Last Tango in Halifax (2012-present, S1E1-S4E2)
After fifty years of bra burning and empowerment of women, this is what you get. After enduring the second-class treatment and the cold shoulder treatment from the general public to show their prowess all these while, they have developed into strong willed individuals who are well prepared to handle the hurdles that come their way. This is exactly what you see in this movie.
All the female characters dominate the show all the way. They decide, they control, they insist, they do, and they get away with anything they deem fit. It is indeed a matriarchal world. They rule the world, run the household and its daily chores, manage the farm, balance the accounts and go out to work. They choose whom they want to live with, stay married to and choice of gender of their man. Maternity is at their disposal. They are master of the fertility and feminity. No man is going to tell them what to do.
Men, on the other hand, are depicted as weak, indecisive, wimps, imbeciles, drunks and mere followers. They quickly toe the line as their perception of life is simple, to just go with the flow. There is no need to get uptight about something that may not happen. Nothing a good chill beer and a good night's sleep cannot cure. Somehow, everything looks clearer the next morning.
Women, by nature, maybe remnants of the traits of their cavewomen ancestors who safeguarded the caves and children from ravaging beasts when the men were out hunting, still retain their proactive and forward thinking strategies. Hence, they plan many steps in advance to avert catastrophes. This invokes ire the male species. They accuse women of creating a mountain out of a molehill, putting the cart before the wheel and looking for problems when there is none.
These enigmas are not just mere first-world problems as we can these changes develop in the newly emerging economies. With affluence and availability of educational opportunities, the fairer sex has made significant strides even surpassing the masculine gender who still live under the delusion that they are the chosen one to lead the human race. They hide under the cloak of tradition and religion to keep the already dimming ember burning!
This ongoing BBC mini-series tells of a couple of septuagenarians who are re-introduced to each after leaving their school kids puppy loves at school. After leading their lives with their own sob stories of blood and tears, they rekindle their old flame. They discover that through some errors of circumstances, their teenage love affair was nipped in the bud. Their passion gets a second life. They marry to the persons that they had loved all these while and inherit with it the trials and tribulations of each other's family. On the man's side, he has a daughter who is a farmer and a widow with a teenage son who fathered a kid. The daughter has her own problems in love and is haunted by the death of her abusive husband.
On the woman's side, she has a daughter who is going through an unhappy marriage with a writer with a drinking problem and philandering eyes. The girl, with two school going sons, also re-discovers her life-long suppressed lesbian tendencies. Her lesbian, on the other hand, long for a baby as her biological clock keeps ticking away.
With all these masalas, there is no short of episodes with issues over issues to ponder.
After fifty years of bra burning and empowerment of women, this is what you get. After enduring the second-class treatment and the cold shoulder treatment from the general public to show their prowess all these while, they have developed into strong willed individuals who are well prepared to handle the hurdles that come their way. This is exactly what you see in this movie.
All the female characters dominate the show all the way. They decide, they control, they insist, they do, and they get away with anything they deem fit. It is indeed a matriarchal world. They rule the world, run the household and its daily chores, manage the farm, balance the accounts and go out to work. They choose whom they want to live with, stay married to and choice of gender of their man. Maternity is at their disposal. They are master of the fertility and feminity. No man is going to tell them what to do.
Men, on the other hand, are depicted as weak, indecisive, wimps, imbeciles, drunks and mere followers. They quickly toe the line as their perception of life is simple, to just go with the flow. There is no need to get uptight about something that may not happen. Nothing a good chill beer and a good night's sleep cannot cure. Somehow, everything looks clearer the next morning.
Women, by nature, maybe remnants of the traits of their cavewomen ancestors who safeguarded the caves and children from ravaging beasts when the men were out hunting, still retain their proactive and forward thinking strategies. Hence, they plan many steps in advance to avert catastrophes. This invokes ire the male species. They accuse women of creating a mountain out of a molehill, putting the cart before the wheel and looking for problems when there is none.
These enigmas are not just mere first-world problems as we can these changes develop in the newly emerging economies. With affluence and availability of educational opportunities, the fairer sex has made significant strides even surpassing the masculine gender who still live under the delusion that they are the chosen one to lead the human race. They hide under the cloak of tradition and religion to keep the already dimming ember burning!
This ongoing BBC mini-series tells of a couple of septuagenarians who are re-introduced to each after leaving their school kids puppy loves at school. After leading their lives with their own sob stories of blood and tears, they rekindle their old flame. They discover that through some errors of circumstances, their teenage love affair was nipped in the bud. Their passion gets a second life. They marry to the persons that they had loved all these while and inherit with it the trials and tribulations of each other's family. On the man's side, he has a daughter who is a farmer and a widow with a teenage son who fathered a kid. The daughter has her own problems in love and is haunted by the death of her abusive husband.
On the woman's side, she has a daughter who is going through an unhappy marriage with a writer with a drinking problem and philandering eyes. The girl, with two school going sons, also re-discovers her life-long suppressed lesbian tendencies. Her lesbian, on the other hand, long for a baby as her biological clock keeps ticking away.
With all these masalas, there is no short of episodes with issues over issues to ponder.
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