Not illegal, just skirting the truth.

Illegal (1955)
Director: Lewis Allen

https://www.blu-ray.com/Illegal/331947/

I ended up watching this film after seeing Mariska Hargitay's documentary about her mother, Jayne Mansfield. This must be one of Jayne Mansfield's earlier films, in which she played a minor role.

It is observed that Mansfield's character reflects that of Marilyn Monroe in 'Asphalt Jungle', another noir film. From the beginning, viewers are given an impression of how the law can be so flexible that it can be bent to suit the perspectives of the articulate speaker and a clever lawyer. An innocent man is sentenced to death, only for the actual perpetrator to make a dying declaration. His confession arrived too late, as it could not prevent the execution. Even though everything was done legally, the reality was that an innocent person was dead.

Then, the said lawyer, who had won the case as the prosecuting officer, after going on a drinking binge, defends another man in court illegally when someone boasts that he is a professional boxer and cannot be defeated. The lawyer punches him with rolled-up coins under his clenched hand to make his point.

Lawyers often manipulate the law to serve their own interests. When the mentioned lawyer transitions into private practice, an accountant arrives at his office with a stash of money. He had misappropriated funds from his firm. Here, we see how the clever lawyer shields his client from prosecution while protecting the accountant's employers from the embarrassment of losing the client's money. He does all this not to uphold justice but to prioritise his personal gains. Above all, he ensures he receives his professional fees first. Therefore, a lawyer works for his own benefit, bending the law and the truth to suit himself and his client, but certainly not in pursuit of universal justice.

The story shows him becoming involved with the local mob. Ironically, he ends up working for, unwittingly, the same person he once despised as a prosecutor. The film highlights his theatrical antics in a different trial. His client is accused of poisoning someone and causing their death. To demonstrate that the supposed poison was harmless, the lawyer drinks the contents of the bottle displayed during the trial as Exhibit A. This casts doubt on the chemist's report to the court, allowing his client to evade conviction. What no one else knew was that the lawyer left during an expected recess, due to the uproar caused by his antics, to undergo stomach lavage and evacuate the poison from his system. 

So, when lawyers say that having adequate legal redress is a human right, what they really mean is that we should find a way to get you out. Nothing more, nothing less! Jayne Mansfield portrays a dumb blonde musician and mistress who gets tossed around like a ragdoll but rises to the occasion when her conscience pricks. 

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The prick of the conscience?

Scarlet Street (1945)
Director: Fritz Lang

This film bears a striking resemblance to Lang's 1944 movie, 'The Woman at the Window' (1944). Not only are the lead actors identical, but the plot is also the same. Both stories depict a middle-aged married man engaging in an illicit liaison with another woman, a femme fatale. The 1944 version sought to avoid controversy through a subtle, cautionary ending—that it was all just a dream—and thus avoided the scrutiny of censors. The 1945 film attracted opposition from censorship boards in three states: New York, Milwaukee, and Atlanta. These boards believed it was their duty to censor films that were 'obscene, indecent, immoral, inhuman, sacrilegious' or whose screening 'would tend to corrupt morals or incite to crime.'

Edward G Robinson portrays the most uninteresting man in the world. Working as a cashier for 25 years with an impeccable record, Chris is trapped in a loveless marriage. Chris's wife, Adele, is a foul-mouthed woman who thinks Chris is a good-for-nothing. She lives in the memory of her first husband, a policeman who drowned trying to save someone. In reality, her first husband was a crooked policeman who was attempting to rob the drowning woman. He also faked his own death to escape his wife's loud mouth.

Chris rescues a pretty lady, Kitty, who is being harassed by a roadside thug. Chris believes the lady is in love with him and tries to start an affair with her. Chris has a hobby: he paints. Unbeknownst to him, his paintings are quite good. Long story short, Kitty and the thug are actually a couple. They try to cheat the love-struck Chris out of his paintings, and Kitty sells them as her own. After discovering he'd been duped, Chris gets into an argument and kills her. Kitty's boyfriend is framed for her death and eventually faces the gallows. Chris gets away free, but his conscience pricks him, and he soon becomes mad, wandering aimlessly without a job or a home.

The censors believed that Chris' not paying for his crime in the traditional sense was not seen as poetic justice. The fact that the police and the courts were condemning the wrong person did not cast the police in a positive light during a time when America was attempting to strengthen the police force.

An entertaining melodramatic film from the past where theatrics took precedence over natural acting, and morality codes dictated how stories were told. 

This work is licensed under a Creative Commons Attribution 4.0 International License.