The Rajiv Gandhi Assassination Case (Miniseries)S1; E1-E7
Director: Nagesh Kukunoor
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https://www.sonyliv.com/shows/the-hunt-the-rajiv-gandhi- assassination-case-1790006628/episodes |
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https://www.sonyliv.com/shows/the-hunt-the-rajiv-gandhi- assassination-case-1790006628/episodes |
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https://www.apple.com/uk/tv-pr/originals/tehran/ |
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https://www.imdb.com/title/tt8339854/ |
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https://www.imdb.com/title/tt33496221/ |
Fast forward to the 21st century. Children are no longer perceived as an annoyance; rather, family life revolves around them. They are shielded and have a detailed schedule planned. Family activities centre on them. Children have rights, and the state goes to great lengths to ensure their protection, education, healthcare, shelter, and proper nutrition, as outlined by the 1959 UN Charter which guarantees these rights.
These achievements have been beneficial. Children are no longer merely fillers for deceased or retired workers. They require a significant period of personal development known as childhood. At this stage, nothing is expected of them except to absorb knowledge, whether actively or passively, that they can utilise in adulthood.
The trouble is this: all the good nourishment and access to knowledge have made children mature much earlier than their forefathers. In the eyes of society (and law), nothing is expected of them. They are deemed incapable of committing any crime. In their minds, they believe they are unable to consent to anything or to engage in complex matters such as robbing a bank or wooing someone into sex.
Guess what? The world has taken a leap of change while they were napping. The ease of acquiring information from the World Wide Web at a moment's notice has replaced traditional discussions about ‘birds and bees’ or familiarising oneself with subversives. Nothing is taboo or classified anymore.
We end up with all-knowing teenagers who possess excellent nourishment and health due to science, hovering about like firecrackers with unlit fuses, ready to explode when the moment is right.
This unsettling miniseries portrays a scenario in which two affluent neighbours, whose husbands are business partners, are also close friends. They share numerous similarities, both having teenage sons and each employing au pairs of Filipina heritage.
One of the au pairs approached her neighbour's Madame to express her dissatisfaction with her employer. The Madame merely attempted to cut the conversation short, likely not wanting to jeopardise her friendship with the neighbour. The next day, the au pair goes missing. Everyone assumes she has merely run away from home. The police are called in. Things take a turn when the Madame begins to suspect that the husband may have had some involvement in her disappearance. A week later, her body is discovered floating in the lake.
Spoiler alert: As it turns out, one of the teenage sons had raped the Filipina. Feeling guilty and with no one to turn to, she took her own life. The trouble is that the youngster cannot be charged with rape. Legally, he is incapable of such an act. Forget that he is of Nordic stock, athletic, and a school wrestler. If anything, the deceased would be accused of sexual assault of the teenager! Probably because Filipinas are economically disadvantaged, occupy the lower strata of society, and are foreigners, the matter dies a natural death. Everyone moves on with their lives, nonetheless, dragging along huge burdens.
This is yet another binge-worthy miniseries. What sets it apart from the others is that its main characters are not exactly spring chickens. The show also teaches viewers how real detective work used to be conducted: through espionage and snooping around. Information needed to be sought clandestinely, the old-fashioned way, with flashlights, contacts, and keen observations.
It provides a prime example of how old dogs team up with young punks to tackle challenging cases. The team consists of a group of discarded agents who were relegated to Slough House as a form of demotion after mishandling their MI5 duties. They operate from a dilapidated building known as Slough House, which has earned a notorious reputation as a sluggish place where no work gets done, or so everyone assumes. Slough House is managed by an equally noxious and aloof boss who seems to inhabit his own isolated world.
The Boss, Jackson Lamb, is actually quite a decent bloke who cares about his subordinates. Although the workers at Slough House are supposed to be merely pencil pushers, in reality, they give MI5 a run for their money. Those sent to Slough House are there as punishment for their missteps, but these are not serious enough to warrant termination. The idea was to make the agents so bored that they would eventually leave the field of espionage and fade away. However, fade away they did not. They utilised their limited resources to investigate crimes that pose a threat to national security.
This miniseries is an intriguing choice for binge-watching. All the actors perfectly embody their roles. Special mention goes to the charming Gary Oldman, who portrays the grumpy boss with a humorous approach to protecting his team. His love-hate relationship with his secretary adds a vibrant spark to the series. Though it may be titled ‘Slow Horses’, it is anything but slow-paced. It is action-packed, filled with car chases, and no horses were harmed during its production!
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https://www.rottentomatoes.com/tv/tokyo_vice |
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https://www.indiatoday.in/entertainment/ott/story/ suzhal-the-vortex-season-2-trailer-kathir-takes-on- gripping-murder-mystery-with-aishwarya-rajesh- 2682271-2025-02-19 |
This is not a continuation of the previous season, even though the main characters resume their roles, but with a new mystery to solve. While the accused remains behind bars awaiting trial, her defence lawyer, a vocal activist, is shot in the head. While the police are investigating along the lines of suicide, new evidence emerges indicating that the lawyer must be part of a paedophile ring racket. Just then, eight young teenage college girls turn up at various police stations, admitting to having killed the lawyer.
In the background is a month-long local temple celebration honouring eight local deities. At the temple, the activist lawyer, a devout believer, had stopped some toes when running the temple celebrations.
Further investigations suggest that a well-executed kidnapping and transport of young girls to international waters using local fishing boats may indeed be occurring. Additionally, the unhealthy liaison of a school principal with this entire affair adds intrigue. It is quite an interesting series, filled with plot twists, mind-boggling dead ends, and infectious emotions, set against a backdrop of symbolism that venerates the feminine power of the Universe, namely Amman/Sakti.
It is perhaps quite startling to see that in a country which worships feminine powers and has millions of temples in her honour, some of the members of the society treat their female counterparts. Even ancient Indian history abounds with tales of brave female consorts and queens who led armies against invaders. Literature is aplenty with the works of female writers and thinkers. In contemporary times, the brutal rape-killings of young women do not speak much of their civilisational development. And the existence of colonies, infamous centres of flesh trade in most big cities targeting impoverished females, is nothing to be proud of.https://www.riflerangeboy.com/2022/07/like-whirlwind-story-swirls.html
This miniseries has everyone buzzing. It is likely regarded as the most surreal creation to grace screens since 16-year-old Linda Blair portrayed Regan MacNeil in the 1973 film, The Exorcist. This is Netflix's latest blockbuster offering. The subject matter is undeniably dark, involving a 13-year-old student murdering a fellow female student as a result of cyberbullying.
The miniseries features the filming of each episode in a single shot. While it may feel sluggish at times, this approach enhances the story's immersion as the case unfolds.
The essence of the story begins with a police raid to apprehend a teenager suspected of murdering another teenager. From that moment, it evolves into a police procedural drama as the legal system processes the accused. It showcases the overwhelming emotions experienced by everyone involved: the police officers, the supportive staff, the lawyer, the social worker, and the psychologists. For most of them, it is their first encounter with a young person embroiled in such a heinous crime. This situation is a devastating blow to the accused's parents and sister, who struggle to comprehend the idea that their beloved son could commit such an act.
As the series progresses, we learn more about the family dynamics and the atmosphere within the school. Much has changed since our own school days. Children now possess a private portal to the outside world, a realm filled with malevolence and deceit that threatens to ruin their futures. No matter how much strict discipline and guidance are instilled in them, they lead lives of their own. Cyberspace offers a secluded environment where anything goes. The thin line separating decency from insanity becomes increasingly blurred. What was once considered taboo has now gone mainstream. Children are vulnerable; they possess the illusion of agency and believe they can make their own choices. They misuse privacy for all the wrong reasons, constructing an impenetrable barrier around themselves. The adults' words of wisdom can sound harsh, digging them deeper into the abyss. With alien neologisms like incel (involuntary celibacy) culture, the manosphere featuring harmful gender ideologies, and themes such as the '80-20 rule', schoolchildren are lost in their quagmire of finding a place in their universe.
When the proverbial excrement hits the fan, everyone will be in for a shock. They will ask, "How did our innocent little child transform into such a monster?" Parents will start to question where they went wrong. Could they have done better? These parents faced greater hardships from their own upbringing and external pressures, yet they turned out fine. Why can't their offspring, with all the modern conveniences at their disposal, manage to be resilient and not easily triggered? No one seems to understand.
Continuing with Season 1, Squid Game (SqG) moves into a new set of games featuring a fresh group of players. Admittedly, SqG 2 is not as captivating as its predecessor. The storyline is predictable, and viewers can easily discern who will survive and which characters will likely be eliminated.
Nevertheless, while engrossed in the miniseries, I noticed that the entire storyline symbolises the challenges Malaysia's thinking voters face regarding democratic governance under their duly elected government.
To provide context, the games in SqG2, much like those in SqG1, involve teamwork and lethal consequences for the losers. An amendment was made to the clause allowing players to vote on whether to proceed to the next game. After each match, the accumulated betting money increases. If the players, by majority, choose to discontinue, the funds would be divided equally, and the games would be halted. Humans, being inherently human, are rarely satisfied with their earnings and are perpetually convinced of their invincibility, leading the majority to vote in favour of continuing. Despite the awareness that death is imminent and high probability with dwindling numbers of players, they do this. Not only are the losers killed, but players also engage in combat against one another to maximise their returns.
Most players are aware of their futility. Still, the lure of wealth and their hopelessness in solving various personal monetary issues push them further into the game's abyss.
After the shock of discovering 1MDB and the brazen ways the ruling elite manipulated the nation's wealth and sovereignty, Malaysians took to the streets to change the status quo. They believed they had the best candidate in Malaysia's disgraced former deputy Prime Minister. Citizens with differing ideologies on how a country should be governed united to oust Goliath from his throne. In this struggle, natural prey and predators joined forces. The prey wished their predators would turn vegetarian, while the predators hoped their food could live another day.
Thus, individuals with various financial issues were lured into the Squid Game as players. They convinced themselves they would only partake in this dangerous game until they had sufficient money. Once that was achieved, they would return to their everyday lives. Only when the moolah began rolling in did they reveal their true colours. Some are inherently malevolent, but the rest tolerate them. When push came to shove, their true forms manifested in full glory.
In Malaysia, once power started coming into their hands, the newly elected leaders, who were supposed to be flagbearers of the new dawn, recoiled into the malaise of their predecessors. Like the pigs in Animal Farm, they soon appeared as bipeds, forgetting their usual struggle to stay aground on all fours. The pigs use the same lingo, address the issues in the same manner, and continue the same oppressive laws. The intoxicating plunge into power gives our leaders the compulsion to stay in power forever, using whatever is available at their disposal, race, religion, distorted history, money or the convincing nod from the divine powers.