Amaran (Immortal; Tamil, 2024)
As a movie, it is produced in a very high-quality way. It narrates the life and times of now deceased Major Mukund Varadarajan of the Indian Army's Rajput Regiment. He fell during a counterterrorism operation in Jammu-Kashmir in April 2014. He posthumously received the Ashok Chakra award. His widow, Indhu Rebecca Varghese, tells the story, depicting their initial meeting at college, marriage, and long-distance relationship through his services in the Indian Army. It is a compelling movie which would definitely raise the spirit of any Indian worth his salt.
Director: Rajkumar Periasamy
A Tamil movie of the same name was made in 1992. It was a full-scale gangster movie that was initially banned from Malaysian theatres but finally screened after the censors went on a snipping spree. It was deemed too violent. The film ended suddenly as the final showdown between the hero (Karthik) and the baddies had too much gore. The Malaysian Censor Board butchered it so much that I watched a movie that was left hanging with an abrupt end, and the hall lights turned on, much to the audience's confusion about whether there was an emergency of sorts.
This time around, there was violence, gore and death, but it is a legitimate form of ending one's life; that is the government's sanction war against ideologies which are hellbent on destroying peace. We call this patriotism, not turf war.
I think one particular scene in the movie highlights the whole business of war and the use of religion in justifying war. An Indian soldier of the Muslim faith is captured by Islamic terrorists in the stone-pelting areas of Kashmir. The soldier is kneeling, with hands tied behind and head bent, waiting to be beheaded. He is chanting Holy Quranic verses. Holding a sword above the soldier's neck is a young jihadi who is cheered by a mob reciting the Islamic verses too. Which God are they fighting for anyway? If there is one up there, God will have a hard time choosing sides.
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Maj Mukund Varadarajan |
There was nothing terrible about the movie. The chemistry between the actors Sivakarthikeyaan and Sai Pallavi, who portray Mukund and Indhu, is spot on. Watching the film without subtitles, one realises that the message gets clear and crisp, even when speaking Tamil and the other Malayalam. It is a truly Indian film, as Hindi, English, Tamil, and Malayalam are spoken within the same verse without causing any confusion.
Detractors found nothing to complain about the movie. So they stooped so slow to complain that the film went beyond the call of duty to portray Muslims as the bad guys. Hello, the Kashmir issue has been initiated by a country that carved itself out of India on religious terms. Then, they complained that Major Mukund's caste did not get any prominence in the story as the filmmakers showed his family and the wedding celebration. It was an understanding between the family and the producers not to highlight their Brahmin caste.
This good Diwali movie will wet the eyes of those with sensitive souls. It is based on the book series India's Most Fearless: True Stories of Modern Military Heroes by Shiv Aroor and Rahul Singh.
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