Friday, 3 March 2023

This is how international relations work!

The Ipcress File (1965)
Director: Sidney J. Furie


We always think that violence, espionage, eavesdropping, intelligence archiving, military building and sabotage are events that only happened in the past. We have confined them in the fiction row of our bookshelves and assume it does not occur in real life. We give humans way too much credence.

This business of international relations began as early as the time Man picked up a weapon to knock down his neighbour.

Just found out recently, of all the people, the British monarch, Queen Elizabeth I and the Ottoman Empire had a good thing going between the two. After being labelled an outcast by the Roman Catholic Church for the shenanigans of King Henry VIII, there was animosity between England and many European superpowers of that time. The Spanish, Italians, French, Russian and Portuguese were all under the thumb of the Vatican.

The English naturally found friendship in 'the enemy of the enemy'. In the eyes of the Ottoman, the Anglicans (i.e. British) were not idolaters. Unlike the Catholics who found pleasure in worshipping the statues of a caring mother or a man on a crucifix, the Anglican houses of worship were pristinely bare. Beyond all that was business. The British wanted to lay their hands on many Muslim traits like raisins and spices. The Moors from Morocco actually had expansion plans. They had, in their mind, a joint venture with the British, a conquest over the Spanish territories in the Americas. By then, the Spanish armadas were scooping gold by the shiploads from ancient civilisations.

Sir Henry Hyde, after whose family Hyde Park is named, lived during this time. He was a royalist during the English Civil War. He worked as an agent for the Levant Company, which became the precursor to the East India Company. He later became a Consul under the Ottoman administration. At the same time, this man also was a spy for the Venetians. After their classic sea battle in Cyprus, the Venetians had a bone to pick with the Ottomans. Hyde informed the political and military secrets to the Venetians.

Working within the crowd of Cromwell supporters, Hyde was captured while fighting for King Charles II and was executed in the Tower of London.

If you think Aurangzeb's planned murder of his brother, Dara Shikoh, was brutal, King Ashoka was no saint. He had his 99 brothers killed before sitting on the throne.

We all grew up reading and listening to the covert operations on both sides of the Iron Curtain during the Cold War era. Both ideologies, suffering from extreme delusion and cognitive dissonance, thought the other would annihilate each other. Ultimately, they almost ended up sending the whole planet up in a mushroom cloud twice.


It is during this time that this movie is set. In the swinging sixties, with the background of miniskirts, baby doll dresses and bright colours, it is a joy to watch a young Michael Caine doing his suave 'licence to kill' James Bond manoeuvres.

A point to note is that even though the Americans seem to be on the side of the West, they also keep a tight rein on their subordinates. This is just to make sure that they know how the boss is.

We thought spying and honey trappings were only a legacy of the past. Wrong. Even as late as the 21st century, these are ongoing. The US accused the Chinese of using their goodwill to siphon off sensitive state secrets back home, as the US was the innocent party.

It is just how the world works. We don't hold hands and sing Kumbayah.


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Wednesday, 1 March 2023

Just passing through...

 Nanpakal Nerathu Mayakkam (Stupor of the afternoon, Malayalam-Tamil; 2023)
Story, Direction: Lijo Jose Pellisary

It may take a little background on Tamil movies (a lot actually) with some knowledge of Hindu teachings to fully appreciate the cryptic messages the director/storyteller is trying to tell his audience. A person not immersed or having lived in this environment may find it draggy. Since this is a 'Malayalam' movie made by one famed in the Malayalam film industry, I wonder if a person from Kerala will find the same connection to the film as one who hails from a Tamil background. The story's backstory is hidden in the numerous Tamil songs, including devotional ones and classic Tamil movies playing in the background almost throughout. The overhanging theme throughout is God, the purpose of life and the role we play in it.

We walk into life thinking we know everything that needs to be known. We make our own rules and are convinced it is correct. We admonish others for deviating from what we perceive as the right path. We all think we know the true way; all roads actually lead to Rome.

The movie starts with a small busload of Malayalam-speaking worshippers returning home after their pilgrimage to the revered Annai Vellangkanni Church in Tamil Nadu. The protagonist James is quite set in his ways of doing things. He believes one should be well-behaved even after the pilgrimage - like one should avoid alcohol and practice restraint on the way back.

The movie starts with a hint of what is in store via two nuggets. At the cashier, while paying his hotel bill, James discusses a poster on the wall bearing Thirukkal's quote. "Death is sinking into slumbers deep. Birth again is waking out of sleep." As the opening credit rolls in, a Sirgazhi Sundarajan song is introduced. It hints that we all leave our abodes searching for a place that is not there... not knowing that the truth lies in our hearts...

Like that, in the background, something is heard all the time. Be it in 1954, MR Radha's 'Ratha Kaneer', where the dialogue seems to hint that we are ashamed of our heritage and spoon over Western civilisation or in 1973 'Gauravam', where Sivaji Ganesan's dual roles argue whether a lawyer should game the system or fight for the truth. All these little vignettes will only make sense if the audience understands the context.

James, a strict Christian who takes pride in his Kerala background and Malayalam, gets up from a slumber on the journey in the middle of nowhere and walks out of the bus. Almost like an automaton, he enters a random Tamil household and assumes the role of a man who had walked out on his family. James transforms into Sundaram, a Tamil-speaking Hindu villager. Sundaram's family is puzzled, as James is not Sundaram. They are angry, but at the same time, Sundaram's wife thinks her prayers are answered. (In the background plays a Tamil song with lyrics 'Is there God?') James mingles with the villagers like he knows them forever. Sadly, nobody knows him, but they join him in revelry because he is fun.

The last journey. Nobody follows you to the very end.
Only your deeds and misdeeds do.
Meanwhile, James' wife and teenage son are trying to figure out what is happening.

The only beings who accept James' new role as Sundaram are Sundaram's blind mother (devoid of senses that sway her concentration), who spends all her time watching T.V. and Sundaram's dog (devoid of the sixth sense), which is quite happy with Sundaram.

After all the confusion, after another afternoon siesta, James resumes his previous role and continues his bus journey with his wife and son. In the background, the melodious voice of TM Soundarajan is heard belting the 1962 'Paadha Kaanikai' song 'Veedu Varai Manaivi' with all his pregnant meanings of life, put a connection to the whole direction to the story of the film.

We all come walking into life with nothing. We assume roles like we know what is expected of us. We accumulate wealth, sins, baggage, and relationships, making rules and regulations like we know all of life's secrets. Ultimately, we return to where we came from with only the deeds and misdeeds we did in this life. To play another role, like an actor, in another play, in another realm or universe, not knowing our past.

Interestingly, everybody in the film, the Tamil villages and the Malayalee guests, only speak their own mother tongues. Yet, they can understand each other. A staunch Christian of James can morph into a diety-prostrating Hindu with ease. It only shows we, as humans, understand each other perfectly well, only to be confused by these other hindrances, like language and religion.

Like a playful indulgence, the director must have thrown the movie's last scene when the pilgrims leave for their home in Kerala. It is reminiscent of King Yudhiistra and the Pandavas' last journey in the Mahabharata. A faithful dog was an excellent companion to them all the way to Meru Hills.

(P.S. Not at all a logical explanation was given at the end to James' peculiar behaviour, be it a medical or spiritual one. Also, I wonder how foreign film critics, e.g. Roger Egbert, could hail this film with a 4.5/5  without appreciating the nuances that come with the language, culture and nostalgia of the heydays of Tamil silver screen.)

Tuesday, 28 February 2023

Control has its limits!

You think you have your life under control. You know what you want to achieve and get your path mapped out. You have a Plan B and a Plan C just in case the inevitable happens. You work your butt out, knowing the way laden ahead is no walk in the park but one paved with shrapnels and gravel. But you persevere.

Just when you look at yourself and think you have made a somebody out of yourself and think life cannot be any better, that is when life gives a devious smile and shows you who is boss.

By then, you decided that life must be more 'complete'. You bow to societal pressure to be complete for the continuity of progeny. You import your significant other into it, and the other accompanying condiments ensue afterwards.

Progressively you feel you have hit a dead-end. Nothing seems to progress at the individual level or as a collective unit. And it becomes gradually more difficult to amend the course or steer the ship. Things that were once in our control are no more. Sadly, you are at the mercy of others who do not share your sentiments. For that matter, they have no pressing needs to meet any goals. They either say, "snap out of it! Smell the roses; life is meant to be enjoyed" or "you come from another time which was hostile,".

Hostile or no hostility, events around the Wuhan virus have illustrated that being prepared for a rainy day is the virtue that saves the day. One has to be ready for a Black Swan event.

In the wise words of Buddha and the many rishis before him, these are all entrapments of life. Attachments are the source of all suffering. One has to detach to be released from all miseries, they say. But then, this brahmachari way of life may not be suitable for all. Finally, some people have to go through the whole gamut of life to have that realisation. Others are not really suited for a celibate life. Some may find it to complete their householder's duty before embarking on a journey of self-discovery or the endeavour to seek the truth (a sanyasi).

There are two ways to seek the truth; either do not indulge in family life in search of it or complete your household duties and then go on the journey. The trouble is knowing when household duties exactly end.

This sanyasi path is bogged down by the tentacles of filial piety. It is not easy to just amputate these appendages over self-interests. 

It is a dilemma all over again, which path to follow!

Hope lies buried in eternity!