Don't Look Now (1973)
Landed up watching this movie after encountering Julie Christie in the Barlow and Chamberlain saga 'Dadah is Death'. The height of her career must have been the role she played in 'Dr Zhivago'.
This film is supposed to be a thriller, supposed to be but instead it thrilled the audience with the thrill of watching Venice of its canals and buildings up, close and personal. Talking about personal, this movie also courted controversy during its release due to over-the-top and graphic depiction of carnal activity between husband (Donald Sutherland) and wife (Julie Christie) in this romantic city.
It is a pioneer in psychological thriller using fresh cinematographic method and some Hitchcockian ones. Overlapping flashback scenes and slow moving pace augment its artistic feel to the movie.
The movies starts with the drowning of Christine Baxter at the Baxters' English estate. Some time later, John is in Venice to do some restoration work at some church there. Still reeling over the loss of their daughter and on medication, his wife, Laura, follows him.
They meet a pair of sisters. One of them is blind and a psychic warns of impending danger on John and reassurance that their dead daughter is actually quite happy. This, together with a raving mad killer on the loose forms a great recipe for suspense when the Baxter's son whom the couple had left at home in UK is injured and the wife has to go back home.
Landed up watching this movie after encountering Julie Christie in the Barlow and Chamberlain saga 'Dadah is Death'. The height of her career must have been the role she played in 'Dr Zhivago'.
This film is supposed to be a thriller, supposed to be but instead it thrilled the audience with the thrill of watching Venice of its canals and buildings up, close and personal. Talking about personal, this movie also courted controversy during its release due to over-the-top and graphic depiction of carnal activity between husband (Donald Sutherland) and wife (Julie Christie) in this romantic city.
It is a pioneer in psychological thriller using fresh cinematographic method and some Hitchcockian ones. Overlapping flashback scenes and slow moving pace augment its artistic feel to the movie.
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