Life with its ups and downs!

The Boy and the Heron (2023)
Director and Written: Hayao Miyazaki

I did not know much about this director until recently, but he has been a cult figure among those who enjoy Japanese cartoons. No, his brand of cartoons does not fall under manga, anime, or adult cartoons; instead, it carries a rather philosophical message. In fact, this particular offering is a semi-autobiographical one that the filmmaker made ten years after his retirement. In keeping with the coming-of-age era, the story is set in late 1930s Japan when the country is steeped knee-deep in the Pacific War. 

It starts with Mahito, a young boy who gets up from sleep to find his mother trapped in a great fire. His mother subsequently succumbs to the fire. His father remarries his wife's sister, whom Mahito finds challenging to connect with.

Mahito moves to a new town to live with his pregnant stepmother. As Japan prepares for war, we see Mahita finding it challenging to fit into his new school and accept his new mum. A grey heron keeps hounding him. Mahito soon discovers a mysterious tower and a secret hidden beneath it.

Mahito soon enters a dream-like state into a bizarre new world, where he meets his deceased mother and maternal grandfather. His grandfather had an ambitious plan to create a utopia, and Mahito is the selected successor to continue the plan. 

One cannot help but think that many scenes give the sense of déjà vu. There are scenes reminiscent of 'Alice in Wonderland'. I swear that one reminded me of Snow White in a glass casket. And not to forget the 1970s favourite Japanese cartoon, Marco - From the Apennines to the Andes, where Marco goes in search of his mother from port to port from Japan to Argentina.

The take-home message in this film is that life has its ups and downs, losses, and heartaches. We should not change anything in it but accept all the sadness and happiness in stride.

This work is licensed under a Creative Commons Attribution 4.0 International License.