A field day for the dark triad!

The Hater (Hejter, Polish; 2020)

It is not something that we do not already know. The cyberspace has become where everything is made possible; a false narrative can be oft-repeated the gospel truth. Truth can be bent to suit the flavour of the day. A non-issue can be made the next game-changer. Deepfakes can change the path of one's career or fate. Destiny is determined by the trolls and influencers.

There is a concerted effort by news spreaders to mould one's thought process in sync to the agenda of their paymasters. 

The modern world, it seems, is divided into the right conservatives who yearn for the good old times when the world was a place of milk and honey, where politicians were honest, policemen cared for the public (not look at them as perps) and outdoors were healthy. At the red corner is the leftist who basically plays devil's advocate aim for anarchy and pushes the boundary to the point of entropy. 

The leftists, outwardly seem to have the downtrodden at heart. They appear to fight for the plight of the oppressed and the minorities. They go all out to tarnish governments and civil societies just to create mayhem. They are the true wolves in sheep clothing but the internet has the ability to expose these but who is buying it? It looks like the democratisation of information does not make people wiser, but rather more confused.

The Hater shows us the modern world of the 21st century. Social media is the primary way to access people and get people's assessment of anything the 'majority' feels relevant. The problem is that the 'majority' is not the true majority, but a fake one propagated by paid trolls. They spread 'lies' (or bent truth, who knows?) of alleged fascism, Islamophobia, homophobia, misogyny or abuse all over the net. Are they opportunistic scumbags, victims of online culture that has destroyed decency or are there just to earn a living?

Tomasz, a law student who got expelled from his law school accused of plagiarism, moves around in a daze, hiding the fact even from his sponsors. His sponsors, a rich couple who delves with art pieces and moves in high society, had earlier taken a liking to him during one of their summer vacations. Tomasz realises that his guardians are putting a front when dealing with him. He proves it by leaving his mobile phone recorder on as he left their home, just to their vile sneering. 

He is living during heady times in Poland, where the society is struggling to keep its borders closed to immigration. Tomasz's sponsors' associate, a left-wing politician, is sympathetic towards immigrants.

As the movie progresses, we see Tomasz's almost psychopathic behaviour as he uses his position as a computer whiz in a PR firm to expose the hypocrisy of the leftists and make himself a hero through a series of truth-bending social media messages. 

It seems that the militant ultra-right-wing terrorists have another platform to communicate. If radiofrequency or cyberspace can be intercepted, now they can communicate freely incognito via the numerous game platforms that computer gaming can offer. Peoples' brains have all been so fried up that they cannot appreciate what is real and what is mirage anymore. We have way past passing the Turing test. And we do not know what is good and what is bad anymore.

The net has become a fertile ground for individuals with nefarious

intentions to churn out untruths and spew vile baseless accusations

under the cloak of anonymity. The globalist has set the agenda and
anyone found not conforming this narrative is cancelled off in this
new culture. Back during the pre-internet days, to break a 

functioning society it took slippery Machiavellian manoeuvres. 

In the cyberspace, psychopaths are having a field day. A single 
negative remark and the herd will follow, aided by the algorithm.

(Credit: AqS)

This work is licensed under a Creative Commons Attribution 4.0 International License.