Exit (엑시트, Korean; 2019)
Director: Lee Sang-geun
Director: Lee Sang-geun
Every time I see Koreans in action, be it in sports, movies or showcasing yet another new car, I get depressed. Koreans used to be our whipping boys in the Merdeka Tournament but look at them now, playing the same level of football with the big boys now. Kia started making automobiles in baby steps about the same time as us, but now, Korean cars are making Japanese cars sweat. Ours, on the other hand, is a national embarrassment.
With the innovation of P Ramlee and his friends at Jalan Ampas studio, they churned out hits after hits and even won cinematic awards at the Asian level. But now, all we can do is reminisce, brood about lost opportunities and imagine a country that we could have been.
Twenty years' master plan to learn, copy and innovate storytelling and moviemaking now sees Korean cinema and miniseries sweeping the world by storm. Korean culture is no longer alien to the people the world over.
With the innovation of P Ramlee and his friends at Jalan Ampas studio, they churned out hits after hits and even won cinematic awards at the Asian level. But now, all we can do is reminisce, brood about lost opportunities and imagine a country that we could have been.
Twenty years' master plan to learn, copy and innovate storytelling and moviemaking now sees Korean cinema and miniseries sweeping the world by storm. Korean culture is no longer alien to the people the world over.
This movie is living proof of what the Koreans have achieved while we were napping, dreaming about Vision 2020 and Malay Supremacy. 'Exit' is a disaster film infused with traditional Asian family dynamics, light comedy, love interests and excellent computer graphic imaging. Just when I thought that disaster in movies would just mean run and run, here they have become imaginative. The storytellers have introduced rock climbing as a way to escape rising toxic fumes.
Yong-nam gets no respect. As far as his family is concerned, he is a loser. Even his nephew, an early teenager, does not think much of him. He is labelled a failure with no permanent job, not on his path to success any time soon, and no girlfriend to show around. He only has his rock-climbing skills to show.
The turning point comes during his mother's 70th birthday party. The girl he fancies works as a captain at the restaurant the party is held. A disillusioned scientist releases a toxic gas near the vicinity, and mayhem ensues. Everybody has to make it to the top of the buildings to be rescued by rescue helicopters. As the exit to the top is locked from the outside, our hero has to get his rock-climbing skills to good use. Of course, things get complicated, and our hero and the love of his life go through a whirlwind of adventures to win the day.
The way how emergency services are seen to be devised to combat disaster gave me another low. It reminded me how dismally our emergency disasters relief plans were executed during the recent Shah Alam and Hulu Langat floods. People were left to fend for themselves whilst leaders made cursory publicity visits. It was as if there were no contingency plans for emergencies. Surprisingly, when citizens wanted to vent their dissatisfaction over the case of the fox guarding the chicken coop, i.e. the Anti-Corruption Commission's alleged corruption, the whole civil service was at German precision to squash demonstrations with anti-riot gear and even court orders to make it illegal.
This work is licensed under a Creative Commons Attribution 4.0 International License.
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