The naked truth about gender equality!

Soni (Hindi, 2018)
Direction: Ivan Ayr

I always thought that having female-only buses and trains are steps in the wrong direction. We seem to be going back to the dark ages when members of the fairer sex were preferably not seen and not heard. Not only they were handed the dubious title of the root of sins, but they were also killed at birth. Even though we like to think that the ignorant era of jahiliyyah is over, in reality, it is anything but done with.

On the other spectrum, we have people who insist that gender is fluid, that gender expression (identity) is a social construct. They posit that gender is a continuum between masculine and feminine, can vary with time and is different from sexual orientation (attraction). 

Gender studies started as an interdisciplinary academic field to improve female representation in public life and pursue women's equality. Of late, however, the emphasis is more on LGBTQA+ issues rather than fulfilling their original objective, which, sadly, remains unfinished. The world is more interested in getting unisex toilets and giving the right to an individual to change his gender at will (e.g. transwomen)!

In their day-to-day life, the reality on the ground is that despite all the empowerment they have been given over the years, it is far from satisfactory. The slow-moving movie, minus all glitz and pomp often associated with Bollywood film, tells us how women get a raw deal in society. At the centre of the story is Soni, a police sub-inspector. She seems to have gotten through a rough patch with her boyfriend and lives alone in a rented flat. Her neighbour is a nosy but caring older lady who had her way of warding unwelcomed attention from roving eyes of male eyes in her younger days. She wore a sindoor even though she is Muslim. The vermillion gave her protection. Soni is working under a kind female IPS officer who has problems of her own. Working in a male dominant force is no bed of roses. Add that to harassment from VIPs and politicians, at the home front, she is constantly reminded of her ticking biological clock.

Even though the force has assigned the power to Soni to uphold the law, she feels inadequate. The thugs only look at her sex, not the authority that she carries. Even her boyfriend feels she needs his presence to ward off the unsavoury crowd.

It is not all feminism in your face for viewers. In between the story, the screenwriter tells how ladies utilise their so-called vulnerable position for their advantage. A female tenant who is on arrears with her rental accused her landlord of molesting her. She thought she could get away from paying her outstanding rent. Sometimes the weak use their victimhood to their advantage.

Rather than just demanding and demanding more rights for women, advocates for women empowerment should call for a societal change in mindset. It is said that the aetiology of treating women as second class citizens starts with the family itself. Mothers treat their sons as their prized possession and their daughter playing second fiddle to the family needs. Mothers are told to knock in the idea into their sons the female gender need to be respected by example. And Bollywood has its hands tainted for picturising females as objects that need replacement ever so often, whilst the male actors still perform as heroes even at 70. The love interests, however, are young enough to be their granddaughters. 

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