Saturday, 30 August 2025

If old is gold...

Tradition must continue?
It is interesting to observe how much people want to preserve their cultures. This, coming from the same people whose cultural practices failed to prosper them in the land of their ancestors, is quite amusing. 

Their measure of prosperity is not material gains but intellectual progress and the fulfilment of spiritual debts. 


The one that takes the cake is when immigrants start condemning the host nation for their way of life and priorities in life. They insist that if they continue practising their traditional customs and rituals, they are the ones bringing salvation.

Nadaswaram,
quintessentially Tamil
On the other hand, someone who immerses themselves in the cultures of the host might be branded as having sold their soul to the devil. They could be called many nicknames, such as "coconut," "banana," and "whitewashed." Yet, when we examine these resentful core beliefs, we realise that they are primarily driven by jealousy of others who seem to be thriving and accepted by white people, while being ostracised and cursed to remain perpetual foreigners, confined within their ethnic enclaves.


It seems that it is alright for the native to ape the colonists, but the buck stops at a certain point after which it is not okay. One's own culture is superior. 


Traditions must be conserved?

Lamb to the slaughter?



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Wednesday, 27 August 2025

Flak about Flags!

https://www.poojn.in/post/20859/pandya-dynasty-symbols-insignia-a-
complete-guide#:~:text=The%20Fish%20Emblem:%20A%20Symbol,
its%20importance%20in%20Pandya%20culture.
The Pandya Dynasty of South India featured the emblem of a twin fish on its flag (Meen Kodi). Fish, it seemed, was its mascot. Historical artefacts, such as coins, literature, and architecture, provide evidence of this. The active maritime and fishing activities of the Pandya kingdom led to the association of the fish image with prosperity. The patron deity, Meenakshi, meaning 'fish-eyed', was believed to guard the capital, Madurai.

Lately, YouTubers have started associating the fish with the mythical 'Kumarikandam', which corresponds to sunken Lemuria in the Western psyche.

Advances in early Tamil Sangam Literature are said to have happened when the Pandya's two capitals before it submerged. Occupants from Kumarikandam journeyed across to the South of India and made Madurai their capital city.

The emblem of fish in the Pandya pantheon is so strong that one look at a fish would remind everyone of the splendour and grandeur of the Pandya Empire.

That is how it has been all through our civilisation. A powerful nation would exert its authority by placing its seal of sovereignty on a piece of land and becoming a rallying symbol during both peacetime and war. It served as a cultural identity and an umbrella to unite the subjects.

This piece of cloth, labelled a flag, may have been first sewn on Chinese silk.

Now, in independent Malaysia, the flag has become a tool for some people to gauge their citizens' loyalty. Every so often, somebody would find another person's flag hung upside down or with the wrong number of stripes and would immediately share it virally.

Politicians would jump onto the bandwagon and steamroll their ideologies all over the place to show how ‘patriotic’ they are.

The whole hysteria has reached such a feverish pitch that Malaysians have had it up to their necks. People are scared to place flags outside their houses to mark Independence Month. Fearful that some joker would find fault in his neighbour’s sincere hoisting of the Jalur Gemilang.

It is intriguing how a piece of cloth that is used to unite people is now sowing discontent and hatred. People’s businesses are shut down, and business owners are fined. All these smells evoke a dystopian future, reminiscent of 1984.

(P.S. Sometimes I wonder if the upside-down placement of the flag was done on purpose, to denote a nation under duress!)

Tuesday, 26 August 2025

Converting and reverting!

https://topszotar.hu/angolmagyar/revert
Just the other day, I heard a person revered as knowledgeable by the people around me. What was said prompted me to enter a reflective mode, as I often do. 

His discovery is this. He had never heard of anyone converting to Hinduism. Most Hindus are born into the religion. Anyone outside the fold of Sanathana Dharma is cordially accepted into the Hindu's house of worship and cordially partakes in their festivities and rituals with open arms. There is nothing like a ritual to permit others to enter the fold. Unlike the modus operandi of Hotel California, everyone can check out or leave at any time. 

The learned man went on to say that if one were to accept the teachings of most Abrahamic religions, one would need to undergo a baptism of fire or water. They are required to be converted, i.e., from one faith to another. "So what does that mean?" he asked. By default, everyone is born a Hindu, the factory setting. Only when one wants to change the operating system does one need to make changes to the operations. Smart alec, I thought.

A few months later, while scrolling the reels on social media, as is the commonest pastime these days,  the infamous convert around town was giving an insider account of how to clandestinely convert underage students in schools. An interesting phrase that he used while referring to conversion was 'revert'. In his mind, people are merely returning to the fold of the one true religion after being misled for so long. When someone embraces Islam, they just revert to what they were supposed to be. We assume that babies are born pure, like a white sheet of cloth. Life taints them. By embracing Islam, one is given a clean slate, given the opportunity to revert to that pristine state of white fabric. Actually, coloured cloths can be clean too. (That is another story about the fixation of Man of the colour white!)

My question is, since there is no concept of rebirth in the Abrahamic faith, when was the setting made? Was the factory setting in error, necessitating reversion? 

Everybody is convinced that their own belief system is the one and only true faith, like they were a personalised audience with the Maker himself. The rest of us just grope in the dark and try to make sense of the silky texture here and the stony, hard surface there, to create a composite picture in our minds of what is actually happening around us and where we are heading.

The only instance I am aware of is when the bank replies to me that 'they would revert to me after perusing my documents' and when the blood biochemical and tumour markers return to normal. And conversion when there is seroconversion of IgM and IgG antibodies.


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Saturday, 23 August 2025

Go, Take a Ride!

Wayward Bus (1957)
Director: Victor Vicas

Sometimes, they say that when you're upset with something or someone, just take a walk. Get away from the problematic situation and go for a stroll or a drive. When you come back, things will seem clearer. It is similar to saying, take a nap; things will often look better in the morning. The issue will still exist, but you'll be in a better frame of mind to deal with it.

This film is an adaptation of John Steinbeck's novel of the same name. It also attempts to present Jayne Mansfield as a serious actress, but unfortunately, it did little to shake her stereotype as a ditsy blonde. Rick Jason, known to 80s children as Lt. Henley in Combat! (1962-1967), plays one of the main roles. To be frank, there is no single central character in this film. Everyone is given significance.

Set in a rural US-Mexico border town, the story begins with a young couple. Chicory drives a battered bus, taking passengers across the border. His wife, a frustrated young woman, runs a small café with a B&B to accommodate the occasional traveller and passengers. She is openly suspicious of any young woman who appears there. She fears her husband might run off with one of them. Even the many young waitresses who have worked there as casual staff suffer from her mistrustful glances. She is also struggling to overcome her addiction to alcohol. 

Rick Jason (of 'Combat' fame) and Jayne Mansfield
are seen in the frame. Also appearing in the film is
Joan Collins of Dynasty fame.

Her latest waitress resigns and leaves for San Juan on the bus Chico is driving.

 

On the bus, there are several other intriguing characters. A cultured older couple with a rebellious adult daughter, a travelling salesman, a pretty blonde with a shady past, and an elderly man rushing to make his 4 pm appointment in San Juan. 


Everyone has their internal disagreements. The older, overprotective couple is unhappy with their daughter's choice of life partner. They hope the trip will make her see reason. A travelling salesman isn't taken seriously enough by any lady as a boyfriend. The blonde, Jayne Mansfield, is currently away from her life as an exotic dancer in LA for a stint in San Juan. The hurried old man, who, as he mentioned, has a life-or-death appointment, is actually meeting his beloved to propose in San Juan. Chico, the driver, is also annoyed with his money-minded and suspicious wife, who is also drinking excessively. Chico had left home after a quarrel and had promised never to return.

The journey, marred by heavy rain, landslides, and detours, proved to be a soul-searching endeavour that helped everyone on board gain better insight into how to handle the uncertainties that had befallen them.

Good storyline. Good acting. 7/10.



Thursday, 21 August 2025

Only for the diehard!

Coolie(Tamil; 2025)
Story & Direction: Lokesh Kanagaraj

https://www.tgv.com.my/movie/coolie

In 1983, the Hindi cinema went agape when, during the shooting of the movie 'Coolie', Amitabh Bachchan sustained a serious injury. One of his stunts went awry. He landed on the floor instead of the table and sustained life-threatening intra-abdominal injury. His condition was serious. His heart stopped once, and he had to undergo multiple surgeries and time in the ICU. While he was in the hospital, the whole nation was in tenterhooks. Daily prayers were held whilst radio stations gave daily updates on his condition. Close to a hundred thousand people turned up during the recommencement of shooting. The people's response to the turn of events was so eclectic that the moviemakers changed the ending of the movie. Bachchan's character was supposed to die, but it was decided that he should live. It smashed all box office returns at that time. Coincidentally, the protagonist was a Muslim donning the railway porter tag, which bore the number '786', which is a significant number to Indian Muslims culturally. It is linked to divine salutations 'Bismullah Rahmani Rahim'. His character helped to strengthen the fractured Muslim-Hindu relations then, as well-wishers of both faiths had numerous prayers during Amitabh's trying times. 

Do I see communist links?

Amitabh Bachchan was so pleased with how it all turned out with the national support and the subsequent box office returns that he was heard to have mentioned in an interview that there can never be another Coolie. Another Coolie did come eventually by an actor elevated to Bachchan's status in the Southern cinema, Rajnikanth. This time, the Coolie tag carried the number 1421, the director's father's tag number when he worked diligently as a bus conductor. 

As in most big cinema releases these days, a big buildup is created before its launch. First, they attack the social media spaces with announcements to rile the excitement. Then they will inaugurate the audio launch. It will give the impression as if everyone knows the song by heart and compel people to hum to the tune. After much hoopla, the movie would be launched with much pomp and splendour, like pouring barrels of milk over the actor's effigy. By that time, die-hard fans would be fighting tooth and nail trying to get tickets for the first day screening of the show. 

This culture, which was mainly confined to the state of Tamil Nadu before, has now permeated into Malaysia. 

Just the other day, a Malaysian social activist was relating her experience at a restaurant. It was about noon on a working day when she was having her meal. She noticed a young family of four, father, mother and two preteen children, engaged in a meal and deep conversation. She overheard them conversing about the first day, first show of Rajnikanth's 'Coolie' that they were about to watch. 

The social worker was dumbfounded by how Rajni's movie, in the parents' eyes, could take precedence over sending their children to school. Times have changed much since Amma chided that nobody would be asked about Tamil movies in a scholarship interview. 

Coolie is made to appease Rajnikanth's fans, period. It is like watching 'Kill Bill'. Nobody should ask who Bill is, and why we should kill Bill. Just Kill Bill, and it was so good that it needed a sequel.

Kudos to the story writers for being able to keep their audience engaged in this long movie, which actually had continuity. Nevertheless, there were some glaring faux pas, like an MPV cannot escape from a rickety motorcycle in a car chase and how the bad guys always have the opportunity to keep up with the good guys. Shhh! You are not supposed to ask questions. Kudos to his make-up team and CGI, Rajni, looks good for his part. The fighting scenes? Forget it. Ten, twenty, hundred, no problem. He does not have to move much. The baddies will go flying without inflicting even an abrasion. At the end of the movie, he goes away with a band-aid on his temple. That is all.

Coolie (1995)
His movie is about nostalgia. His age-old opening credit, 'Super Star Rajni' appearing in single letters, has appeared all the way from the 90s. To mark his 50th anniversary in Tamil films, snippets of old visuals are used to reminisce about his quirky mannerisms. All in all, they are banking on nostalgia. The story is masala, and Tamil cinema has much more to offer, but who cares? It's Rajni! The movie may be studded with megastars from the Sandalwood, Tollywood, Mollywood and even Bollywood, to make this a pan-Indian fare, but they all appear as pale shadows of whom they came to see... Rajnikanth!

(P.S. In 1995, there was a movie by the same name, Coolie, starring Mr Muscle Man and Mr Madras, Sarath Kumar and Meena.)


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Tuesday, 19 August 2025

Just Think!

The Unpublished Letters of Muhammad Asad
Book Launch
https://irfront.org/post/book-launch-of-the-unpublished-l
etters-of-muhammad-asad-14575


It has been more than ten years since I wrote about Muhammad Asad (nee Leopold Weiss), the highly respected Islamic thinker who had carved his name deeply into the history of countries like Saudi Arabia and Pakistan. He is credited with the English translation of the Quran and penned many critical thoughts on the day-to-day practice of Islam. Sadly, his twilight years, which he wanted to spend in Morocco and later Spain, were not ceremonious, as people were unhappy with his stance of questioning the status quo. 

My dear friend of 50 years, FM, announced in a common WhatsApp group that he would be launching a book on the unpublished letters of Muhammad Asad and the official launch was to be done by none other than Malaysia's famous centenarian whose as astute mind belies his age by half a century, Tun Dr Mahathir, the two-time and longest serving Prime Minister of Malaysia, and extended the invitation to me. I accepted. 

Now, some would be asking, "What a good Hindu boy by birth will do in a place where the discussion would be everything Islam?" Precisely, the answer is in the question. 

Imagine us as an army of ants perched on a dry leaf which had dropped onto a fast-moving drain, straddling from side to side, oblivious to what lies ahead. The smartest ants amongst the army would try to take heed of the situation and, with their nimble neural tissues, mastermind something to save their comrades. We, humans, are in the same predicament. Left on Earth with no instructions and no GPS to follow, we are all on our own to make sense of things around us. 

If it is the all-encompassing, universal divine consciousness that binds us all, and we are all struggling to understand, more heads are better than one. Any knowledge is good to know. 

The session started with the moderators welcoming the special guests, Tun Dr Mahathir, Dr Farouk Musa (FM) and Dr Azhar Ibrahim. Datuk Seri Meer Habib played host to the event in his premises, Harta, specifically curated to promote local art and intellectual discourses. 

Asad was a man of letters. He did a lot of thinking, and his letters have found their way to many national archives. Through the initiative of the Islamic Renaissance Front, many of these private correspondences were sourced and published. Asad's line of thinking is made aware to everyone.

Sitting through the discussion and Q&A sessions, as an outsider, I learnt a few things. DA, who accompanied me, coming from the heart of the Hindi belt of India, had his own understanding of Muslims revised. 

FM, in confession mode, gave an overview of the difference between an Islamist and a rationalist. Islamism came about as the Ottoman Empire was losing its influence and territory, becoming the sick man of Europe. The nostalgia to recreate the glory of the good old days prompted them to build Islamist movements with unbridled teachings of the Quran as their guide. The rationalists, however, are cognisant that things found in the Quran and hadith need to be thought out rationally to keep with the demands of the present era. Asad was a proponent of this. The religion is more than just following instructions and joining in the rituals. We see this in present-day Malaysia, where less emphasis is placed on personal development.

An interesting question by a listener was the issue of sustenance of life as a religious thinker. He later confessed that, as a teenager, he had told his father that he wanted to be a thinker. Without batting an eyelid, his father gave him a smack across his face and told him, "Don't think, just study your sciences and go to university!" That was the end of the discussion. The panel suggests that Azad probably lived on small royalties from book sales, his stint with the Saudi royalty and other honorariums.

The guest of honour took centre stage when he answered a question on riba (exploitative gains from trades). Tun reiterated that rather than worrying about the nitty-gritty details of conforming to religious practices, one should look at the elephant in the room. Amazingly, this 100-year-old man can string his thoughts so succinctly and enunciate them in crystal clear language, commanding the listening ear of every attendee.

Unlike converts who have the luxury of getting proper training in Islam, Tun Mahathir complained that Malays do not get the appropriate guidance on the religion. Hence, during his tenure as Prime Minister, when the pressure to Islamise mounted upon him, he decided to go back to the Holy Book to understand the stance on many issues. Since he was not well versed in Arabic, he read its English translation. What he found shocked him. He realised that Muslims did not even do the basic things taught in the Quran, like killing a fellow human being.

He chided the act of killing fellow Muslims. It is illogical that some Muslims coerce or get manipulated into attacking their fellow Muslim brothers. The basic teaching of Islam is to acquire knowledge. This, they had failed miserably, and had allowed themselves to be dominated by their enemies. The technologies that they had acquired and improved have been learnt by others and have been further improved upon, while the Muslims stay dependent on the rest of the world. This reminded me of India's case. Many of ancient India's early discoveries and scientific knowledge had been forgotten, only to be found and researched by the colonisers. The colonisers, in turn, used the same expertise to subdue the Indians.

The audience was also informed that Asad did indeed spend a short sojourn, maybe about a month, here in Malaysia, doing his research. In one of his letters, he mentioned that Malaysia was one of the countries where he felt most welcome.

It was an evening well spent.



Sunday, 17 August 2025

How different can a sports movie be?

F1  The Movie (2025)
Director: Joseph Kosinski
https://www.flickeringmyth.com/wp-content/uploads/
2025/06/f1-poster.jpg


The early years around the turn of the century saw Malaysia being presented as one of the newest nations to host the opulent Formula 1 races. During those self-promoting years, gullible Malaysians were also led to believe that the then-iconic F1 logo, with the slanted 'F', speed marks, and the '1' in the negative space, was created by a Malaysian. In fact, it was designed by Carter Wong Design Studio, founded by Phil Carter and Phil Wong in the UK in 1994. Neither had any connections to Malaysia

In its heyday, being the lone track in the lush tropics with high humidity and soaring temperatures, the Sepang International F1 circuit had its spills and thrills to boast. On one instance, it rained cats and dogs on one half of the circuit whilst the other half was scorching hot. The engineers had a tough time deciding on the type of tyres to use, between hard and wet tyres. In one of F1's rare histories,  a race at Sepang was cancelled midway due to tropical storms. Many F1 drivers described Malaysia's circuit as the toughest one yet.  

The Sepang International F1 Circuit now stands as a lonely structure, a pale comparison to its razzmatazz days where movie stars, billionaires, royalties and social climbers used it as their playground. Now, it plays host to 'go-kart’ enthusiasts and the occasional tourist. To the average Malaysian, the fever is long gone.

The problem with these types of sports movies is that, invariably, we can predict how the story will end. He would win the girl and also the race, unless there are plans for a sequel.

A down-and-out race driver, Sonny Hayes, who had a promising start early in his career, just fizzled out after a nasty crash. After spiralling down the rabbit hole of addiction and marital woes for over 30 years, he is given a call chit at the APXGP F1 team. This team is at risk of being sold out, unless they win a single race. Somehow, Hayes' former team partner, who is now the owner of APXGP, has confidence in Hayes.

After the yo-yo of uncertainty, of foes becoming friends, risk of disqualification, against all odds, the hero finally comes up tops after 30 years in an eye-wetting finale. Nevertheless, the cinematography is impressive, with much of its footage coming from real F1 races and international circuits worldwide, involving real F1 drivers. Brad Pitt looks convincing as an aged F1 driver.


Just another day...