RIFLE RANGE BOY: The watershed moment!

Beatles '64 (Documentary, 2024)
Director: David Tedeschi.

I suppose the world will never have enough of the Fab Four. In 1995, when Apple Corps released the Beatles Anthology 1, the world went wild. It was marketed as a collection of long-lost recordings yet to be released. The band had not put out an album since their breakup in 1970 and had not performed together since the 'Let It Be' rooftop concert, so the audience was eager for some classic tunes.

The first anthology was undeniably nostalgic. It featured the Beatles' unfinished track, 'Free as a Bird.' By then, two of the four members had passed away, and their voices were electronically blended. The result was a spark in the eyes of every Beatles fan. The music video showcased numerous old black-and-white photographs from their time in Liverpool as young lads. The other songs were reworks of their earlier hits, showcasing their playful moments in the studio and experiments with alternative tempos and arrangements for their music.

In this way, two more anthologies followed shortly after. By then, the frenzy had subsided. Occasionally, there would be one or two feature films centred around Beatlemania. That was all until Martin Scorsese embarked on a project to release some footage from their archives of the recordings made during the Beatles' remarkable first trip to the USA. People realised that they could never get enough of the Beatles.

Mass hysteria?
https://www.quora.com/How-did-the-elderly-perceive-
The-Beatles-in-the-60s

America was in mourning after JFK's assassination in November 1963. The music industry was already poised to encourage the public to move on. In a calculated move, it planned a transcontinental cultural exchange to bring the British music sensation, the Beatles, to perform in the USA. To this end, the album 'I Want to Hold Your Hand' was released, with hopes that their visit to the US would introduce and boost sales there. Previously, British performers had not fared well in America.

Unexpectedly, 'I Want to Hold Your Hand' hit the Top 10 in December 1963. So, when the Beatles arrived in New York in February 1964, the US witnessed an unprecedented phenomenon of adolescent girls screaming their lungs out for no apparent reason. The girls featured in the 1964 footage were interviewed in this documentary, yet none could explain why they were screaming at the time. Such is the power of the human mind. Monkey see, monkey do.

Ali is the greatest!
Bettmann Archive

The older section of society could not grasp what all the fuss was about. Still reeling from the loss of their beloved President, they only saw four young chaps with peculiar haircuts and fashionable suits. They thought they were merely a fleeting trend accompanied by loud music. Nevertheless, they were indifferent. In America, they had Elvis Presley with his sensuous gyrating moves and lyrics rich with sexual innuendos, female singers lamenting their romantic tribulations, and the Beach Boys serenading with their ever-popular surfing songs. The Beatles seemed harmless enough.

The Beatles soon graced three Ed Sullivan shows, including concerts in Washington, D.C., and Florida. They even paid a visit to Cassius Clay (Muhammad Ali) as he prepared to face Sonny Liston.

The Beatles' appearance on The Ed Sullivan Show marked a pivotal moment. It signalled the beginning of the British Invasion in music.

(P.S. Ringo is named Ringo because he wore various rings and frequently changed them. His given name is Richard Starkey.)