Shanti Stupa at Dhaulagiri |
At the turn of last year, I had the opportunity to gaze at a fraction of these wonders during a short trip to Odiya. Besides Emperor Asoka and his Kalinga Kingdom which is often mentioned in our textbooks, this tropical climate state is also well known for two other mammoth structures with its logic-defying features.
The river in Dhauli, now just a stream which just saw a flow of crimson tide following the massacre of Kalinga.
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Another structure that is quite jaw-dropping is the 12th century Sun Temple whose construction showcases the richness of Odiya architecture. The people, the Sun-worshippers (not the Californian type), considered the Sun as the reason for their existence. A temple was built to honour it. The architectural outlay is basically to calculate sun positions and to ascertain the time and the seasons.

At a time when the sciences were rudimentary, and pieces of machinery were primitive, it is indeed perplexing that the people then could actually carve out a temple out of a monolith with such precision and accuracy. Suggestions of alien intervention in these feats cannot be discredited but deserve more merit. The public display of sculptures of couples engaged in various positions of acts of copulation suggests that the Indian society indeed used to be a more liberal society than they are now. What gave, I wonder?
Yet another temple that would blow your mind away is the Jagannathpuri temple in Puri. It has gained the status of being one of the four magnificent Hindu temples at the four corners of India that one has to visit in his lifetime to achieve Moksha; the others being Dwarka at the west, Rameswaram at the south and Badrinath in the north. Shrouded in many unexplainable mysteries, this Vishnu temple is a display of splendour of Odiyan architecture at its zenith. If you look around Jaganath Puri from any angle at any time of the day, there would not be a single shadow cast from the dome of the main building.
The other unexplained mystery surrounding the temple is the prasadam (divine offerings) cooking technique and its distribution. Science cannot explain why the contents of the top-most pot are found to cooked before the one below when a stack of seven earthen pots are cooked over a fire below. Every day, there is no wastage or shortage of day. Miraculously, the amount prepared is just enough to accommodate the number of devotees and visitors.
Unlike other temples, the deities here (Lord Krishna; Balabhadra, his older brother and Subhadra, his younger sister) are wooden ones that are changed every twelve years. It is modelled after the very first prototype where one of the three deities is unfinished as the maker died after a curse. When the King ordered the erection of the temple, the best craftsmen were summoned. The leading artist locked himself to start on his project with the condition that the doors should not be opened until he says so. Curiosity took the better part of the Queen who decided to peek. The artist died, and the King decided to keep the diety as it was. Till this date, the newer statues are made with the third diety with no hands. The urban legend about the craftsman soon dying after completing his project lives on.
Another unique ritual that is found in this temple is the changing of the flag at the top of the dome on a daily basis. For the past 1800 years, a priest with no protective gears or safety harness climbs the dome which is as tall as a 45-storey building to continue the tradition. Legend dictates that if this ritual is broken, the temple would be shut for the next 18 years.
http://noisebreak.com/science-power-lord-jagannath-10-mysteries-puris-jagannath-temple-still-unexplained/
https://asok22.wixsite.com/real-lesson
The other unexplained mystery surrounding the temple is the prasadam (divine offerings) cooking technique and its distribution. Science cannot explain why the contents of the top-most pot are found to cooked before the one below when a stack of seven earthen pots are cooked over a fire below. Every day, there is no wastage or shortage of day. Miraculously, the amount prepared is just enough to accommodate the number of devotees and visitors.
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noisebreak.com |
Unlike other temples, the deities here (Lord Krishna; Balabhadra, his older brother and Subhadra, his younger sister) are wooden ones that are changed every twelve years. It is modelled after the very first prototype where one of the three deities is unfinished as the maker died after a curse. When the King ordered the erection of the temple, the best craftsmen were summoned. The leading artist locked himself to start on his project with the condition that the doors should not be opened until he says so. Curiosity took the better part of the Queen who decided to peek. The artist died, and the King decided to keep the diety as it was. Till this date, the newer statues are made with the third diety with no hands. The urban legend about the craftsman soon dying after completing his project lives on.
Another unique ritual that is found in this temple is the changing of the flag at the top of the dome on a daily basis. For the past 1800 years, a priest with no protective gears or safety harness climbs the dome which is as tall as a 45-storey building to continue the tradition. Legend dictates that if this ritual is broken, the temple would be shut for the next 18 years.
http://noisebreak.com/science-power-lord-jagannath-10-mysteries-puris-jagannath-temple-still-unexplained/
https://asok22.wixsite.com/real-lesson
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