Mao). In 1967, in Naxalbari, tribal people fought with armed forces for land, aided by radical left-wing Maoists. After that, they came to be called Naxalites. In the region's most remote areas, in the spine of India, cutting up to 10 states, the Naxalites took charge with their own brand of justice, local panchayat, and control of amenities.

Naxalite activities have been going sporadically. Occasionally, news of skirmishes along this 'red corridor' emerges. 

In 2010, 76 Indian Central Reserve Police Force personnel were killed in Dantewada district in Chattisgarh. This was sort of the starting point for the movie. Before that incident, an advaasi (tribal person) was hacked to death for hoisting the Indian flag. The vendetta against the Naxalite leader spurred the widow to join forces with the police to fight the terrorists. 

In the background is a trial in which the State Government is accused of forming a paramilitary vigilante force named Salwa Judum under the auspices of the ruling party. The accusers were concerned social activists and academics. The movie insinuates that the leftists of the world have united and are having a stronghold and working in tandem with academicians, Bollywood, writers, politicians, and even the judiciary. There is a not-so-veiled reference to Arundathi Roy as a leftist sympathiser. 

The silver lining behind the above incident is that things have improved since then. Violence has de-escalated, infrastructure has improved, and tourism has increased by many folds.

This work is licensed under a Creative Commons Attribution 4.0 International License.